Aileen: Vida e Morte de Uma Serial Killer

This is a documentary dealing with the appeal of Aileen Wuornos murder convictions . Don't worry I have no idea who she was either and it's only when I'm told that Charlize Theron played her in MONSTER that I discovered who she was . Try asking someone who Aileen Wuornos was and they'll give a similar blank response , and it's only with the words " Charlize Theron - Monster " that their memory will be jogged . Somewhat sad that an acting performance is better known than a series of real life crimes

Nick Broomfield's documentary is black comedy of the highest order , he's worth a myriad of Michael Moores' and lets the facts speak for themselves . Wuornos employed " Dr Legal " at her original trial , a man , or rather spaced out hippy , with no legal experience and no office who attended court after smoking as many as seven joints . I can respect Dr Legal as a toker but how on Earth was someone like that able to defend someone on multiple murder charges ? We're later shown someone claiming being gay is a very modern invention :

" Where were the gays years ago ? "

" In the closet ? "

" No there weren't any gays years ago , they didn't exist back then . Were there any gays when you were at school ? "

" I went to a British public school . We invented it along with the Greeks "

Broomfield is very much anti death penalty and he's also very much against the cheque book circus that surrounded the case , but perhaps the beauty of this documentary is that despite being biased Broomfield doesn't feel the need to twist facts into lies or treat the audience as retarded schoolchildren , if you agree with the death penalty this documentary won't change your mind but does raise serious questions about the American legal system

Almost a decade after he made his original documentary around the trial of Aileen Wuornos, Nick Broomfield is surprised to open his door one morning and be served with a subpoena to attend what would turn out to be Wuornos final appeal. After being heavily criticised for editing his film to give false impressions, Broomfield's involvement is finished when Wuornos gives up on her appeal and volunteers for the death sentence. Broomfield continues his documentary, looking back at the original trial and getting several interviews with Aileen before her death.

I have not seen the film Monster but I may rent it out after seeing this film as it has raised my interest and given me more factual background to the story than I imagine a Hollywood film would give me. I'm not a massive fan of Broomfield and I was amused to see him being slightly hauled over the coals in court over his editing (the implication being that he made it look like Aileen's lawyer had smoked several spliffs before coming to advise her). However, despite opening himself to this criticism, Broomfield starts looking at the case and digs up some interesting fans, but the real value of the film is the interviews with Wuornos herself. While the film has plenty of little legal points about whether or not she was well advised and about how the media seemed to vilify her more than other similar male killers, it is almost impossible to agree with the penalty when you hear Wuornos talking.

Throughout the film her story changes and I was confused as to what the truth was as she seemed to be lying with every other word. We are then given background of abuse and tough living conditions and suggestions that she is the creation of her harsh and unpleasant background. Despite some interviews (particularly with her mother) that cast doubt on her life, the overwhelming impression of her youth is one of suffering, hardship and cruelty. On top of this, Wuornos herself is increasingly erratic and is clearly not in her right mind – reason enough for locking her away for life rather than killing her. She appears to be suffering from some form of split personality – one moment talking calmly to Nick, the next swearing non-stop at the courts to let her die. The idea that Bush's competency hearing lasting 15 minutes just makes matters worse.

Broomfield is clearly a liberal and is very against the death penalty (his comment 'it has been proven that the death penalty is no deterrent' is just lazy) and this does give the film a real slant in Aileen's favour. Despite this the film is still chilling – it is not totally clear what is true and what isn't but there are two things that are very clear. Firstly, there is no doubt that Aileen killed those men and that (in my opinion) self-defence is no defence for all of them. Secondly, Aileen is not in her right mind and should not have been killed but should have been jailed for life. It is chilling that so much is stacked in her favour and that Wuornos is only one of many people involved who want to flick the switch.

Overall, this is not an easy watch and even the Bush brothers would maybe have doubts over her death penalty. Her last interview descends into total paranoia and instability and is horrible to watch – I was left in no doubt that she deserved jail but in no way did this woman deserve to be killed. It is a well made film despite some bias from Nick and the end result is a chilling film that really made me worry about the systems in some states in the US that seem to treat the death penalty with such ease – like Nick says in reference to the physiological competency test, 'it makes you wonder what you have to do to fail'. After this film Broomfield was interviewed in The Times and said 'When I moved to the US in the 1970's, I had a real belief that it was the land of the free. For me this film marked the end of that belief' – it is to the film's credit that many viewers will be shaken in the same way.

Nick Broomfield's second Aileen Wuernos doco (with Joan Churchill) does not walk the same hallways as the first, but it explores how the first, "The Selling of a Serial Killer", impacted the serial killer's mostly miserable life.

Wuernos's claim that the police department left her alone to kill so that they could ultimately sell the story rights to Hollywood is given a lot of play here. Broomfield doesn't take it up any further with the cops themselves (he did some of that in the original doc), but he does include fascinating footage of his own experience as a documentary "witness" to the dope smoking of "Dr. Legal", Aileen's first lawyer.

Aileen's final speech, almost directly to camera, is powerful and raw, much like the rest of this doco.

Some material feels whipped to death, but the revelations about the killer's childhood (at thirteen, after giving birth, she lived in the woods behind her house during a snowy winter) certainly help us to understand her better.

Worth seeing, but I feel that it would work better on the small screen.

The documentary `Aileen: Life and Death of a Serial Killer' provides an interesting companion piece to `Monster,' the film that earned Charlize Theron the Academy Award for Best Actress of 2003. This is actually the second documentary British filmmaker Nick Broomfield has made about Aileen Wuornos, a prostitute who was executed in Florida in 2002 for the murders of seven of her johns during the late 1980's. His first film on the subject was made in 1992 during Aileen's initial trial. Now, ten years later, he is back recording Aileen's final days, trying to get her to reveal the unvarnished truth about what really happened all those years ago.

Broomfield does not pretend to be totally fair and unbiased in his presentation of the case. He is clearly sympathetic to Aileen and is not shy about voicing his own opposition to the death penalty. Nevertheless, the film he has made offers a meaningful glimpse into the mind of a killer, as well as the role that the legal system and the media play in sensational murder cases. Broomfield spends much of his time visiting Aileen's childhood home, interviewing people close to her, chronicling the events of the trial, and documenting Aileen's time in prison. But the most compelling scenes are those in which he interviews Aileen herself, prodding her to open up and reveal whether she committed the murders out of self-defense as she claims or whether she killed her victims to steal their money as the prosecution successfully argued. The main bone of contention between filmmaker and subject centers around the first killing. Through footage taken at her trial, Broomfield shows how, on the witness stand, Aileen wove a compelling and convincing tale of how that first murder came about. According to Aileen, her first victim was attacking and raping her, causing her to reach into her purse, grab her pistol and shoot him dead. Indeed, this is the way in which `Monster' portrays the scene as occurring. Yet, in 2002, Broomfield captures a much different account, as Aileen confesses point blank to the camera that the story was a bald-faced lie she came up with to engender sympathy for herself with the jury (it clearly didn't work). Later in the film, however, Aileen reverses the story again and implies that the first killing was indeed an act of self-defense.

`Aileen: Life and Death of a Serial Killer' is a depressing and disturbing film on a number of levels. First, it places us face-to-face with the incomprehensible mindset of a cold-blooded murderer. Aileen comes across at times as warm and rational, honest about her guilt and repentant for the pain she's caused. At other times, she explodes in anger at friend and foe alike, cusses a blue streak, calls vile curses down on those she feels have wronged her, and blames everyone but herself for the fate that has befallen her. Second, the film makes us question whether one can ever really know if a person is telling the truth, even under oath. Third, it makes us wonder just how many people there are out there whose messed-up lives and upbringings can lead to this type of dangerous antisocial behavior. Fourth, Aileen's clear and intense paranoia even up to the day of her execution – she was convinced that the police knew all about her killings long before they brought her in and let her go on killing so that they could get rich off her story - clearly raises questions as to just how `sane' she really was when the state of Florida sent her to her death. Though, by the end, Broomfield is generally convinced that Aileen was a pathological liar and most likely guilty of first degree murder, he does not let all the other parties in the case off the hook that easily. He is quick to point out the shoddy defense she received in her original trial, as well as the way in which many of her closest friends and even some Florida law enforcement officials made money off her by selling her story to various media outlets. This film offers a stinging indictment of all the parties involved in this case.

One could wish for a little less personal involvement on the part of the filmmaker. Too often we feel that he has sacrificed his objectivity, that he isn't providing us with all the angles on the story we need to render a fair and reasonable judgment. For instance, he spends virtually no time interviewing the loved ones of the men Aileen slaughtered. Still, if you've seen `Monster,' `Aileen: Life and Death of a Serial Killer' will provide further insight into that film's dark subject. It will also show you just how extraordinary a job Theron did in capturing the real woman at the story's core.

A sad documentary, but then again, you don't expect sunshine and rainbows when watching a film about a serial killer. It's a film about system failure. How a system hopelessly failed a child, an adolescent and then an adult and the devastating consequences of these failings. Can't help but think Aileen's life may have turned out slightly differently had better systems and support being in place from early life. Rest in peace to her seven victims and Aileen herself.