O Samurai do Entardecer

Hiroyuki Sanada (Western audiences may recognize him from his recent turn as Ujio from The Last Samurai, 2003), carries this film with his masterful acting, making the portrayal of "Tasogarei Seibei" (a.k.a. a samurai jokingly called "Twilight" by his colleagues), a poignant and memorable portrayal of a true hero.

Sanada plays Seibei Iguchi, a poor, 50-koku ranked samurai who has to support his two daughters and a senile mother, due to the passing away of his wife. The structure and plot turns of the story are simple, but fascinating to watch unfold, and it is perhaps the simplicity and novelistic grace of the narrative that makes the film so remarkable. Seibei works as a scribe with his fellow samurai, and always has to rush home after work to attend to his duties as a father. He lets hygieine slowly slide into second priority (resulting in rather unkempt clothes and socks), but in general, he doesn't seem to care: his two daughters he treasures above all other things. When a woman named Tomoe, a childhood friend that Seibei was particularly fond of, suddenly re-appers into his life, Seibei makes certain decisions that he ultimately ends up regretting later. The rest of the story is full of very interesting plot develoments, playing with the audience's expectations (especially with the relationship between Tomoe and Seiebi), and although the film is not a traditional samurai film in that it does not have alot of action scenes, the composition of the tale, and its "storytelling" invocation (one of the daughters narrates) is good enough to keep you watching.

Hiroyuki Sanada playing Seibei is really a marvel to watch; he adds a very sensible depth and modesty to the character, and infuses it with some understated comic acting as well. At the end of the film, after the climatic final battle, Sanada is able to make the character of Seibei resonate with a very unconventional but nonetheless strong and beautiful heroism. Sanada is really a very talented thespian, and in this film, you may get to sample the sheer range of his great technique. For the world-class acting work he did in this film, he won a Japanese Academy Award, and the film also got noticed by the Oscars (nominated for Best Foreign Language Film, 2004). If there's a chance your able to catch this film in a local theatre (usually, it plays at Landmark) do so, you won't regret it. You'll be able to watch an excellent story unfold, and also see some of the finest acting in world cinema today.

Twilight Samurai

I don't have a top ten list of all time favorite films but if I did Twilight Samurai would be on it. Nominated for best foreign film the same year that the Hollywood film the last samurai got a few nominations it is impossible not to compare the two. While I enjoyed the Last Samurai and it's message of questioning western cultural imperialism Twilight Samurai is a film on whole different level.

LS is a bloated Hollywood epic that delivers intense battles with huge numbers and a unrealistic unsatisfying bullshit love story. Do we really believe that the woman who lost her husband to Tom Cruise the smelly drunk white would fall in love with him?

Twilight Samurai is the opposite in everyway and in everyway it is a better film that is bound to move to tears the hardest of yall out there. It is the story of a petty samurai who after the long lingering death of his wife finds himself become a devoted father.

When Twilight comes and the other samurai go out to drink, he rushes home to clean the house, tend the field and care for his daughters. He has lost track of his imagine, he smells and all he cares about is what is best for his daughters.

When his childhood crush returns and revolution looms this petty samurai is forced into confronting his status as a samurai. Unlike last samurai the small battle between two samurai's at the end is more emotionally involved that any CGI enhanced battle could ever be. The romance in the film is so sweet, tender and believable that is makes the film special.

This could not be as special as it is without excellent acting, direction and above all writing. Holy crap see this movie.

I approached director Yoji Yamada's period film anticipating the usual brew of flashing blades, unfathomable codes of honour and majestic arterial sprays but found instead a gently melancholic and beautifully played story of unspoken love and ethical struggle.

Seibei (a mesmerising less-is-more turn from Hiroyuki Sanada) is a low-ranking widowed samurai with a senile mother and two daughters, working in the castle's stores and taking in piecework to get by.

Grief at his wife's death has led him to turn his back on violence but he is confronted with it nonetheless, firstly as a result of the return of a childhood friend for whom he has strong feelings and who is fleeing her abusive marriage and, finally, when the politics of the day overtake his clan and he is ordered to carry out an assassination.

Seibei's struggle is not for outward respect but to find integrity within a social order over which he has no influence, making the bursts of violence all the more jarring.

Yamada's film is rightly compared to Kurosawa's work and its thoughtful, lyrical tone and themes resonate powerfully.

Twilight Samurai exemplifies the commitments of duty and sacrifice to one's children and one's community. The father -Seibei Iguchi- struggles between the honor he owes to his family and the demands of his work & fiefdom in feudal 16th century Japan. His character is not one of superficial envy engaging in many swordfights and long action sequences, instead this story seems to be as realistic as possible and profoundly moving as the viewers heart can help but go out to Iguchi in his struggle. This is an excellent film for any age or nationality to enjoy. I highly recommend Twilight Samurai It is already one of my all- time favorite films.

The settings and photography in this film are not "grand" but give the impression of realism and the grittiness of life in feudal times. The storytelling devices and attention to detail are core to the feeling I took away from this film, which was one of dipping into a tiny slice of time but seeing a myriad of ageless issues (honour, duty, grief, non-ambition, family priorities). However, what really impressed me was the way the main part (played by Hiroyuki Sanada) grew through the film. At the beginning of the film he seemed physically smaller, his whole demeanour and features were weak and insignificant. Having never seen him act before, I felt I was going to struggle to relate to this man as a lead role. It was incredible to see him (partly through acting and partly through subtle directing) grow into the figure we see at the end; he's taller with wide shoulders and strong features, yet remains a gentle and humble man. This is a very touching film and one which I could definitely watch over and over.