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I caught this movie one night as I was surfing and stopped just long enough to catch this charismatic star in a really underrated little sleeper. The first half of this movie gave me an uneasy feeling; the same feeling I had when I watched "Last House on the Left" for the first time. Watching the lead character beaten mercilessly with a "driver" in a shed until his face is disfigured, generated an enormous amount of pity. I found myself in the awkward position of caring for a hit man who ends up killing several people.

That speaks volumes for the charisma and artistry of the actor playing Sean. This is definitely a cut above the average late nite fare; the script takes some amateur turns, but the cast keeps it from becoming camp.

A very strange little gangster film, even stranger when you consider that it's written by Charlie Higson, best known as a British author and comedian who once starred in THE FAST SHOW. It's a story of murder and revenge with plenty of surreal elements, which is unsurprising given the presence of horror director Stuart Gordon. It's also a very low budget movie, but one that's fairly entertaining despite its shortcomings.

Chris McKenna works hard as the everyday Joe who finds himself caught up in events spiralling out of his control when he's introduced to slimy gangster Ray (played by the well-cast Daniel Baldwin). Driven to murder, he then ends up at the mercy of some slightly bumbling gangsters; one of the most interesting things about the film is the cast, which includes George Wendt and Vernon Wells (COMMANDO) as the bad guys. There's also time for a little romance with the lovely Kari Wuhrer until things take a turn for the very dark.

We end up with a traditional revenge plot, but along the way there are fresh touches of inspiration and surprise, including a very gruelling torture sequence which shows you don't have to be graphic to be deeply unpleasant. Come the end credits, I was left feeling that the total is less than the sum of its parts, but fans of bizarre B-movie outings might find something to savour here.

Stuart Gordon, considered a master of the horror genre thanks to classics like Re-Animator and Dagon, decides to do a different move in this strange trip to human morals.

"King of the Ants" is about a regular guy, Sean Crawley(newcomer Chris McKenna), a man without any aspiration who just live in his apartment doing the necessary job to live to the next day. In one of his jobs he meets Duke(Gearge Wendt), who introduces Sean to his boss, Ray Matthews(played by Daniel Baldwin). Ray hires Sean as a spy, and orders him to follow Eric Gatlin(Roy Livingstone), an accountant who has been investigating Ray's company. Problems start when Ray, while drunk, orders Sean to kill Eric. And he does it. Things go wrong when Ray decides to make Sean disappear destroying his mind with violent punishment and humiliation.

From the point where Sean kills Eric, we go in the same boat with him, as he goes through a downward spiral of human degradation, traveling from guilt, to confusion and finally to his rebirth, in a state where humanity, morals and values are not important anymore. Chris McKenna acting is very important because he manages to be likable even when he is part of gruesome acts, both as victim and/or criminal. He has that look of innocence that hides a dark side and he manages to carry the film.

The support cast also includes Kari Wuhrer, as Eric's widow who also becomes a central part of Sean's trip to hell. She gives a fine performance, although it's obvious that Sean is the main character. He is the most developed of all and McKenna's performance is up to the challenge.

The film has very disturbing images of violence, and while it may not be as graphic as "Kill Bill" for example, the strength of the violence is in the lack of humanity that the character manifest. He is more than an ant in this world. He is the king.

Stuart Gordon has managed to create a film that, while maybe it's not one of his best efforts; it's very well done, has a VERY interesting story to tell, and manages to capture the attention every second of it.

8/10

From some of the recent reviews of this film, I expected gore like none I'd ever seen before. Frankly, I thought they were a little off base. The "torture" consists of the same act each day, and while it isn't something I'd particularly like to experience myself, it could have been much worse. I found the torture scenes in "Marathon Man" and "Braveheart," to name just two, to be much more disturbing.

One thing I really didn't like about this movie was that none of the major characters is particularly likable. The tortured fella probably deserves what he gets, and the revenge he exacts isn't particularly just considering one of his victims treated him rather well when he was a captive.

All in all, I wasn't bored watching this movie, but I wouldn't recommend it. The story isn't particularly compelling, the romance isn't believable, and the gore factor isn't even that high.

The plot: A double-crossed hit-man has to choose between redemption and vengeance, until the the choice is made for him.

Many of Stuart Gordon's movies have an amoral streak in them, but this is probably the most amoral movie that he's ever made. The lack of tension-relieving, wacky humor, like in most of his movies, highlights it and makes it even more disturbing. The gory violence just makes it even more disturbing, unlike the splatter comedies that he's commonly associated with (such as Re-Animator and From Beyond).

Long-time fans of Gordon have probably sat through many movies that were critically despised (perhaps none more so than Space Truckers, which attracts way too much hate, in my opinion). King of the Ants, however, is a real return to greatness. Yes, there are many disturbing, weird, and violent scenes, but underneath it all is a story that's actually quite intelligent and mature. Admittedly, this is a bit rare for Gordon, who tends to wallow in direct-to-video exploitation. I'm really glad that he chose to do something that he obviously believes in, because I've known for years that he could do a truly great film, if he just got the budget and proper inspiration. I might compare it to A History of Violence, an intriguing deconstruction of violent exploitation movies, made by a lauded director known primarily for his own exploitation movies. Unlike Cronenberg, however, I think Gordon shows no desire to break into the mainstream. His films remain too dark and disturbing.

If movies like King of the Ants and A History of Violence show us just one thing, it's that characters from these kinds of violent movies are incredibly disturbing when transposed into real world situations.