Hellbent: Halloween Sangrento

Some may feel that queer cinema was due for a slasher film. But what is the point really? It's no longer enough for me to see a film only because it features attractive men with hot bodies. What about story? Character development? Acting? Are these not important?

The premise of this film is as follows. A psycho killer stalks a group of gay friends on Halloween night. That's it. More frustrating is the fact that at the end, the audience is given no indication as to who the killer is or why he did what he did. Honestly, if these were straight characters, would such an unoriginal film get released or even made for that matter? There wasn't even much humor in the film to make the excessive gore easier to take. I especially disliked the scene in the bathroom where the most likable character was beheaded right after he expressed his happiness about getting a phone number from a guy he liked.

So now we have our gay slasher film. A step forward or a step backward?

Hellbent is the first gay slasher movie and it's great fun. The guys look great, there's a cute love story, the killer looks extremely sexy and there are some really gory scenes. The characters are nicely developed before some of them are killed. So you really care a bit about them, and that's more than you can say of most horror movies. Evidently it follows the rules of the slasher movie (the ten little Indians-scenario, the killer-behind-the door, etc.), but still it works. Sometimes the characters act just a bit too stupid, but that's just a minor point. I think that the ratings are really much too low, it's just a good slasher with some genuine scary moments. A great movie for a Saturday night.

I was fortunate enough to see a screening at Frameline's Gay and Lesbian film festival, and the audience went nuts. From the moment the lights went down this film kept the sold out crowd on the edge of their seats.

The story follows a group of friends in West Hollywood at a Halloween gathering, and is well written with some predictable yet well executed plot twists. The expected gore is also well done - just enough to keep you clutching at the arm rests! You can really tell that the writer/director is an avid fan of the genre, and that is what makes it great for the rest of us as well.

More importantly, it gives the queer audiences something of our own to relate to, after years of watching "Jamie Lee Curtis" et-al running from the likes of Jason, Freddy and Mike Myers. All I can say is it's about time!

As a straight but open minded guy I have to admit that I felt somewhat wary about watching this film. Thankfully (for me) the sex scenes were all very tame (rated BBFC 15 here in the UK), otherwise - and I don't mean this in a homophobic way - I would have found myself turning away. My reason for watching Hellbent is because I love slasher movies, the good, the bad and the ugly. This one features a big, muscular dude wearing a devilish mask who likes to severe boys heads. Overall I found the movie to be pretty decent. The gore isn't terribly graphic but just enough to enjoy. Much of the action takes place at a massive Halloween party in West Hollywood, well done for that. Acting is OK. Obviously not to every slasher fans taste but I quite liked it.

HELLBENT is a tough movie to classify. Yes, it is about a serial killer on one Halloween night in West Hollywood, but it also seems to be a light-hearted takeoff on all the silly teenage massacre horror films. Is it parody or was it meant to be a thriller? No matter, because what we get is an entertaining, well-paced, witty-scripted, full of tension foray through the clubs and alleyways of the very colorful West Hollywood Halloween atmosphere.

Don't search for story motivation: there doesn't seem to be one. A devil-garbed body builder beheads boys, leaving the corpses sans heads to the horror of the community just as Halloween festivities are beginning. Our main characters are four friends who are out for a good time, the leader of whom is costumed as a cop and in reality is a wannabe policeman who failed the course due the loss of an eye. His fellow friends are zippy, tight, and fun loving and along the way many of them fall victim to the 'devil's scythe' (and yes, that is shown in grisly detail!). There is a lot of chase action in dark rooms and darker woods and alleys and the fear quotient is pretty high. The problem is the ending, which doesn't answer any plot motivational questions and unfortunately leaves the door open for future follow-up adventures (or is this merely part of the parody of the multitudinous versions of Freddy, I Know What You Did Last Summer, etc teenie flicks?).

The cast is attractive and seems to be enjoying themselves as actors. The lighting and costuming and musical scoring are on a par with the best production values of films of this genre. In the end it is fun to see a thriller played solely in the gay community without preachy comparisons or strife with the straight folk. It is entertaining for everyone.