AVALIAÇÃO DA IMDb
7,3/10
7,1 mil
SUA AVALIAÇÃO
Piel, uma criança de 7 a 8 anos, vive apenas no planeta deserto Perdide e é o único sobrevivente de um ataque de aviões gigantes.Piel, uma criança de 7 a 8 anos, vive apenas no planeta deserto Perdide e é o único sobrevivente de um ataque de aviões gigantes.Piel, uma criança de 7 a 8 anos, vive apenas no planeta deserto Perdide e é o único sobrevivente de um ataque de aviões gigantes.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 1 indicação no total
Jean Valmont
- Jaffar
- (narração)
Michel Elias
- Silbad
- (narração)
Frédéric Legros
- Piel
- (narração)
Yves-Marie Maurin
- Matton
- (narração)
- (as Yves-Marie)
Monique Thierry
- Belle
- (narração)
Sady Rebbot
- Claude
- (narração)
Patrick Baujin
- Jad
- (narração)
Pierre Tourneur
- Yula
- (narração)
Alain Cuny
- Xul
- (narração)
Yves Brainville
- Général
- (narração)
Michel Barbey
- Igor
- (narração)
Jim Bauman
- Lowry
- (narração)
Michel Paulin
- Pixa
- (narração)
François Chaumette
- Robot
- (narração)
Henry Djanik
- Un soldat
- (narração)
Nick Storey
- L'anglais
- (narração)
Gabriel Cattand
- Pirate
- (narração)
Georges Atlas
- Iroquois
- (narração)
Avaliações em destaque
I accidentally found this film, on YouTube to top it all, and was amazed how nice it was. The animation is in the French style of animation from the early 80's, so not fantastic, but the imagination and weirdness of it all more than compensate.
I think what I loved most about the film was the European feel of the plot. Characters are weird, each with their own quirks, not just bad or good, while the events are really imaginative. The planets, the creatures, the kind of interactions, all wonderful.
Bottom line: a gem that I had no idea existed, it will probably make me watch other Laloux movies, even if originally I just wanted to see the drawings of Moebius. At just 80 minutes, it would be a shame to not have seen it once.
I think what I loved most about the film was the European feel of the plot. Characters are weird, each with their own quirks, not just bad or good, while the events are really imaginative. The planets, the creatures, the kind of interactions, all wonderful.
Bottom line: a gem that I had no idea existed, it will probably make me watch other Laloux movies, even if originally I just wanted to see the drawings of Moebius. At just 80 minutes, it would be a shame to not have seen it once.
Despite having the English title as Time Masters, there isn't any time component in its core story, though it gets shoved quite haphazardly into the revelation, which seemed to have come from the blind side, and took me by surprise for a bit. Didn't see it coming, but on hindsight, it came woefully too late though, leaving things wrapped up fairly quickly in the last act, that made it a little unsatisfactory, and treading very close to a cop out of sorts.
A 1980s animated movie, it does present a time travel of sorts for the viewer. After having being so used to 3D or computer graphics being the tool of choice to churn out feature length animated movies, this did seem like a blast from the past, but still standing the test of time after 25 years. I guess with the science fiction genre, it does provide it an additional age in terms of longevity (like Tron). Here, the movie opens with a chase sequence over an eclectic synthesized soundtrack, where the boy Piel and his father is on a flight from some hornet creatures. Before his dad met his demise, he gives Piel an egg like communicator, and had radioed his good friend Jaffar for assistance to rescue his son.
Here on the movie takes on two parts. First, PIel and his surviving amongst various encounters and creatures from within a strange forested area within the desert planet of Perdide, while waiting for Jaffar to arrive. And on the other track, Jaffar and his crew of token love interest Belle, technical wizard Silbad, two psychic stowaway gnomes in Jad and Yula, and fugitive Prince Matton. engage in a series of adventures, dealing with internal bickering, as well as external threats such as on the Gamma 10 planet with its faceless winged creatures.
While the animation is rudimentary simple in today's terms, the story does take on an interesting, mature dimension, especially with characterization. I particularly liked the gnomes as they provide clue-ins of sorts as they prepare you for what's possibly coming up, as well as to add some comedic elements into the storyline like a Laurel and Hardy. Piel too as the child shines through with real child-like qualities, which I thought was something different as he doesn't suddenly becomes a hero, which is so common in a typical story in today's setting, and what I thought was quite refreshing - let the kid stay a kid! And the designs by Moebius is just plain wicked, making the movie truly a sight to behold. Is there any more that you can ask for in a science fiction space adventure?
A 1980s animated movie, it does present a time travel of sorts for the viewer. After having being so used to 3D or computer graphics being the tool of choice to churn out feature length animated movies, this did seem like a blast from the past, but still standing the test of time after 25 years. I guess with the science fiction genre, it does provide it an additional age in terms of longevity (like Tron). Here, the movie opens with a chase sequence over an eclectic synthesized soundtrack, where the boy Piel and his father is on a flight from some hornet creatures. Before his dad met his demise, he gives Piel an egg like communicator, and had radioed his good friend Jaffar for assistance to rescue his son.
Here on the movie takes on two parts. First, PIel and his surviving amongst various encounters and creatures from within a strange forested area within the desert planet of Perdide, while waiting for Jaffar to arrive. And on the other track, Jaffar and his crew of token love interest Belle, technical wizard Silbad, two psychic stowaway gnomes in Jad and Yula, and fugitive Prince Matton. engage in a series of adventures, dealing with internal bickering, as well as external threats such as on the Gamma 10 planet with its faceless winged creatures.
While the animation is rudimentary simple in today's terms, the story does take on an interesting, mature dimension, especially with characterization. I particularly liked the gnomes as they provide clue-ins of sorts as they prepare you for what's possibly coming up, as well as to add some comedic elements into the storyline like a Laurel and Hardy. Piel too as the child shines through with real child-like qualities, which I thought was something different as he doesn't suddenly becomes a hero, which is so common in a typical story in today's setting, and what I thought was quite refreshing - let the kid stay a kid! And the designs by Moebius is just plain wicked, making the movie truly a sight to behold. Is there any more that you can ask for in a science fiction space adventure?
I saw this film when I was about 15 when it was shown on British television. I was already a big fan of Alien and Bladerunner but didn't realise then that Jean Giraud (moebius), the concept artist behind some of the costumes on those films was the artist behind this film. The film made a big impression on me and I spent years trying to find out what it was. Finally I described it to an anime-fan friend of mine and he knew it. Although animation has moved on I still think the look of the film is really good, and the story is quite unsettling especially when you're on the planet with the boy, there is a real sense of menace. There's a body count! okay so it's a little bit dated, there are two pretty cheesy songs in it and a cute moppet kid but that's part of it's charm. Don't forget it was made in the early eighties (in fact it looks more seventies). I'll give it an 9/10, i'm afraid it loses one because of the songs.
Animation is the perfect medium for sci-fi. Unfortunately, few animated sci-fi films have lived up to their potential. French animation master René Laloux is definitely one who let his imagination run amok in his medium. He is best known for his 1973 film Fantastic Planet. He must have had a difficult time getting funded for other projects, because he only ever made two more features. He died just a year ago. Time Masters is his second feature (he made another in 1988, called Light Years). The animation is very primitive, and not in the inventive primitiveness of Fantastic Planet. But, what it lacks in animation, it more than makes up for with its imagination. It's simply wonderful to behold. I especially love those two little telepathic creatures, referred to as "gnomes". The story is good, if not great. The ending is quite clever. I was wishing that it had gone on for at least a half an hour longer, but I won't complain, given the limited amount of material Laloux was able to produce in his lifetime.
As much as I did love Fantastic Planet, I think Time Masters is the better film. It is a spectacular sci-fi film and as an animated film too. While the incidental music is great and fits with each scene very well, the songs for me are nothing special and one or two don't do much to enhance the story.
That said, the story is wonderfully creative, imaginative and clever with a promising intense atmosphere and a convincing twist, and the characters are all likable with great personalities. The dialogue is simple without being too simplistic and mature without being too convoluted. The best asset about Time Masters asides from the story is the animation. The character designs are good enough, but considering when it was made the backgrounds and colours are quite stunning.
Overall, a spectacular film. 9/10 Bethany Cox
That said, the story is wonderfully creative, imaginative and clever with a promising intense atmosphere and a convincing twist, and the characters are all likable with great personalities. The dialogue is simple without being too simplistic and mature without being too convoluted. The best asset about Time Masters asides from the story is the animation. The character designs are good enough, but considering when it was made the backgrounds and colours are quite stunning.
Overall, a spectacular film. 9/10 Bethany Cox
Você sabia?
- CuriosidadesThe sounds of the giant insects were created via recording onions frying in a pan.
- Citações
Angel: The creature denies happiness!
- ConexõesFeatured in Troldspejlet: Episode #14.3 (1996)
- Trilhas sonorasLe Chanteur Galactique
Music by Jean-Pierre Bourtayre
Lyrics by Jacques Lanzmann
Performed by Michel Elias
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- How long is The Time Masters?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 43.686
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.368
- 28 de jul. de 2024
- Faturamento bruto mundial
- US$ 67.303
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