Uma jovem sem autoconfiança é amaldiçoada com um corpo envelhecido por uma bruxa odiosa. Sua única chance de quebrar o feitiço é um jovem feiticeiro em um castelo itinerante.Uma jovem sem autoconfiança é amaldiçoada com um corpo envelhecido por uma bruxa odiosa. Sua única chance de quebrar o feitiço é um jovem feiticeiro em um castelo itinerante.Uma jovem sem autoconfiança é amaldiçoada com um corpo envelhecido por uma bruxa odiosa. Sua única chance de quebrar o feitiço é um jovem feiticeiro em um castelo itinerante.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 14 vitórias e 20 indicações no total
Chieko Baishô
- Sophie
- (narração)
Takuya Kimura
- Howl
- (narração)
Tatsuya Gashûin
- Calcifer
- (narração)
Akihiro Miwa
- Witch of the Waste
- (narração)
Ryûnosuke Kamiki
- Markl
- (narração)
Mitsunori Isaki
- Page
- (narração)
Yô Ôizumi
- Turnip Head
- (narração)
- …
Akio Ôtsuka
- King
- (narração)
Daijirô Harada
- Heen
- (narração)
- …
Haruko Katô
- Suliman
- (narração)
Jean Simmons
- Grandma Sophie
- (English version)
- (narração)
Christian Bale
- Howl
- (English version)
- (narração)
Lauren Bacall
- Witch of the Waste
- (English version)
- (narração)
Blythe Danner
- Madame Suliman
- (English version)
- (narração)
Emily Mortimer
- Young Sophie
- (English version)
- (narração)
Josh Hutcherson
- Markl
- (English version)
- (narração)
Billy Crystal
- Calcifer
- (English version)
- (narração)
Jena Malone
- Lettie
- (English version)
- (narração)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Resumo
Reviewers say 'Howl's Moving Castle' highlights Miyazaki's signature themes of magic, strong female leads, and detailed worlds. Sophie's transformative journey and self-discovery are central. The animation is lauded for its breathtaking visuals and meticulous detail. However, some find it less original, with familiar elements and a simpler plot than Miyazaki's earlier films. Nonetheless, it is appreciated for its imaginative narrative, engaging characters, and the director's unique fusion of fantasy and reality.
Avaliações em destaque
The most beautiful anime film I have ever seen, Studio Ghibli proved to me that it is the undisputed best anime studio, the story of the film was very beautiful and the projections of the film were excellent, the characters of the film were beautifully written, especially the character of Hauru, it started narcissistic and ended completely differently, I liked the romantic relationship between Sophie and Hauru were awesome, and the film ending was so beautiful, I highly recommend watching it
When I read some four years ago that Diana Wynne Jones had sold the rights for Howl's Moving Castle to a Japanese animator, I wondered. The book (one of my very favorites, which I re-read at least once a year) takes several fairy-tale conventions and merrily turns them upside down. Ms Jones refuses to allow her imagination be neatly pigeonholed as hard sci-fi or straight fantasy, juvenile or adult. This story (as all of her stories) revels in word play. I really wondered how it would all come out translated into Japanese.
I'd never heard of Miyazaki. Then I saw Spirited Away, Princess Mononoke, The Cat Returns, and Kiki's Delivery Service. Wow. I think Ms Jones and Mr. Miyazaki must be kindred souls. His movies share a lot with her novels a whimsical sense of humor, impossible to pigeonhole into a category, magic and mischief, and a firm respect for the audience's intelligence. I began to pace the floor in anticipation of the movie.
I saw the movie today. I was not disappointed. The soul of the story is intact, Sophie and Howl and Calcifer are nearly as I imagined them. Yes, there are some plot adjustments. Think of it as the Series 12C version (for those who have read Ms Jones' Chrestomanci books.) The main elements are there, some re-arranged, some changed, yet with a full understanding of the original. Much like the 2004 version of Peter Pan much was changed, but the soul is the same.
For those who wonder, here are the differences between the movie and the novel. I've tried to phrase them carefully to avoid spoilers for either fans of Ms Jones's work who have yet to see the movie, and those who have seen the movie and have yet to read the book:
Why the witch bespells Sophie
Where the door opens when the dial points to black
Sophie's sister Martha, and the plot line involving sister Lettie are not in the movie Mrs. Pentstemmon, Miss Angorian, Mrs. Fairfax are also missing, but elements of each are woven into other characters in the movie Michael (Markl) is a different age The battles magical and military are quite different (but equally spectacular) The dog appears at a different time, with a different, yet just as mysterious, agenda The scarecrow's relationship with Sophie is different Thelevel of technology is different. (I did miss the 7-league boots)
My advice: go see the movie. It's magical and beautiful and funny. Then, if you are a Diana Wynne Jones fan, check out the rest of Miyazaki's films. Now is a great time, as many of his films are available on home DVD. If you are a Miyazaki fan, hie thee to a library or bookstore try Ms Jones' books. (There is a sequel to Howl's Moving Castle Castle in the Air.)
And enjoy!
I'd never heard of Miyazaki. Then I saw Spirited Away, Princess Mononoke, The Cat Returns, and Kiki's Delivery Service. Wow. I think Ms Jones and Mr. Miyazaki must be kindred souls. His movies share a lot with her novels a whimsical sense of humor, impossible to pigeonhole into a category, magic and mischief, and a firm respect for the audience's intelligence. I began to pace the floor in anticipation of the movie.
I saw the movie today. I was not disappointed. The soul of the story is intact, Sophie and Howl and Calcifer are nearly as I imagined them. Yes, there are some plot adjustments. Think of it as the Series 12C version (for those who have read Ms Jones' Chrestomanci books.) The main elements are there, some re-arranged, some changed, yet with a full understanding of the original. Much like the 2004 version of Peter Pan much was changed, but the soul is the same.
For those who wonder, here are the differences between the movie and the novel. I've tried to phrase them carefully to avoid spoilers for either fans of Ms Jones's work who have yet to see the movie, and those who have seen the movie and have yet to read the book:
Why the witch bespells Sophie
Where the door opens when the dial points to black
Sophie's sister Martha, and the plot line involving sister Lettie are not in the movie Mrs. Pentstemmon, Miss Angorian, Mrs. Fairfax are also missing, but elements of each are woven into other characters in the movie Michael (Markl) is a different age The battles magical and military are quite different (but equally spectacular) The dog appears at a different time, with a different, yet just as mysterious, agenda The scarecrow's relationship with Sophie is different Thelevel of technology is different. (I did miss the 7-league boots)
My advice: go see the movie. It's magical and beautiful and funny. Then, if you are a Diana Wynne Jones fan, check out the rest of Miyazaki's films. Now is a great time, as many of his films are available on home DVD. If you are a Miyazaki fan, hie thee to a library or bookstore try Ms Jones' books. (There is a sequel to Howl's Moving Castle Castle in the Air.)
And enjoy!
A very cinematically beautiful film with characters you just fall in love with. I won't lie, the plot is very hard to follow. If you've read the book, you can tell that miyazaki focused less on following the plot, more on making the film beautiful to watch, and as a result we are left with a story that has huge chunks missing and frankly doesn't make a lot of sense in places. But I'm not mad, because it is very, very beautiful to watch.
Howl's Moving Castle is as marvelous and magical as Miyazaki's other great work. Something in Disney's advertising or the description I read gave the false impression that it was going to be sub-standard work meaning it was still going to be better than anything DreamWorks Animation was doing (Madagascar was sooo pedestrian).
While not as awe-inspiring as Spirited Away or action-packed as Mononoke, it does work on the level of Kiki's Delivery Service as a girl is forced to be better than she thinks she can be (well, that's not a big surprise, that's all his films). And as with all Miyazaki stories, the story teaches without being preachy. And the lessons learned are represented in character changes and in the character's physical appearance as well. It's that same attention to detail that has made Pixar so great.
The animation is wonderful. The castle is itself is a mesh-mash of so many haphazardly arranged pieces that an engineer would have an aneurysm just sorting them all out and yet it works. Through magic, of course. The magic being Howl's and the authoritative hand of Miyazaki's direction. The airships (wow, airships in a Miyazaki film? Who would have thunk?) are great variations of one's he's used before and there are some rather dark and beautiful scenes of a world at war.
Most of the voice work was very strong including Christian Bale (Howl) and Emily Mortimer (as the young version of the heroine, Sophie). The voice that surprised me was Billy Crystal as Calcifer, the little flame that could. He's the heart of the castle and only annoyed at his first few scenes then becomes a very likable character.
There a few clunky moments in the plot line where transitions between story points weren't very strong, but overall it's another outstanding film from Studio Ghibli. Even my 40 year old partner, who had spent the day mountain biking, was dead tired and had never seen a Miyazaki film stayed awake for the entire 2 hours. When we left at 3:30 in the morning still jabbering away about all the imagery and meaning, we realized we had seen true art.
While not as awe-inspiring as Spirited Away or action-packed as Mononoke, it does work on the level of Kiki's Delivery Service as a girl is forced to be better than she thinks she can be (well, that's not a big surprise, that's all his films). And as with all Miyazaki stories, the story teaches without being preachy. And the lessons learned are represented in character changes and in the character's physical appearance as well. It's that same attention to detail that has made Pixar so great.
The animation is wonderful. The castle is itself is a mesh-mash of so many haphazardly arranged pieces that an engineer would have an aneurysm just sorting them all out and yet it works. Through magic, of course. The magic being Howl's and the authoritative hand of Miyazaki's direction. The airships (wow, airships in a Miyazaki film? Who would have thunk?) are great variations of one's he's used before and there are some rather dark and beautiful scenes of a world at war.
Most of the voice work was very strong including Christian Bale (Howl) and Emily Mortimer (as the young version of the heroine, Sophie). The voice that surprised me was Billy Crystal as Calcifer, the little flame that could. He's the heart of the castle and only annoyed at his first few scenes then becomes a very likable character.
There a few clunky moments in the plot line where transitions between story points weren't very strong, but overall it's another outstanding film from Studio Ghibli. Even my 40 year old partner, who had spent the day mountain biking, was dead tired and had never seen a Miyazaki film stayed awake for the entire 2 hours. When we left at 3:30 in the morning still jabbering away about all the imagery and meaning, we realized we had seen true art.
It's hard to make any movie that follow after 'Spirited Away' So, when you watch, you have to try and keep an open mind....which is hard to do since the characters, and the whole feel of the film seems so much like his previous works.
But what fun this film is! And interestingly beautiful. I could watch most any of his movies, just to look at the beautiful scenery. I love some of the incredible imagination that goes into his works.
I could easily recommend this film. No, it's not the better than the rest, but I feel it's definitely worth your time.
I look forward to seeing the film again, maybe I will understand some things a bit better.
But what fun this film is! And interestingly beautiful. I could watch most any of his movies, just to look at the beautiful scenery. I love some of the incredible imagination that goes into his works.
I could easily recommend this film. No, it's not the better than the rest, but I feel it's definitely worth your time.
I look forward to seeing the film again, maybe I will understand some things a bit better.
Você sabia?
- CuriosidadesUpon seeing A Viagem de Chihiro (2001), Christian Bale immediately agreed to play any role in this film. He didn't expect to get the titular role.
- Erros de gravaçãoSophie's top ribbon doesn't always reappear when she transforms back into her younger self.
- Citações
Howl: I feel terrible, like there's a weight on my chest.
Young Sophie: A heart's a heavy burden.
- ConexõesEdited into Miyazaki Dreams of Flying (2017)
- Trilhas sonorasSekai no Yakusoku
(Promise of the World)
Lyrics by Shuntarô Tanikawa
Music by Yumi Kimura
Arranged by Joe Hisaishi
Performed by Chieko Baishô
Courtesy of Tokuma Japan Communications
Principais escolhas
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- How long is Howl's Moving Castle?Fornecido pela Alexa
- Why is Howl hunted?
- Why does Howl have aliases?
- Was Diana Wynne Jones involved?
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- El increíble castillo vagabundo
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 24.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 9.173.958
- Fim de semana de estreia nos EUA e Canadá
- US$ 427.987
- 12 de jun. de 2005
- Faturamento bruto mundial
- US$ 241.534.231
- Tempo de duração1 hora 59 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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