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IMDbPro

Andando Sobre As Águas

Título original: Walk on Water
  • 2004
  • R
  • 1 h 43 min
AVALIAÇÃO DA IMDb
7,3/10
7,2 mil
SUA AVALIAÇÃO
Lior Ashkenazi, Knut Berger, and Caroline Peters in Andando Sobre As Águas (2004)
Home Video Trailer from Sony Pictures Home Entertainment
Reproduzir trailer1:50
5 vídeos
13 fotos
DramaMysteryThriller

Adicionar um enredo no seu idiomaFollowing the suicide of his wife, an Israeli intelligence agent is assigned to befriend the grandchildren of a Nazi war criminal.Following the suicide of his wife, an Israeli intelligence agent is assigned to befriend the grandchildren of a Nazi war criminal.Following the suicide of his wife, an Israeli intelligence agent is assigned to befriend the grandchildren of a Nazi war criminal.

  • Direção
    • Eytan Fox
  • Roteiristas
    • Knut Berger
    • Caroline Peters
    • Andreas Struck
  • Artistas
    • Lior Ashkenazi
    • Knut Berger
    • Caroline Peters
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,3/10
    7,2 mil
    SUA AVALIAÇÃO
    • Direção
      • Eytan Fox
    • Roteiristas
      • Knut Berger
      • Caroline Peters
      • Andreas Struck
    • Artistas
      • Lior Ashkenazi
      • Knut Berger
      • Caroline Peters
    • 76Avaliações de usuários
    • 49Avaliações da crítica
    • 65Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 4 vitórias e 10 indicações no total

    Vídeos5

    Walk on Water
    Trailer 1:50
    Walk on Water
    Walk On Water Scene: Clip 2
    Clip 2:10
    Walk On Water Scene: Clip 2
    Walk On Water Scene: Clip 2
    Clip 2:10
    Walk On Water Scene: Clip 2
    Walk On Water Scene: Clip 3
    Clip 2:49
    Walk On Water Scene: Clip 3
    Walk On Water Scene: Clip 4
    Clip 1:28
    Walk On Water Scene: Clip 4
    Walk On Water Scene: Clip 1
    Clip 0:59
    Walk On Water Scene: Clip 1

    Fotos12

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
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    + 6
    Ver pôster

    Elenco principal27

    Editar
    Lior Ashkenazi
    Lior Ashkenazi
    • Eyal
    Knut Berger
    • Axel Himmelman
    Caroline Peters
    Caroline Peters
    • Pia Himmelman
    Gideon Shemer
    Gideon Shemer
    • Menachem
    • (as Gidon Shemer)
    Carola Regnier
    • Axel's Mother
    Hanns Zischler
    Hanns Zischler
    • Axel's Father
    Ernest Lenart
    • Alfred Himmelman
    Eyal Rozales
    Eyal Rozales
    • Jello
    Yousef 'Joe' Sweid
    Yousef 'Joe' Sweid
    • Rafik
    Imad Jabarin
    Imad Jabarin
    • Rafik's uncle
    Sivan Sasson
    Sivan Sasson
    • Weapons Instructor
    Natali Shilman
    Natali Shilman
    • Iris
    • (as Natali Szylman)
    Hugo Yarden
    • Kibbuz Director
    Joshua Simon
    • Kibbuz Singer
    Tom Rahav
    • Kibbuz Singer
    Imke Barnstedt
    • Helga
    Yuval Semo
    Yuval Semo
    • Guy with a Cell Phone
    Adi Eisenman
    • Mossad Agent
    • Direção
      • Eytan Fox
    • Roteiristas
      • Knut Berger
      • Caroline Peters
      • Andreas Struck
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários76

    7,37.1K
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    Avaliações em destaque

    8Galina_movie_fan

    A very good and courageous movie,

    "Walk on Water" is courageous film, confidently directed by Eytan Fox based on the screenplay written by his partner Gal Uchovsky and well acted. Its subject is a Mossad's agent whose new mission is to hunt the former Nazi criminal who lives nowadays somewhere in South America. In order to trace him, Eyal (Lior Ashkenazi) takes a job as a tourist guide for the grandson of war criminal - sociable, open, friendly young German, Axel. Axel arrives to Israel to visit his sister Pia who chose to live in Israel and work in a kibbutz and to talk her into reconciling with their parents. Eyal drives Alex in his SUV, shows him the country. They sit on the coast of Dead Sea, both smeared by celebrated therapeutic mud from neck to toes. In another scene, Alex tries to walk on the water of Kinarteth (the Sea of Galilee); three of them visit the gay- bar in Tel Aviv - Alex does not hide his sexual orientation.

    The characters are interesting and compelling. The story is engaging and I feel connected to the movie the way very few movies make me. I recognize the places I've been to and I've come to love and to dream of seeing them again and again. The film starts in Istanbul, Turkey on the boat over the Bosphor and the guide talks about the bridge between Europe and Asia. I've been on the boat like that and I saw the bridge. Then the action takes place in Israel and I was happy to recognize Tel Aviv, Jerusalem, The Sea of Galilee (Kinereth), The Dead Sea where one just floats without swimming, the desert.

    The plot moves from Israel to Berlin where Eyal is visiting with his new friend's family. Alex's and Pia's father celebrates his anniversary and for the first time, a helpless dying old man arrives to Berlin, the Nazi criminal, Axel's and Pia's grandfather, Eyal's target. The film explores the moral dead ends of the modern society full of hostility and old unpaid debts. Eyal remembers the history of his country and its people, he knows not from the books about Holocaust. He is a soldier and must be merciless but he has to learn something about understanding from his young German friend. Film attracts by the non-standard approach to the familiar themes of religious prejudices, homophobia, neo-fascism, newest terror and other sources of the hatred, which destroys the world. It would not surprise me to find out that the film has many detractors in Germany, Palestine, and in Israel. The final is a little too neat and belongs to the modern fairy tale genre. I see it as the director's dream that he wanted to come true - the people with different backgrounds, mentalities, history, and preferences would understand one another and would come toward one another with the open hearts and clean thoughts. Dreams, dreams...
    10schmo-2

    Highly recommended

    I don't know why other reviewers characterize the Eyal character as "racist" (just because he calls suicide bombers "animals" which is too good an epithet) or "homophobic" (just because he is asking about some technical details about gay relations). In my humble opinion, the movie is a fair description of Israeli realities, and German (or European) softness for terrorists. Being familiar with both Israeli and German realities I found was fascinated by the director's insights and by the fine acting of the three principals as well as the supporting actors. The music by Esther and Abi Ofarim and the nice mixture of German, Englicsh and Hebrew made the movie most enjoyable.
    9dmasursky

    Definitely worth seeing

    I won't bother to summarize the movie, because many of the existing user comments give very detailed descriptions of the plot (much more information than someone who hasn't seen the movie yet would want). I just want to encourage anyone who hasn't seen the movie to check it out. It's a provocative movie, exploring a bunch of interesting themes, including Israeli relations with both Palestinians and Germans. I also found it to be an engaging film, with interesting characters and many involving story lines. It's almost a fable or fairytale, which the title alludes to. Go in the right frame of mind and you'll enjoy the movie very much, as I did.
    9noralee

    Two Opposite Men Unpredictably Learn A Very Personal Detente

    "Walk on Water" piles layers of personal, family, religious, cultural, historical, employment, geopolitical, sexual, geographical, guilt and responsibility issues on two men -- and still makes it work as the gripping story of two individuals whose lives affect each other.

    I saw an interview with director Eytan Fox where he said he wanted to imagine the two most opposite men possible and make them deal with each other. With writer Gal Uchovsky, he focuses on two men who are almost philosophical constructs of dissimilarity yet they come across as real people whose actions and reactions are unpredictable.

    The central character Eyal is the quintessential sabra (Israeli-born native), a craggy, macho Mossad agent unable to discuss his feelings about his ravaged marriage, a child of a Holocaust survivor, fatigued with terrorist attacks and revenge, but in the opening moments efficiently murders a Hamas leader.

    He is sent by his mentor/father figure on a rogue mission that annoys him in every possible way -- going undercover to gain the confidence of a young German fully integrated into the EU whose every opinion, action, lifestyle and family background he despises, a continental take on "Donnie Brasco." They personify Faulkner's dictum that "The past is never dead. It's never even past." as each man learns that the measure of a man is not just what he does today and did yesterday, but the genetics and heritage that make up his identity and does influence his choices -- choices that we hold our breaths to see played out.

    Lior Ashkenazi captures the screen projecting the relaxed casualness of male camaraderie comfortable from years in the military and then his reactions as he gradually realizes he's been thrust into more complex situations.

    Though the situations get a bit too artfully complicated when their somewhat picaresque adventures range from the German's kibbutznik sister to Palestinians to skinheads and a somewhat unnecessary though emotionally satisfying coda, the dialog does refrain from a couple of the most obvious ironies as each man gradually reveals their true nature to each other.

    Hearing "Achtung!" amidst Israeli folk dancing is among the unusual juxtapositions in a movie where the characters can only communicate across the divides in English, amidst the three languages they speak among themselves.

    While the original music by Ivri Lider is particularly good at emphasizing the underlying emotional content and the diverse cultural environs they find themselves in, the selection of popular music they are listening to adds an additional level of knowing commentary, from the agent's preference for Bruce Springsteen, the avatar of rock 'n' masculinity (particularly the symbolism of him favoring "Tunnel of Love"), to European pop and oldies novelty songs to Israeli folk and popular songs, including the agent's great discomfort at having to translate a poignant romantic song from the Hebrew.
    8lastliberal

    It's not what you think

    This movie was billed as a film about a Mossad agent going after a war criminal. One would suspect something along the lines of The Bourne Identity or Munich. You would be sorely disappointed.

    This is a film about life and about people. It is about forgiving and forgetting. It's about "getting over it." It is about acceptance of others regardless of their national origin or sexual orientation.

    This film is full of surprises and it is how people deal with those surprises that is what is so fascinating about it. It is about generational differences and how the same thing affects the young and old.

    If you are interested in Holocaust films or Israeli-Palestinaian relations, then this is a film you will certainly enjoy.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Caroline Peters, who plays Pia, revealed in an interview on Israeli television that her actual grandfather was a Nazi, just like her character's grandfather in the film
    • Erros de gravação
      When Eyal visits Menachem's Berlin hotel, a shot down its hall reveals that all the rooms have Mezuzot on the doorframes. At the door to Menachem's room, the only room without a Mezuzah, there is a clearly visible unpainted patch from which the Mezuzah had been removed just for that shot. A Mezuzah is a small box filled with bible passages (Deuteronomy 6:4-9 and 11:13-21). Jews put them on the doorframes of houses and other buildings. Their presence reveals that the filmmakers used an Israeli location for that hotel instead of a German one.
    • Citações

      Axel Himmelman: [tries to walk on the sea and falls in]

      Eyal: [sarcastically] Bravo. You did it.

      Axel Himmelman: You don't understand. You can't just come to the Sea of Galilee and start walking on water. If you could, everybody would be doing it. You need to prepare yourself.

      Eyal: And how would you do that? Please enlighten me.

      Axel Himmelman: Well, you need to completely purify yourself. Your heart needs to be like it's clean from the inside: no negativity, no bad thoughts.

      Eyal: And then?

      Axel Himmelman: And then you can walk on water. I'm sure of it.

    • Conexões
      Featured in 2005 Glitter Awards (2005)
    • Trilhas sonoras
      Cinderella-Rockefella
      Written by Mason Williams and Nancy Ames

      Performed by Esther Ofarim and Abi Ofarim

    Principais escolhas

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    Perguntas frequentes18

    • How long is Walk on Water?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 18 de março de 2004 (Israel)
    • Países de origem
      • Israel
      • Suécia
    • Central de atendimento oficial
      • Official site (Spain)
    • Idiomas
      • Inglês
      • Alemão
      • Hebraico
      • Italiano
      • Turco
      • Árabe
    • Também conhecido como
      • Walk on Water
    • Locações de filme
      • Berlim, Alemanha
    • Empresas de produção
      • Israeli Film Fund
      • Lama Films
      • Fond Européen Média
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 2.713.932
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 60.465
      • 6 de mar. de 2005
    • Faturamento bruto mundial
      • US$ 4.444.265
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 43 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.85 : 1

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