Adicionar um enredo no seu idiomaA young man taking care of his dying mother is distraught and grief-stricken when she finally passes away. On the advice of his doctor, he takes a job in an upscale nursing home, and is assi... Ler tudoA young man taking care of his dying mother is distraught and grief-stricken when she finally passes away. On the advice of his doctor, he takes a job in an upscale nursing home, and is assigned to take care of an elderly woman named Esther. At first Esther is a bitter, angry wom... Ler tudoA young man taking care of his dying mother is distraught and grief-stricken when she finally passes away. On the advice of his doctor, he takes a job in an upscale nursing home, and is assigned to take care of an elderly woman named Esther. At first Esther is a bitter, angry woman and pushes him away, but as she gradually warms to him, he discovers that he and Esther... Ler tudo
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- 2 vitórias no total
- Bail Judge
- (as Dorothy Brown)
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Avaliações em destaque
There is another subplot about Michael's father which plays into the story with Esther.
A little more than halfway through the movie takes a bitter and unrelated turn which briefly distracts from Esther's story although it does serve as a tool to enhance the other one. I was disgusted by this turn. I saw no warning whatsoever of this turn into a completely different genre which dominates the story through the next 34 minutes of run time. After watching the movie, I surveyed other reviews and one spoiler by orient_celts describes it. I watch the particular genres offered by Hallmark to avoid where this movie briefly went which is a subject I avoid like the plague in fiction.
I didn't see enough to sell the ending as far as it concerns Michael's relationship status. The end of Esther's story is good.
The acting is mixed. I thought Redgrave was credible, and McDonnell who had a lesser part. Others not so much.
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- ConexõesEdited into Hallmark Hall of Fame (1951)
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- Hallmark Hall of Fame: The Locket (#52.1)
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