Adicionar um enredo no seu idiomaWhen 21-year-old Leo, the oldest of four brothers, announces to his rural French family that he's HIV+ family bonds are tested. The family decides that 11-year-old Marcel, the youngest, is t... Ler tudoWhen 21-year-old Leo, the oldest of four brothers, announces to his rural French family that he's HIV+ family bonds are tested. The family decides that 11-year-old Marcel, the youngest, is too young to understand, and the family agrees to keep the unsettling news from him. Marcel... Ler tudoWhen 21-year-old Leo, the oldest of four brothers, announces to his rural French family that he's HIV+ family bonds are tested. The family decides that 11-year-old Marcel, the youngest, is too young to understand, and the family agrees to keep the unsettling news from him. Marcel overhears enough to understand that something amiss with Leo and when the two travel to P... Ler tudo
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Isn't it realistic that one so stricken might want to reach out to people who had held meaning in the past, but not really have any idea how to go about that in a prudent way? Or maybe there will be feelings of hatred or envy of those who are able to peacefully go through the normalcy of their lives, because they do not have this issue to suddenly contend with. Maybe one might for a moment become utterly irresponsible and uncaring, or self-destructive, for in the face of death, or certain pain and anguish, what of any shreds of a former morality may seem to truly matter?
I believe that this film accurately explores the potential universe of reactions in a powerfully communicative way. This maybe made the "narrative story" jerky or uncomfortable to watch or understand, but if so, welcome to THEIR world.
I don't believe that the makers of this film believe that this film, or any other, shows the definitive way things will happen under these circumstances. I think they know more than that...that they know that we all DON'T know and all bets are off, but in their work, here, they are going to explore and have the viewer live some of the possibilities. And I felt that as a viewer, they were very successful. I couldn't help but feel throughout this movie, things maybe I didn't want to feel, but I then I shouldn't watch a movie like this if I wanted to be protected. We all knew going into it what the subject matter was.
One thing that I thoroughly appreciated about the film was the physical affection and body contact among the various family members that seemed to disturb the sensibilities of some reviewers, when it is so clear to me that one valid reaction might be the family's desire (either being satisfied in actuality or else communicated metaphorically via the visual language of film) to utterly ABSORB every precious square inch of not only the body of the loved one that is soon to be falling apart, possibly into nothingness, but also those suddenly even-more- precious-than-ever-before who will remain after the one so stricken has gone, all of whom will have to live with this shared loss for the rest of their lives. And for the one stricken, to connect with the sweet human flesh of those whom he loves while he still can effect such a connection, I submit that the most fundamental and reliable communication of all may be through touch and the body, for the emotions and the intellect would be too much in a typhoon to be constant.
His family is keen to keep this information from his youngest brother (who is 12). Nafurally, his young brother hears this conversation and the film mostly follows his brother as he processes and deals with this information.
I found the reactions of most of the characters quite realistic and believable. From Marcel being angry about his family trying to keep everything, to various family members having emotional outbursts.
All in all the film handles its subject matter with a lot more maturity than most films about this subject that are made in places like America or England... particularly given when this film was made.
My main criticism is that it does come to a rather sudden end. Don't get me wrong... the end is conclusive. But it just felt to me like there was more story to be told. Inbetween the events of most of the film and the rather abrupt conclusion.
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- ConexõesReferences Os Embalos de Sábado à Noite (1977)
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- Tempo de duração1 hora 28 minutos
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- 1.78 : 1