Casamento Grego

I have seen many movies in the past year, some have been wonderful and some have been downright terrible. My Big Fat Greek Wedding has to be one of the best written and best acted comedies I think I have seen in a long time. While the concept of making a movie about weddings is not unique, I believe that those of us who either have gone through planning a wedding or have experiences with family having too much influence in our lives will relate to this movie better than other wedding movies.

This movie is about an ordinary rather plain looking thirty something unmarried woman who comes from a large extended Greek family. All Greek women are expected to go to Greek school, find a good Greek man, marry him and have lots of Greek babies according to the narrator who is also the main character in the movie. This simple premise is what sets us off in almost two hours of raucous humor centered around planning a wedding where a couple coming from completely different backgrounds has to deal with all the external pressures that happen when two people decide to go down the aisle together.

This movie has several very heartwarming and somewhat emotional scenes in it so don't expect it is just a funny movie. Acting in this movie on all characters was very well done and very believable. I thought however that the roles of the Grooms Mother and Father were rather flat and two dimensional. This movie reminded me quite a bit of Father of the Bride starring Steve Martin, except in this case, the writers for Monty Python obtained the script for final treatment. While the writers for Monty Python did not actually write this movie but was instead written by the leading lady, there were some moments where it appeared that the humor was drawn right out of a book of British comedy. All in all I felt that the whole movie had a British feel to it.

This movie will delight you and leave you with a smile on your face. While the audience in the theater was more of an adult composition, I do not remember any nudity or adult language in the entire picture which means this movie is one that the whole family can see together. I would wholeheartedly recommend this movie to anyone who would like a good laugh.

In Chicago, Toula Portokalos (Nia Vardalos) is a 30 year old Greek spinster. She has always been the frumpy outsider from a large family. Her proud Greek father wants her to marry a nice Greek boy and have a bunch of Greek kids. She works at the family restaurant where Ian Miller (John Corbett) comes in one day. She falls for the tall teacher immediately. She decides to go back to school to study computers and her mother convinces her father. She starts working at Aunt Voula (Andrea Martin)'s travel agency. She meets Ian again and they start dating before getting her father's approval.

I like the family more than the couple. Vardalos and Corbett are not necessarily top rank actors. They don't make for a great rom-com pairing. What excels is the extended Greek family. They are all great and each one brings fun joy. The movie drags when it focuses on the couple. It's not like their relationship is that compelling or dramatic. They are functional but the family is excellent.

This was a very pleasant surprise. Frankly, I was avoiding it because I thought it was going to be too tacky for my taste. It turned out that I needed some of the Windex, the father of the bride uses for everything, to clear my eyes and enjoy the film.

Nia Vardalos has written from the heart this story of a crazy Greek family with all the stereotypes in it for us to savor and enjoy what has come out under the firm direction of Joel Zwick.

Not only is Ms. Vardalos talented as an actress, but she can write quite a story, star in her own tale, and bring together this cast of loonies and make us believe we are inside these folks' home.

Michael Constantine and Lanie Kazan are the parents of the bride and they preside this crazy household in Chicago. Nia Vardalos is the "ugly duckling" we see at the beginning of the film and she wins John Corbett's heart and disarms him completely. He got her family in the bargain and he's stuck in it for better of for worse. Andrea Martin is very effective as the pushy aunt.

All in all, it should be seen for the fun of it. This is a funny film, very well paced and acted.

Please pass the Windex!!

My Big Fat Greek Wedding is a very simple, funny romance story that would probably be most appreciated by female audiences.

Nia Vardalos (the film's writer and star) is Toula Portokalos, a quiet young woman from a zany Greek family. As she explains in the great flashback introduction, all her life she has been brought up to be strictly Greek. But, the same upbringing also contains some traditional absuridites that she can't understand, although her parent's wish that she would adhere to. Toula's upbringing has only allowed her to look forward to one thing at this point in her life: get married to a nice Greek boy and have lots of babies.

This is not something Toula wants to here, and eventually, she gains the courage to break out of her introverted shield and gradually change herself into a bold, lovely woman. She stops working at her family's resturaunts and starts taking computer classes at the local college, which lead her not only to a better appreciation for herself, but leads to a job at her aunt's travel agency where she meets Ian Miller (Jon Corbet), and that is where our story begins.

Toula and Ian are in love, really very much so. But, this troubles Toula's mother and father, with her father (Michael Constantine) being more strict in traditional Greek upbringing than her mother (Lanie Kazan), when Ian proposes to Toula. For Toula's father, it is bad enough that she quit the family business to go to school and everything. But it is simply out of the question for him that she marry a non-Greek. So, Toula is torn between the two. This is a movie very much in the spirit of films like Bend it Like Beckham and somewhat like the Joy Luck Club in addressing roles of tradition in future generations of immigrants and the possibility and reason for preservation of such traditions.

Of course the film is a very simple movie, a simple love story, but a funny one nonetheless. We see the contrast between Toula's Greek upbringing, and Ian's very quiet, conservative family. Everyone was fantastic in this film, especially Lainie Kazan as Toula's mom, Michael Constantine as her father, and the wonderfully hilarious Andrea Martin as Toula's Aunt Voula.

I don't know the reason for so many negative reviews for this movie. I would say it was probably the best movie I saw in 2002, and one that I have seen many times since just because it a lovely little (and funny) story about a girl in love.

i usually hate dissing the other reviewers on these things because everyone is entitled to their opinions, but, even though they usually frustrate me, i always read the reviews to gauge how a movie affects the mainstream public, as i think that's usually the most important thing to be considered.

i just finished commenting on 'the rules of attraction', and it surprised me to see how there were more positive comments about that film than this one. it also surprised me to see that most of the negative reviews of this film talked about how they were 'bored' by this movie, or how nia vardalos is 'ugly', or how this film is only for 'women' or 'old people'.

granted, this movie has very little sex, violence, or MTV editing, but it does what most movies try to do and fail at doing; creates an engaging story with interesting characters. however, it's sad to see that this quality apparently doesn't carry much currency anymore, and that people can't deal with humor that's not shoved in their face or isn't right there on the surface.

the ironic thing about this is that MBFGW isn't even that innovative or unique. it takes the normal three act romantic comedy structure and, well, dehollywoodizes it a little bit. yeah, the main characters aren't typical hollywood hot. (well, john corbett is...) but you probably aren't either. and all these people commenting on how it's 'racist' or 'stereotyped'... nia vardalos, the writer, IS GREEK! this film is adapted from her one woman show! it's interesting that 'ethnic' films have to take on, what, a documentary form or something to seem authentic? if anything is racist, that is.

it's super that 11,000 people have voted on this film and that it grossed so much $$. even though, when it comes down to it, this is just a "better" romantic comedy which stays in the box for much of the time, it IS, indeed, better than most movie fare out there and its popularity gives me hope that the "boring" movies with "ugly" people may have a chance with the jaded tards of middle america.