Evil - Raízes do Mal

Swedish "Ondskan" competed against a strong field in the Foreign Language Film category in last year's Oscar which was won deservedly by Canada's "Les Invasions Barbares". While my personal favorite is "Tasogare Seibei", Ondskan is a worthwhile contender.

The scene is familiar, boarding school bullying, upper class domination and violence. The message however is broader and more general. Ghandi has been mentioned a couple of times in the movie, which reminds me as well of the "enduring" heroes in the westerns in the fifties who adhere steadfastly to their principle, refusing to be provoked into violence (the best example is The Big Country). The motivation of the "hero" in Ondskan is however a little less lofty, as I'm going to explain.

Thanks to his dominating and sadistic step-father, Erik (Andreas Wilson) is well-equipped to endure violence and abuse when he is sent to a prestigious boarding school after causing a lot of problems at his local high school. While a veteran perpetrator of violence himself, Erik is effectively constrained as if by a spell cast by the boarding school: anyone fighting with a member of the student council will be expelled.

Most of the movie surrounds the senior students' tyrannizing over the juniors, and it gets a bit too long. There's no point in elaborating other than saying that the violence is not particularly graphic (accepting that some may disagree) and if you're going to throw up in the cinema, it's most likely due to some other revolting scenes, the details of which I'll spare. Although Erik's motivation in enduring the abuses and violence is essentially self-preservation (from expulsion), he does earn the audience admiration, which makes the poetic justice at the end rather sweet.

A great part of the movie's success owes to Wilson's excellent performance. Although most of the audience start with thinking that Erik is the "evil" character, they would soon turn completely around and empathize with him, and eventually love him. Also excellent is Henrik Lundstrom, playing Erik's meek, plump roommate who is victimizes as he becomes the villains' tool to break tough Erik. In addition to this affecting friendship, there are two other sub-plots which enrich the movie without detracting from the main theme. One is Erik's romance with a maid at the school. The other is his success with the school's swimming team.

Finally, one interesting point is that Erik's way out, his "court of final appeal", turns out to be indeed the legal route. While this makes it a little bit of a fairy tale ending, there is something to ponder over. There may really be numerous pockets of quasi jurisdictions such as the boarding school that really need to be straighten out by the real legal system. That point I'll leave to the legal experts.

I have lately been trawling through Swedish movies, in an effort to watch as many as I can. I have not yet come across one that I didn't at least appreciate. The Scandinavians are remarkable story-tellers, and can teach the rest of the world a thing or two about good story-telling in film. What surprises me the most is why it is the rest of the world does not know about and applaud this film. As an examination of bullying and abuse it is extraordinary.

"Ondskan" is the story of one teenage boy's experiences of bullying - both as a perpetrator and also from the receiving end - firstly at the hands of his bitter & twisted stepfather, then in the school-yard at his high school, and lastly at an exclusive boarding school to which he is sent by his mother. It is a highly charged movie, and will be too much for some more sensitive viewers, but tells a very important story of how it is bullying is perpetrated, justified, institutionalised, and then passed on so that the behaviour continues.

There is little to place this story in an historical context other than the music and the rather odd dress of the late 1950's. The culture of the school to which Erik Ponti is sent is one in which the members of the Council - the Boss Boys - ritually bully the younger boys, and the school staff turn a blind eye. To fight back by striking a Council member is to invite expulsion, and Erik cannot risk this. Andreas Wilson has a strong presence, and is believable as Erik, and Henrik Lundstrom, who plays the sensitive Pierre, is worthy of mention also. I came across this movie because I was searching for movies featuring Gustaf Skarsgard. In "Ondskan" Skarsgard plays the student we all want to hate - the top bully - and he does it well. Later in the movie we are given a brief insight into what drives him, and the degree of pain he experiences on a daily basis. Great writing!!

The only real gripe I had while watching this film was the swimming style of Erik's character. He was meant to be a top swimmer, and yet while doing freestyle his arms barely managed to get out of the water. With a swimming stroke like that he'd never make it to be top swimmer at any school. Picky, I know, but it bothered me.

If I could give this film 12 stars I would.

This is a great film. Truly outstanding. The characters are real and the story, however farfetched, rings true to life. Particularly enjoyable is the internal fight that transforms Erik from an angry youth to a man. And who could forget Andears' handsome good looks?!? Watch out Hollywood! Better prepare for the Swedish invasion! If you have the opportunity to see this film, do. It's well worth your time and money.

I would recommend Ondskan to anyone who is interested in coming-of-age films. American cinema has always been expert at such portrayals, and it is good to see so accomplished an example out of Sweden. I liked especially the fact that the director never wavers as he unmasks the unwholesome face of an angst-ridden, violence-prone, socially intransigent Swedish society of the not so long ago . Set in the fifties, mostly at a posh boarding school for the upper-class, where the sixth-form boys, led by an effete Swedish aristocrat, go about enforcing their arbitrary and violent rules while the faculty turn a blind eye, this film cleverly avoids the hooks, punches and triumphs of the underdog come to grips with the jack-booted status quo via his fists alone by allowing him to prevail to justice through the implementation of Swedish law. There are enough fisticuffs along the way, however, to satisfy the blood-thirsty among you. Well-acted, good script, beautiful cinematographic moments.

I was amazed at how excellent this film was. I just did not expect much and I was blown away. My first Mikael Hafstrom film was Derailed which also surprised me. It was not a great film but it was very good and much better than the general reviews that it garnered. It made me curious about Evil and I just cannot recommend this film enough. Andreas Wilson is terrific as the "title" character and the way his character develops is quite different from the way one might expect. You will be rooting for him to overcome the cruelty and evil that surrounds him throughout the film. If you enjoy coming of age tales do not miss this masterpiece. I look forward to Mr. Hafstroms future films. "1408" is up next and it sounds terrific.

One more thing, I just finished watching Saint Ralph and would highly recommend watching it as a double feature with "Evil". They really play well together.