Uma escritora compra uma vila na Toscana de forma impulsiva, a fim de mudar sua vida.Uma escritora compra uma vila na Toscana de forma impulsiva, a fim de mudar sua vida.Uma escritora compra uma vila na Toscana de forma impulsiva, a fim de mudar sua vida.
- Prêmios
- 5 indicações no total
Giulia Louise Steigerwalt
- Chiara
- (as Giulia Steigerwalt)
Avaliações em destaque
Admittedly, I was surprised. This isn't the type of movie that normally appeals to me, and yet I was really quite taken with it on a number of counts. It could be described as a very gentle movie (even mildly spiritual in some ways) full of sage advice about life and how to handle the disappointments that naturally appear, and - being somewhat stereotypically Italian in its presentation - it has a lot about love and romance and flirtatiousness in it. It even packs a bit of humour. Not a typical guy's movie, but still very pleasant viewing. What I particularly liked was the premise that essentially started the whole thing off. Frances (in a great performance by Diane Lane) discovers that her husband is having an affair, and they end up divorced - and, she being the primary bread winner - he gets the house and alimony. The lesson? When your life falls apart, move on to something completely different and start picking up the pieces. Frances buys a villa in Tuscany and restarts her life, with us watching. Her problems aren't solved. She seems to think that everything revolves around finding a man and romance, but - as her friend Martini points out near the end of the movie - she ends up with everything she wanted - just not in the way she expected to get it.
At times, it's a bit slow-paced, and it's not "exciting" in the way we think of the word, but it's got a quality that draws you into it. As far as the story is concerned, my only quibble might be the introduction of the character of "Ed" right at the end of the movie. Everything to that point had led to the understanding that Frances didn't need romance to be fulfilled; she had found her fulfillment with the people she had assembled around her, who had become a surrogate family. I suppose it's nice that she found someone to love, but the movie on the whole would have been more satisfying if it had ended with the gathering at the dinner table with all her friends - without Ed! That was an unsatisfying intrusion into an otherwise satisfying story. 7/10
At times, it's a bit slow-paced, and it's not "exciting" in the way we think of the word, but it's got a quality that draws you into it. As far as the story is concerned, my only quibble might be the introduction of the character of "Ed" right at the end of the movie. Everything to that point had led to the understanding that Frances didn't need romance to be fulfilled; she had found her fulfillment with the people she had assembled around her, who had become a surrogate family. I suppose it's nice that she found someone to love, but the movie on the whole would have been more satisfying if it had ended with the gathering at the dinner table with all her friends - without Ed! That was an unsatisfying intrusion into an otherwise satisfying story. 7/10
I love this movie. I don't care if it was a "chic flick" or what. Whatever, it was so breathtakingly beautiful that anyone should be entranced by it's sheer visual assault on the senses. When you add great performances by a fine cast, and an interesting story, you can't loose. Who wouldn't love to escape for an hour or so to the Italian Sun? Even the ending was realistic.
This is the second movie I've seen lately that took place in a beautiful countryside Italian Villa. The other, "My House in Umbria" was equally eye catching and enjoyable.
But I think I've reached the point of satiation. If I have to see one more movie where the lead actress has nothing to do but make friends, remodel her gorgeous Tuscan Villa, eat gourmet food on her sunny patio in the garden, have no money worries, and not work, I think I might snap. I pray daily that Diane Lane and Maggie Smith will one day be slinging hash in a Barstow truckstop and experience the real world.
This is the second movie I've seen lately that took place in a beautiful countryside Italian Villa. The other, "My House in Umbria" was equally eye catching and enjoyable.
But I think I've reached the point of satiation. If I have to see one more movie where the lead actress has nothing to do but make friends, remodel her gorgeous Tuscan Villa, eat gourmet food on her sunny patio in the garden, have no money worries, and not work, I think I might snap. I pray daily that Diane Lane and Maggie Smith will one day be slinging hash in a Barstow truckstop and experience the real world.
7=G=
In "Under the Tuscan Sun", a recently divorced American writer/critic (Lane) ventures to Italy where she sets about putting the pieces of her shattered life back together in the rustic, bucolic, scenic countryside of Tuscany. Lane registers a fine performance in this lighthearted drama spritzed with humor and romance which is as lovely as it is clumsy. Obvious in its attempts to tug at the heart-strings of romantics with all the expected Italian stereotypes and cliches, this flick received mixed reviews and will resonate most with more mature sentimentalists. Those who enjoy this film may want to check out V. Redgrave in "A Month by the Lake" (1995). (B)
Diane Lane has always fascinated me, ever since I saw her debut movie, "A Little Romance," as a pre-teen. (She was in her early teens.) She has an elusive quality. She can look like a middle-aged, mom-next-door in one scene, and a girlish young woman in the next, seemingly without effort. Anyway, she is a consistently good actress, and, as Frances, is the one through whose eyes we see the story of "Under the Tuscan Sun." This is a delightful little movie, featuring lots of beautiful scenery, and containing some valuable messages: that love creates a family, and that oftentimes, our dreams come true in ways we would not have imagined. Sometimes, we have only to open our eyes to see the answers to our wishes right in front of us.
So, I've heard this film got the beating because it wasn't like the book? Ah, well, trust me; I'm a huge book-lover (and Harry Potter fan), so I can say that if I had read the book and was an immense fan, I probably wouldn't have liked the film if it had taken the basis out of the original story. I truly sympathize with those of you who disliked this film because it did not go with the book in some way or another. ;)
Although, since I love writing myself, I have a very wonderful relationship with this film and its delicious scenery, how the characters in it build in confidence, and the whimsical things that seem to be thrown in it artfully. Yes, there are some so-called "cliches", which is a word I hate using. We use that word to describe things that happen every day in our life, things that repeat themselves in storybooks and films and are heard so often that we are likely to vomit with expectancy of it all. But the thing that hit me about this film is that a lot of things happen that you really don't expect. The coming-of-age story has been told for ages, and will be expressed forever, with all its little tidbits of similar goings-on (serious situation happens, main character finds escape, love, broken heart, confusion..etc.). I don't think an entire genre of literature can deny its existence, now, can it? :)
The acting is superb, and it has a lot of light-hearted moments that lift it up. It's basically about accepting yourself before you can truly find "Mr.Right", and realizing that you shouldn't put the blame on yourself for every single thing in your life that happens, and about taking chances because life can have pros and cons. I even think that some men would like it. This film was very inspiring to me, and although I didn't see it in theaters, I left my couch feeling very creative and content, as if I wasn't the only one who got inspiration from the little things life seems to hand out.
Although, since I love writing myself, I have a very wonderful relationship with this film and its delicious scenery, how the characters in it build in confidence, and the whimsical things that seem to be thrown in it artfully. Yes, there are some so-called "cliches", which is a word I hate using. We use that word to describe things that happen every day in our life, things that repeat themselves in storybooks and films and are heard so often that we are likely to vomit with expectancy of it all. But the thing that hit me about this film is that a lot of things happen that you really don't expect. The coming-of-age story has been told for ages, and will be expressed forever, with all its little tidbits of similar goings-on (serious situation happens, main character finds escape, love, broken heart, confusion..etc.). I don't think an entire genre of literature can deny its existence, now, can it? :)
The acting is superb, and it has a lot of light-hearted moments that lift it up. It's basically about accepting yourself before you can truly find "Mr.Right", and realizing that you shouldn't put the blame on yourself for every single thing in your life that happens, and about taking chances because life can have pros and cons. I even think that some men would like it. This film was very inspiring to me, and although I didn't see it in theaters, I left my couch feeling very creative and content, as if I wasn't the only one who got inspiration from the little things life seems to hand out.
Você sabia?
- CuriosidadesThe elderly owner of Bramasole, grateful for a sign that Frances is the "right" buyer, cries out, "Grazie, Santo Francesco!" when a bird defecates on Frances' head. "Santo Francesco" is Saint Francis, the patron saint of animals.
- Erros de gravaçãoWhen Signor Martini is next to the fireplace telling Frances about the train tracks through the mountains, the matchbox behind him moves around the top of the fire place.
- ConexõesFeatured in Late Night with Conan O'Brien: Diane Lane/Wanda Sykes/Jonny Lang (2003)
- Trilhas sonorasSaturday Night (Is the Loneliest Night in the Week)
Written by Sammy Cahn and Jule Styne
Performed by The Oscar Peterson Trio
Courtesy of The Verve Music Group
Under license from Universal Music Enterprises
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Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Bajo el sol de Toscana
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 18.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 43.610.723
- Fim de semana de estreia nos EUA e Canadá
- US$ 9.751.425
- 28 de set. de 2003
- Faturamento bruto mundial
- US$ 58.878.723
- Tempo de duração
- 1 h 53 min(113 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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