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I was watching this movie and everything reminded me of the Gerrit Heijn kidnapping in the Netherlands in 1987. I even regognised the road and the bridge where the murder took place. It is near Wolfheze in the woods, just next to the A12 highway from Utrecht to Arnhem. I could find no credits anywhere and only one mention on Wikipedia. I can only suspect the family never gave permission for this movie. And I believe they are right. All the characters are flat and there is no depth in them. This movie could not hold my attention and I think it was a waste of time on three great actors. We have a Dutch saying: Shoemaker stay with your own tools, meaning you should always stick with what you do best. This is so true for Pieter Jan Brugge. A good producer does not make a good director

After all of the negative reviews I read about this movie, it was with reluctance and groaning that I agreed to watch it when my wife picked it out. I fully expected a bomb. What a pleasant surprise. "The Clearing" is, as many have pointed out, a slower moving film. Just because there is no action does not mean a film is bad. "The Clearing" is a drama with two story lines moving along in parallel. There is interesting dialogue building up to an uncertain climax. "The Clearing" held my interest and developed suspense. With an only 90 minute running time, I kept wondering how they were going to wrap everything up. And that is the strength of this movie. It is not formulaic. You will not guess the ending. All of the loose ends in both plot and character development come to a conclusion in the final minutes. All in all, much better than expected and well worth renting. 7/10

A low-key Suspenser emphasizing empathetic concerns at the expense of a more driving narrative. It is a talky affair with downbeat discussions and attention to melodramatic detail. The movie suffers and suffocates in its own self-consciousness and less than explanatory story.

It is a somewhat engaging affair of character flaws with a forever slow and steady pulse that builds some tension but never allows access to the deep demands of the style it presents.

The ending is better than the rest but is still quite unsatisfying and leaves the viewer unfulfilled with frustrations from the lackluster bemoaning's from listless and less than interesting people.

Wayne and Eileen Hayes appear to be the ideal couple. They have a successful business, live in a wealthy Pittsburgh suburb, and have two well-adjusted grown children. But when Wayne is kidnapped at gunpoint and held for ransom by a former employee, cracks in their armor begin to show. Based on the kidnapping of a Dutch industrialist, Pieter Jan Brugge's The Clearing shows two different takes on the American dream.

Robert Redford plays Wayne, a self-made car-rental executive who has become emotionally estranged from his wife and children. Willem Dafoe plays Arnold Mack, an unemployed man who sees himself as a failure and is unable to handle the success of his one-time employer. The film tells parallel stories that operate in different time frames, a unique device that deepens the puzzle. One thread revolves around Wayne, handcuffed and held at gunpoint by Arnold, being led through an area near the Great Smoky Mountains. The other revolves around Eileen (Helen Mirren) and her interactions with FBI investigator Ray Fuller (Matt Craven) who has set up his unit as a control center inside the Hayes home while the couple's children look on.

Redford is outstanding as the intense business tycoon, and Mirren gives one of her best performances, portraying a tightly controlled suburbanite wife who refuses to panic even when her husband misses a dinner party she told him to be on time for. She keeps going even when it is obvious that something has gone wrong -- swimming in her pool, holding a birthday party for her grandchild, and waiting before calling the police because she thinks that her husband may have left her. Eileen discovers through the FBI search of phone records that her husband has continued seeing another woman, a relationship he'd told her was broken off. She visits Wayne's mistress (Wendy Crewson), and retains her composure, showing emotion only in the way that she purses her lips. Always self-assured, she wants to know only where their trysts had taken place and what gifts he had brought her.

As Wayne and his abductor walk through the forest, they engage in conversations about their lives and about opportunity in America. Wayne says that he made himself what he is today, and that Arnold had the same opportunity but failed. Both play a cat-and-mouse game, but treat each other with grudging respect, and it is clear that they've both paid a price. Wayne admits that his he has lost the love of his wife because of his overindulgence in his work, and the lack of attention he paid to his children. He tells Arnold, "I love my wife... we have two beautiful kids, and I'm just getting to know them."

The Clearing is a quiet, thoughtful film that slowly builds suspense that is not released until the very end. Although there are some contrivances in the plot, the acting is superb throughout and the film works as a psychological thriller, a meditation on loss and regret, and a character study of two flawed but loving people who have forgotten how to express their joy in living.

Robert Redford is an icon. From the same DNA strand as Paul Newman and Clint Eastwood, younger viewers might not be as versed as to their contributions over the past fifty years of film. In fact, when I asked a just 20-something person at the office about Mr. Redford, I got films like The Last Castle, Spy Games and The Horse Whisperer as their reference to the name. No Butch Cassidy and the Sundance Kid. No The Candidate, and I won't even begin to explain the bewildered expression I received when I mentioned All The President's Men.

Based on this ignorance (the word sounds a lot stronger than it is intended), I don't expect to see the character driven The Clearing burning up the box office figures when it is released amongst a host of summer blockbusters. With it's three main stars being in their 40's, 50's and 60's, I expect that younger audiences might prefer some strange movie about a radioactive spider bitten school boy that opens the same week-end.

The Clearing is a story about a successful businessman, Wayne (Redford), who is kidnapped by down on his luck Arnold Mack (Willem Dafoe) and held for a ransom of $10 million in a secluded forest. Motive being solely money and a second chance at life, Arnold toys with Wayne's wife Eileen (Helen Mirren) and the F.B.I. sending them clues and cryptic instructions in efforts to secure his bounty. Like most kidnapping films, the movie can only end one of two ways really, and don't expect that to be revealed here.

The Clearing is not the first kidnapping movie and will be far from the last. Sometimes it is done well (Man on Fire), sometimes bad (Proof of Life) and most times, Hollywood and test audiences determine the ending or the amount of drama they will allow their leading cast to perform (Ransom).

That is why The Clearing was, well…refreshing. As a small, independent film, The Clearing doesn't have to answer to the harsh brass that sway their approach based on night vision goggles in darkened theaters. It can tell a story the way the filmmaker intended; raw, intense and without all the loose ends tied up like a front of the tree Christmas present.

Instead, director Pieter Jan Brugge can let his actors do what they do best and wow us with the way they work a camera and capture an audience using a look or a sneer. Pieter assembled the perfect cast for his directorial debut. Dafoe is subtle as the kidnapping brainchild, but he is also able to project a vulnerability that could have been awfully laughable in the hands of a lesser actor. Redford, coming off two paycheck roles in Spy Game and The Last Castle, is equally convincing as a man flawed in character and without excuses. When Wayne is confronted about his infidelity, he doesn't try to skirt the issue and there are no attempts to justify the action. Instead, his deep blue eyes are able to relay back to the audience that of a man who wishes things could have been different and who seems genuinely concerned about the hurt he may have caused others.

But maybe the best acting within the films running time is in the performance of Helen Mirren. Having to deal with the uncertainty of her husband, the confrontation with his mistress and an F.B.I. agent that tends to cause more harm than benefit, Mirren projects a woman of strength and stamina that is believable in her actions and in her approach to finding a fitting conclusion to the complex ordeal. Handling the situation with class and grace, yet frequently in panic over the possibilities, Mirren gives what is undoubtedly her strongest on screen performance in the past 10 years.

It was a bit of a surprise in 2004 when The Clearing appeared at the Sundance Film Festival in Utah. Not that it isn't the type of film that these festivals build their foundations upon, but the fact that this was the first starring vehicle for Redford to be shown at the festival to which he created. Looking at his last 10 or so role choices, a better selection could not have been made.

So for any of you younger folk that might find themselves to the end of this review, do yourself a favor and start to amass a viewing catalog that will include Redford, Newman and Eastwood while we still have time to enjoy their continued efforts. These great men might never be equaled. Heck, you don't expect one day to see an Adam Sandler Salad Dressing do you?