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From some of the recent reviews of this film, I expected gore like none I'd ever seen before. Frankly, I thought they were a little off base. The "torture" consists of the same act each day, and while it isn't something I'd particularly like to experience myself, it could have been much worse. I found the torture scenes in "Marathon Man" and "Braveheart," to name just two, to be much more disturbing.

One thing I really didn't like about this movie was that none of the major characters is particularly likable. The tortured fella probably deserves what he gets, and the revenge he exacts isn't particularly just considering one of his victims treated him rather well when he was a captive.

All in all, I wasn't bored watching this movie, but I wouldn't recommend it. The story isn't particularly compelling, the romance isn't believable, and the gore factor isn't even that high.

A young drifter discovers his true calling when he's hired by a mobster to stalk and kill a prominent accountant, and then decides to seek revenge when the stingy thugs try to kill him rather than pay him. For me it was kind of hard to get a grip from the beginning because there was nothing that would have explained who the main characters were and what was their goal and so on. This left the characters really shallow and the dialogue between them was something out of a bum disco. While there is some strong personality being displayed, it is done in a way that is truthful to human nature. I think it could use some editing to speed the pace a bit. The film is hard to watch at times and difficult to call enjoyable. 7/10.

Stuart Gordon, considered a master of the horror genre thanks to classics like Re-Animator and Dagon, decides to do a different move in this strange trip to human morals.

"King of the Ants" is about a regular guy, Sean Crawley(newcomer Chris McKenna), a man without any aspiration who just live in his apartment doing the necessary job to live to the next day. In one of his jobs he meets Duke(Gearge Wendt), who introduces Sean to his boss, Ray Matthews(played by Daniel Baldwin). Ray hires Sean as a spy, and orders him to follow Eric Gatlin(Roy Livingstone), an accountant who has been investigating Ray's company. Problems start when Ray, while drunk, orders Sean to kill Eric. And he does it. Things go wrong when Ray decides to make Sean disappear destroying his mind with violent punishment and humiliation.

From the point where Sean kills Eric, we go in the same boat with him, as he goes through a downward spiral of human degradation, traveling from guilt, to confusion and finally to his rebirth, in a state where humanity, morals and values are not important anymore. Chris McKenna acting is very important because he manages to be likable even when he is part of gruesome acts, both as victim and/or criminal. He has that look of innocence that hides a dark side and he manages to carry the film.

The support cast also includes Kari Wuhrer, as Eric's widow who also becomes a central part of Sean's trip to hell. She gives a fine performance, although it's obvious that Sean is the main character. He is the most developed of all and McKenna's performance is up to the challenge.

The film has very disturbing images of violence, and while it may not be as graphic as "Kill Bill" for example, the strength of the violence is in the lack of humanity that the character manifest. He is more than an ant in this world. He is the king.

Stuart Gordon has managed to create a film that, while maybe it's not one of his best efforts; it's very well done, has a VERY interesting story to tell, and manages to capture the attention every second of it.

8/10

Apart from some moments of shoddy photography, an ending that for me fell emotionally flat and Daniel Baldwin annoyingly chewing the scenery to pieces, I found myself quite liking King of the Ants. Not all the photography is bad, on the most part it does look good and the same goes with the rest of the production values. The dialogue at least engages thought, while the story is cleverly written with suspense, thrills and a truly shocking murder scene, not predictable and held my attention all the way through. The characters are the sorts that are extremely flawed but in the end you identify with them, the lead character especially. The direction is taut, while I was surprised at how good the acting was. Chris McKenna is likable in the lead role but it's George Wendt's funny and frightening performance that makes the strongest impression. Overall, while not perfect King of the Ants was really quite good. 7/10 Bethany Cox

Stuart Gordon is not one of the most famous horror directors, but he's made a number of excellent movies (RE-ANIMATOR, FROM BEYOND, EDMOND) and only a couple of truly bad 'uns (DAGON, ROBOT JOX). Like EDMOND, KING OF THE ANTS is more of a thriller... but ANTS has a number of truly horrific scenes that should ensure its appeal to horror fans.

The story is about Sean, a twenty-something housepainter. He's working with George Wendt, who played another housepainter (Norm) in CHEERS and branches out into being an electrician in this role as "Duke". But while Norm and Duke look damn similar, Duke is a scary guy and a complete a**hole.

Duke quickly realises that Sean is desperate for money to escape his ratty daily grind. Sean is sent to see Matthews... another a**hole played by the reliably loopy and sweaty Daniel Baldwin. Turns out Matthews is a low-level gangster who's willing to pay Sean $13K to kill a lawyer for him. But - after Sean commits the murder - both Duke and Matthews refuse to pay up. Turns out they never believed Sean would take a measly 13K to kill someone, resulting in this great little speech from Duke: "You're nothing. You're a worthless piece of sh** who messed around in something you should have left alone. I don't want to ever see you again... and if I do, I'll kill you and I won't even break into a sweat... You're an insect... you're king of the ants." Yet Sean doesn't give in. Even when he's beaten up, captured and threatened some more. Killing him isn't an option because Sean says his buddy will release information to the police that'll nail Duke and Matthews.

What follows is relentlessly bleak; using violence intelligently (and rarely) to maximise the impact of certain scenes. The brutality - and realism - of the murder makes you feel desperately sorry for the victim. Equally, the torment that Sean is put through - being strapped to a chair and beaten by a golf club until he suffers hallucinations - is very uncomfortable viewing. And that's how a good horror should operate. KING OF THE ANTS doesn't sugar-coat the violence, but it also never allows you to become numb to it.

KING OF THE ANTS works on every level. The bad guys are so vile, you feel like cheering when the disfigured Sean manages to break free. Equally, Sean's descent from a feisty guy to a psychopath is well played. Stuart Gordon isn't flashy in his direction, but the movie's nicely paced and creepily lit. There also some natty latex effects (the wound on Sean's head is particularly impressive) and a truly horrific nightmare sequence, which includes a giant monster eating its own faeces, and a chick with an impressively large chainsaw... oh, and an impressively large penis.

Another thing that lifts KING OF THE ANTS above standard horror/thriller fare is the script, which is adapted from his own novel by British comedy actor Charlie Higson (SWISS TONY, THE FAST SHOW). It's got natural dialogue and a few characters that stick in the head. It's also a clever, deft study of how far a human can be pushed... and what happens when they eventually get chance to push back.

Even as Sean becomes progressively more insane, and dangerously obsessed with his victim's wife, it's still hard not to feel sorry for the guy. You admire him for surviving. And because you feel something for Sean, you're eager to see how things'll turn out for him.

As with other strong low-budget films, it's pretty easy to figure out why KING OF THE ANTS wasn't even a minor hit when it was released. Yes, it doesn't have big stars or a marquee director, but it also didn't do the little things right. It had a dated-looking trailer, poor stock music and a badly designed poster. But its aim is purely to be a good movie, rather than one that revolves around a marketable gimmick. In the long run, the film will win out. Eventually, it'll become a cult movie... so be amongst the first to notice that.

You'll probably have pretty low expectations beforehand, but that's what makes finding a little gem like KING OF THE ANTS all the more gratifying. Give it the good home it deserves, and dig out of the bargain bin at your DVD shop.