Leis da Atração

Audrey Woods (Julianne Moore) and Daniel Rafferty (Pierce Brosnan) are New Yorks finest divorce attorneys, but when celebrity Couple (Parker Posey and Michael Sheen) raise the stakes in their divorce, Audrey and Daniel set out to make their cases and end up getting hitched themselves. For the sake of their reputations they must pretend that they are really in love.

Julianne Moore and Pierce Brosnan have a very good on-screen chemistry, and they are helped by some nice direction and a good script; there's plenty of laughs in this romantic comedy, but it's not a real tearjerker like some others in the genre.

7/10 A fine effort

I first saw this film through work at the cinema ( I work in care ). I enjoyed it so much I took my wife to see it to the next night and she enjoyed it to. This is a movie for people who are in love and or thinking about getting married or are married. Despite the humour their is a serious message ie not everything in life is easy and you need to be willing to compromise if you wish to find happiness with the one you love. Not all reviews of this film have been positive. My belief is these critics are not romantic people. This is a very hard film to dislike if you are a romantic person, my wife says I am. I look forward to buying it on DVD I recommend you do the same.

This movie reminds me of the romantic screwball comedies from the 30's, 40's and 50's. The movie succeeds in following the humor, witty dialogs and great pace witch made the romantic comedies of old so great. That is, until the ending. The entire ending is ruined, copy-pasted from every other average romantic comedy today (they split up, the guilty one realizes his/her fault and runs to his/her lover and spills his/her guts out... and they live happily ever after). It is not the director's fault, he even tried his best to make the ending not so sleazy (aka the excellent wedding scene). Pierce Brosnan is great, in some scenes even better then Moore, reminds me of Cary Grant, James Stewart in their best work (Bringing up Baby, The Philadelphia Story...). Brosnan is actually becoming a much better actor than he was 6-7 years before. Julianne Moore is, as always, excellent. The supporting is actually also great, from Sheen, Posey, Fisher, Dunn to the locals in the Irish village. All in all a great screwball comedy which has not been made in years, if the ending were any better...

Peter Howitt's "Laws of Attraction" is an excuse to present two attractive actors in a light comedy that should have been much better than what one sees on the screen.

Julianne Moore is one of the great actresses working in the American cinema these days. She projects a luminous presence in everything she undertakes. In fact, this gorgeous woman is about the best thing in the film. Pierce Brosnan, on the other hand, plays the rogue lawyer with no scruples. He will do anything to undermine the woman he is supposed to be in love with.

Some of the minor characters were fun to watch in action. Frances Fisher, who could be Ms. Moore's older sister in real life, has been called to played her mother! Yes, by the magic of this inspired casting, Ms. Fisher is the mother that, having a great figure, and a nice personality, can still attract men, on her own terms. She resents being called "mother", and frankly, who can blame her? Parker Posey is excellent, as usual. Nora Dunn, as Judge Abramowitz, shows she should be seen more often.

While there are some funny moments, the film feels flat at times.

Spencer Tracy and Katharine Hepburn, Cary Grant and Doris Day may have made better screwball comedies, but this one just about works, by downplaying punchlines and taking obvious idiocies as read, such as the leads' addictions to sweeties and their penchant for falling through doors or knocking things over. But with these traits, how is it their apartments are immaculate? A directorial faux-pas here.

Julianne Moore is wonderful as usual, playing the rather uptight divorce lawyer, impressed despite herself with Brosnan's physical attractions. She is a mistress of the personality contrasts: sweet smile against dagger-drawn eyes; disconcerted reactions with suave sophistication; professional aplomb in the courtroom, but slobbing out in front of the TV. She is not only determined to resist Brosnan but successfully compete against him, while her mother, brilliantly played by Frances Fisher, is determined to persuade her to accept his overtures. Frances Fisher almost steals the film with her over-the-top, much-married, society fashion character, distinctly contrasting with Julianne Moore's more stuffy persona (reminiscences of Edina and Saffy in Absolutely Fabulous?).

I cringed at the scenes in Ireland, but this film does not pretend to be anything other than a sweet-thing romantic comedy of deliberate game-playing. It doesn't go for stand-up jokes, but just bowls along happily in its overdose of sugar. Moore is marvelous in serious drama (The Hours and Far From Heaven) but is proving equally at home with zany comedy (see also Cookie's Fortune). Brosnan relies on his handsome looks to see him through any part, but his comedy timing is as excellent as Moore's. The characters' common clumsiness is as well-timed as anything Doris Day did in That Touch Of Mink, or Cary Grant in Monkey Business. Given that Brosnan and Moore are more often seen in adventure or drama, an outing into comedy does not go amiss and gives us a chance to see them do something different. I wasn't sure of the film to begin with, but it grew on me. As long as it is accepted as a light and frothy entertainment, with no other purpose than whiling away a Sunday afternoon in front of the fire with a box of chocolates, it's a fine movie. Does Frances Fisher ever play any other character than someone's mother?