AVALIAÇÃO DA IMDb
7,5/10
8,2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA woman falls for a charming and mysterious businessman. The whirlwind romance turns sour when she is framed for his underworld crimes. Now, finally out of prison she is ready for sweet reve... Ler tudoA woman falls for a charming and mysterious businessman. The whirlwind romance turns sour when she is framed for his underworld crimes. Now, finally out of prison she is ready for sweet revenge.A woman falls for a charming and mysterious businessman. The whirlwind romance turns sour when she is framed for his underworld crimes. Now, finally out of prison she is ready for sweet revenge.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 18 indicações no total
Pratima Kazmi
- Pramila
- (as Pratima Kajmi)
Abhay Bhargava
- Bhaisahab Nanda
- (as Abhay Bhargav)
Murari Kumar
- Murari
- (as Murari)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
In recent years, more and more Indian films are making their way to America. Just a decade or so ago, they were practically impossible to find. Now, Netflix, Hulu and even local cable channels carry Indian films. While they are not yet commonly watched by the average person in my country, this is quickly changing as people are realizing that India is making some great films.
Most of the films we have been getting are musicals--which are very popular in India. Most of these are also romances. However, a few films are NOT the same formulaic pictures (even though I like these romances, there is a certain sameness about many of them). A few of Satyajit Ray's films, gangster films (which I assume are VERY popular in India since I've seen so many) and comedies are also available--but you have to look a bit harder for them.
One of the best of these non-formula films I've recently seen is "Ek Hasina Thi". When I say non-formula, I mean that it has no production dance numbers and the film is much more realistic and gritty. And, because of this, the film is a nice change of pace and well worth your time.
This movie begins with a beautiful lady (Sarika) being stalked, somewhat, by a handsome young man (Karan). He is VERY persistent and a tad creepy--as he comes on really strong. But he's also very thoughtful and sweet and she falls for him...reluctantly. A bit later, one of Karan's 'friends' drops by her apartment and leaves a suitcase. Soon, she sees on the news that the man who visited her was a gangster and he's dead!! Sarika has no idea what to do and still thinks her boyfriend is what he claims to be--a guy who's made his fortune in stocks and bonds. This is a HUGE mistake, as soon the police arrive and find her with the suitcase and arrest her. And, based on advice from him and his sleaze-bag lawyer, she pleads guilty. These two told her the court would just release her and that would be that. Instead, she's given a huge sentence and sent to a hellish prison. She soon comes to realize that she's been set up to be the fall girl for a very bad man...and the quiet and sweet girl evolves into a very angry lady--one who is able to kill, if need be, to get revenge.
While I would normally say no more (as it might spoil the film), I noticed that IMDb's summary gives a LOT of information. So, it lets you know that she does escape prison and she does plot revenge. I really, really liked this--as it was exciting to see the mousy lady become a Rambo-like hero. However, very importantly, it was NOT all action and a lot of the crazy stuff she did was believable....at least compared to many revenge films. See this one--and see the really cool ending. Well made all around.
Most of the films we have been getting are musicals--which are very popular in India. Most of these are also romances. However, a few films are NOT the same formulaic pictures (even though I like these romances, there is a certain sameness about many of them). A few of Satyajit Ray's films, gangster films (which I assume are VERY popular in India since I've seen so many) and comedies are also available--but you have to look a bit harder for them.
One of the best of these non-formula films I've recently seen is "Ek Hasina Thi". When I say non-formula, I mean that it has no production dance numbers and the film is much more realistic and gritty. And, because of this, the film is a nice change of pace and well worth your time.
This movie begins with a beautiful lady (Sarika) being stalked, somewhat, by a handsome young man (Karan). He is VERY persistent and a tad creepy--as he comes on really strong. But he's also very thoughtful and sweet and she falls for him...reluctantly. A bit later, one of Karan's 'friends' drops by her apartment and leaves a suitcase. Soon, she sees on the news that the man who visited her was a gangster and he's dead!! Sarika has no idea what to do and still thinks her boyfriend is what he claims to be--a guy who's made his fortune in stocks and bonds. This is a HUGE mistake, as soon the police arrive and find her with the suitcase and arrest her. And, based on advice from him and his sleaze-bag lawyer, she pleads guilty. These two told her the court would just release her and that would be that. Instead, she's given a huge sentence and sent to a hellish prison. She soon comes to realize that she's been set up to be the fall girl for a very bad man...and the quiet and sweet girl evolves into a very angry lady--one who is able to kill, if need be, to get revenge.
While I would normally say no more (as it might spoil the film), I noticed that IMDb's summary gives a LOT of information. So, it lets you know that she does escape prison and she does plot revenge. I really, really liked this--as it was exciting to see the mousy lady become a Rambo-like hero. However, very importantly, it was NOT all action and a lot of the crazy stuff she did was believable....at least compared to many revenge films. See this one--and see the really cool ending. Well made all around.
Loved the film. It was gripping, well acted, beautifully shot and I changed my opinion about Urmila after this one. Boy, can she act and look good! She was great as the vulnerable girl and then amazing in the prison scenes. She was better than Saif, although he did a really good job playing the cold selfish man. There were times in the beginning when I thought he was leading her on, and then he would parry it off with some remark! I can see how this moved him on to his landmark role in Omkara.
The script was taut, the film was exceptionally well edited, had no songs and dances, and was real, brutal and honest for the most part. Yes there were some issues with the film. If you were stealthily stalking someone then it might not be a good idea to be dressed in hot pink, bright orange and bright red, and hardened criminals should be able to spot a closely following car. But I was not bothered much by this and other issues as I sat on the edge of my seat almost the whole time. And the director followed this up with Johnny Gaddaar! What talent! My two cents worth is that RGV should go back to production and giving chances to talented directors.
The script was taut, the film was exceptionally well edited, had no songs and dances, and was real, brutal and honest for the most part. Yes there were some issues with the film. If you were stealthily stalking someone then it might not be a good idea to be dressed in hot pink, bright orange and bright red, and hardened criminals should be able to spot a closely following car. But I was not bothered much by this and other issues as I sat on the edge of my seat almost the whole time. And the director followed this up with Johnny Gaddaar! What talent! My two cents worth is that RGV should go back to production and giving chances to talented directors.
Revenge stories are done to death in bollywood but this is different, never wrong a girl who loves you from heart . Movie charter a different chart with crisp editing and impactful dialogues urmila plays it's part in amazing way Saif once again proves he is underrated Direction is superb
...but EHT manages it very well. Its a refreshing change from the fare the we are regularly subjected to by Bollywood. There are no ridiculous song and dance sequences, no melodramatic dialogue delivery and even the gory action sequences are underplayed.
The movie is about a single girl living alone in Mumbai away from her family ("on her own terms" is what the reviews say) and how she deals with extraordinary circumstances that surround her meeting the man of her dreams (on the lines of Pacific Heights, or Sleeping with the Enemy). The movie suspiciously feels like its a remake of some Hollywood thriller, but without concrete evidence, I'll give it the benefit of the doubt.
The movie manages to remain realistic on the whole without giving in to the usual ludicrous melodrama and action scenes at the end. Having said that though, there are a few elements that are difficult to believe. For one, the occupation of the lead character, Sarika. Can a single girl really survive alone in Mumbai with her lifestyle as a booking agent in a travel firm? And for a single girl, she is amazingly gullible when a man woos and beds her. Is it really that easy? Finally, Ram Gopal Verma's penchant for introducing threatening and mysterious characters that turn out to be harmless and irrelevant (the neighbour, Kamdar and the talent scout) is getting old.
Even with its flaws, EHT deserves a high rating. Not because its a great movie or will be a classic someday, but because it simply offers a better movie going experience than most other Bollywood movies today. Its very nice to know that a movie without songs can hold its own, especially when it is mainline cinema.
The movie is about a single girl living alone in Mumbai away from her family ("on her own terms" is what the reviews say) and how she deals with extraordinary circumstances that surround her meeting the man of her dreams (on the lines of Pacific Heights, or Sleeping with the Enemy). The movie suspiciously feels like its a remake of some Hollywood thriller, but without concrete evidence, I'll give it the benefit of the doubt.
The movie manages to remain realistic on the whole without giving in to the usual ludicrous melodrama and action scenes at the end. Having said that though, there are a few elements that are difficult to believe. For one, the occupation of the lead character, Sarika. Can a single girl really survive alone in Mumbai with her lifestyle as a booking agent in a travel firm? And for a single girl, she is amazingly gullible when a man woos and beds her. Is it really that easy? Finally, Ram Gopal Verma's penchant for introducing threatening and mysterious characters that turn out to be harmless and irrelevant (the neighbour, Kamdar and the talent scout) is getting old.
Even with its flaws, EHT deserves a high rating. Not because its a great movie or will be a classic someday, but because it simply offers a better movie going experience than most other Bollywood movies today. Its very nice to know that a movie without songs can hold its own, especially when it is mainline cinema.
10S_Menon
From the production house of Ram Gopal Varma comes another powerful film about love, hatred, passion and revenge. "Ek Hasina Thi" is director Sriram Raghavan's debut film but you wouldn't be able to tell that after viewing this film. He puts other experienced Indian directors to shame with his debut film. He even surprasses Ram Gopal Varma at his own game.
"Ek Hasina Thi" tells a story of Sarika - a simple, working-class woman who seems to be content with her life until her chance encounter with a suave, ultra-cool individual - Karan. She falls in love with him and dreams of a future bliss, marital life. From there on, however, Sarika's world is completely turned upside down. Saying any more would ruin the premise of the film, not to mention, the experience of watching it, but I highly doubt any Bollywood film this year will make an impact on me the way "Ek Hasina Thi" did.
One of the major aspects that makes "Ek Hasina Thi" so powerful are the performances by the lead actors. Both of them, Saif and Urmila, give the performances of their careers. Saif Ali Khan, who is suddenly on a white-hot streak with films like "Dil Chahta Hai", "Darna Mana Hai", and the recent "Kal Ho Naa Ho" easily gives the finest performance of his career. Usually, in hindi films, villainous characters are shown to be mere caricatures - a snarl here, a facial contortion there, etc., but Saif Ali Khan plays Karan Rathod in such a subtle, cool, and horrifying real manner that the viewer almost sympathizes with him. If you thought he was great in "Dil Chahta Hai" and "Kal Ho Naa Ho", you will be completely unprepared for his volatile, brilliant performance here. Truly an award-worthy act. Urmila, who is getting much praise for her films in 2003, actually gives her career-best performance as well in "Ek Hasina Thi". In most of her films, Urmila tends to overact even when the character doesn't call for it. But, in "Ek Hasina Thi", Urmila goes through a wide array of emotions and does it very convincingly. Some of the prison sequences are heart-wrenching simply because of Urmila's act. Also, the initial scenes where Saif and Urmila meet are some of the best scenes in the film. They share such an intense and real chemistry. Bravo to both actors for portraying their characters so effectively.
As mentioned, director Sriram Raghavan gives the best debut film I've seen in years. Some of the camera angle, quick cuts, stylish close-ups he employs are just wonderful. There are no songs in the film, thankfully, which makes "Ek Hasina Thi" a much better viewing experience. The screenplay by Pooja Ladha Surti is solid. C.K. Muralidharan's cinematography is fantastic - probably better than any film Ram Gopal Varma has been associated with. Editing by Sanjib Datta is superb. Some of the cuts he makes are really innovative. Finally, Amar Mohile's background score is just excellent. It really suits the mood of the film. "Ek Hasina Thi" is easily Varma's finest production. In fact, "Ek Hasina Thi" is even better than Varma's own film - "Company". I look forward to seeing what Sriram Raghavan has to offer us next. "Ek Hasina Thi" is a film that should not be missed by anyone who appreciates intelligent, different, and profound cinema.
"Ek Hasina Thi" tells a story of Sarika - a simple, working-class woman who seems to be content with her life until her chance encounter with a suave, ultra-cool individual - Karan. She falls in love with him and dreams of a future bliss, marital life. From there on, however, Sarika's world is completely turned upside down. Saying any more would ruin the premise of the film, not to mention, the experience of watching it, but I highly doubt any Bollywood film this year will make an impact on me the way "Ek Hasina Thi" did.
One of the major aspects that makes "Ek Hasina Thi" so powerful are the performances by the lead actors. Both of them, Saif and Urmila, give the performances of their careers. Saif Ali Khan, who is suddenly on a white-hot streak with films like "Dil Chahta Hai", "Darna Mana Hai", and the recent "Kal Ho Naa Ho" easily gives the finest performance of his career. Usually, in hindi films, villainous characters are shown to be mere caricatures - a snarl here, a facial contortion there, etc., but Saif Ali Khan plays Karan Rathod in such a subtle, cool, and horrifying real manner that the viewer almost sympathizes with him. If you thought he was great in "Dil Chahta Hai" and "Kal Ho Naa Ho", you will be completely unprepared for his volatile, brilliant performance here. Truly an award-worthy act. Urmila, who is getting much praise for her films in 2003, actually gives her career-best performance as well in "Ek Hasina Thi". In most of her films, Urmila tends to overact even when the character doesn't call for it. But, in "Ek Hasina Thi", Urmila goes through a wide array of emotions and does it very convincingly. Some of the prison sequences are heart-wrenching simply because of Urmila's act. Also, the initial scenes where Saif and Urmila meet are some of the best scenes in the film. They share such an intense and real chemistry. Bravo to both actors for portraying their characters so effectively.
As mentioned, director Sriram Raghavan gives the best debut film I've seen in years. Some of the camera angle, quick cuts, stylish close-ups he employs are just wonderful. There are no songs in the film, thankfully, which makes "Ek Hasina Thi" a much better viewing experience. The screenplay by Pooja Ladha Surti is solid. C.K. Muralidharan's cinematography is fantastic - probably better than any film Ram Gopal Varma has been associated with. Editing by Sanjib Datta is superb. Some of the cuts he makes are really innovative. Finally, Amar Mohile's background score is just excellent. It really suits the mood of the film. "Ek Hasina Thi" is easily Varma's finest production. In fact, "Ek Hasina Thi" is even better than Varma's own film - "Company". I look forward to seeing what Sriram Raghavan has to offer us next. "Ek Hasina Thi" is a film that should not be missed by anyone who appreciates intelligent, different, and profound cinema.
Você sabia?
- CuriosidadesSome of the story is inspired by the initial part of Sidney Sheldon's "If Tomorrow Comes".
- Erros de gravaçãoSaif's car shows a yellow license plate which means it's a commercial vehicle, which can be driven by a driver holding a commercial license only.
- ConexõesFeatured in 50th Filmfare Awards (2005)
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- How long is Ek Hasina Thi?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- ₹ 80.000.000 (estimativa)
- Tempo de duração2 horas
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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