Sob o Sol da Toscana

"Under the Tuscan Sun" is a polarizing film that seems to leave viewers (and critics) either in love with a story of growth and renewal or dismissive of its line. I'm firmly in the former camp.

Based so loosely on Frances Mayes's own account of her regeneration in beautiful Italy as to carry an end credit pronouncing that substantial fictionalization replaced key true details, writer and director Audrey Wells crafted a stunning vehicle for Diane Lane whose radiance projects from the screen powerfully. And in every scene.

Diane Lane, as the changed-from-the-memoir Frances, abandons San Francisco after her never shown cad husband divorces her, getting the house she once loved. Frances is a writer and literary critic. Why does she leave S.F.? Two of her closest friends give her a ticket for a gay bus tour of Italy and she jumps off the bus to look into a ramshackle old country house up for sale. Impetuosity? Definitely. Believable? Yes, actually.

Frances' new house isn't a handyman's special, it's a contractor's assurance of food on the table for a very long time. Frances adapts to the house and the locals with remarkable aplomb. Tuscany is sunny but its light fades before Frances's challenged but resilient commitment to not just restore a house but to create a home. The two aren't the same. I'm not sure how many male directors could so well create that reality.

Director Wells tells the story from a woman's heart but with a breadth of humor and drama that should appeal to anyone who wants to believe, or needs to hope, that there really is a light at the end of the tunnel of marital infidelity and dissolution.

Supporting Diane Lane is Sandra Oh as Patti, her closest friend. In relatively short scenes, Ms. Oh displays a lively and laconic grasp not only of her friend's life but also of her own which is not, as they say today, devoid of "issues."

Lindsay Duncan is Katharine, an older woman determined to hold on to her now fading attractiveness through a blend of humor, earthiness - and alcohol. Her character may be predictable but she's also fun.

Raoul Bova has garnered some press attention as handsome Marcello, the romantically available and affluent Italian. That's a character we've seen in many, many films and Bova delivers an expectedly satisfactory but hardly deep performance.

Yes, Diane Lane is beautiful but there is much more to her acting than a shining appearance. Her facial gestures, mirroring her emotions as they shift from moment to moment, are the product of extraordinary acting ability. And her character draws a powerful portrayal.

Credit also must go to cinematographer Geoffrey Simpson. Perhaps it would be impossible for a blind camera director to turn in anything but a gorgeous visage of rural and urban Italy but Simpson did do a marvelous job of making the locales come alive.

This is a film for adults, for people who can understand pain and the search for recovery and understand the difficulty of coming back from a space that once offered the mirage of safety and security.

I loved this film.

9/10.

Romance . It is the first conclusion and it is far to be wrong. But... . It is more. Because it is a sweet exploration of the second chance. Because...Tuscany, the real lead character. Because...lovely performances and the taste of coffee with few cinnamon flavor. And because, in many scenes, it could be your dream in facts. And, sure, because Diane Lane. So, just lovely.

I love this movie. I don't care if it was a "chic flick" or what. Whatever, it was so breathtakingly beautiful that anyone should be entranced by it's sheer visual assault on the senses. When you add great performances by a fine cast, and an interesting story, you can't loose. Who wouldn't love to escape for an hour or so to the Italian Sun? Even the ending was realistic.

This is the second movie I've seen lately that took place in a beautiful countryside Italian Villa. The other, "My House in Umbria" was equally eye catching and enjoyable.

But I think I've reached the point of satiation. If I have to see one more movie where the lead actress has nothing to do but make friends, remodel her gorgeous Tuscan Villa, eat gourmet food on her sunny patio in the garden, have no money worries, and not work, I think I might snap. I pray daily that Diane Lane and Maggie Smith will one day be slinging hash in a Barstow truckstop and experience the real world.

Diane Lane has always fascinated me, ever since I saw her debut movie, "A Little Romance," as a pre-teen. (She was in her early teens.) She has an elusive quality. She can look like a middle-aged, mom-next-door in one scene, and a girlish young woman in the next, seemingly without effort. Anyway, she is a consistently good actress, and, as Frances, is the one through whose eyes we see the story of "Under the Tuscan Sun." This is a delightful little movie, featuring lots of beautiful scenery, and containing some valuable messages: that love creates a family, and that oftentimes, our dreams come true in ways we would not have imagined. Sometimes, we have only to open our eyes to see the answers to our wishes right in front of us.

Poet and writer Frances Mayes became a household name when in 1996 she published "Under the Tuscan Sun", a book where she detailed how she and her new lover bought and renovated an abandoned villa in Tuscany, Italy. With her stylish prose, she made the book something more than a mere diary of the renovation and turned into a captivating chronicle of her trips through Italy and her familiarization with the country's rich culture. The book's detailed account of Mayes' trips attracted director Audrey Wells, who used the book's story of the renovation of an Italian villa as a basis for this charming romantic comedy set in Tuscany and starring Diane Lane.

Frances (Diane Lane) is a writer in her mid-30s currently suffering writer's block, but this is the lesser of her problems, as her husband suddenly decides to divorce her and as a result of legal issues, he keeps their house. Without a place to call home, Frances enters a state of depression, but her friend Patti (Sandra Oh) has a solution. Since Patti (who is a lesbian) has become pregnant, she and her partner offer Frances their tickets to Italy and convince her to take a holiday. While traveling through Tuscanny with the tour, Frances finds an abandoned villa for sale, and impulsively (and thanks to a series of consequences), she decides to buy it. "Under the Tuscan Sun" details France's efforts to renovate the villa and her life at the same time, as well as her encounters with many interesting characters from the beautiful Italian region.

Well, it is safe to point out that other than the tale of the renovation of an old house, Audrey Well's adaptation of the story has little to no resemblance to the book's plot. However, the way Wells mixes Mayes' Italian adventure with her character's own tribulations is almost perfect. True, the movie's plot is a bit typical and filled with some of the most common clichés in the romantic comedy genre, but it also offers some really nice (and unexpected) twists to the formula. While not exactly the detailed travelogue that Mayes' book is, this version of "Under the Tuscan Sun" really captures the magic of the Italian region and accurately shows off bits of the country's culture despite the funny use of classic stereotypes.

Director Audrey Wells takes a straight forward approach to her story, but wisely, takes full advantage of the location's awesome landscapes and the enormous talent of cinematographer Geoffrey Simpson. Together, Simpson and Wells create beautiful vistas of Italy's famous countryside that often mimic in a cleverly fashion some very well-known paintings of the same locations. The film's cinematography is definitely the movie's main asset, but it's not the only good thing in the film. While in terms of style Wells follows the romantic comedy formula somewhat to the letter, the movie is filled with a very human touch that most movies of this genre lack.

Diane Lane is simply perfect as the movie's main character, as while the role may be a bit typical, she truly added her talents to the part and made Frances a very real and likable woman. Sandra Oh is good as Frances' best friend Patti, although really less convincing than Lane. Vincent Riotta is the film's highlight, as the helpful Mr. Martini who also gives two or three lessons to the stranger in a strange land. Lindsay Duncan appears as the strange Katherine, and plays an over-the-top character with dignity and charm. Overall the rest of the cast was very good, with everyone being perfect to the part although nothing really special. By the way, watch out for a small appearance of legendary director Mario Monicelli in a small role.

It's impossible to compare the film to the book as they are both very different beasts, with very little in common; so fans of the book won't find a faithful adaptation despite the gorgeous images of Italy. As a film, "Under the Tuscan Sun" is a very effective melodrama, as while it's certainly sappy and silly at times, it offers a breath of fresh air when compared to other similar films. True, it's story may not be the most original one, but the way it's executed it's strangely charming, as if the beautiful cinematography and witty script were able to cast a magic spell on the viewers and simply captivate with their simple beauty.

It's easy to dismiss "Under the Tuscan Sun" as another silly romantic comedy filled with typical clichés and sappy situations; but while those descriptions often prove true to this film, there is something else, something more that this movie offers that makes it special, and a truly different experience to those used to watch the same plots in melodramas over and over. "Under the Tuscan Sun" may not be true to its source book, but it uses it cleverly to tells a really charming story. 7/10