O Grande Ataque

I liked this movie. It was done well with a lot of emotion. Well acted. Good photography. I will watch it again.

I feel that this is an important film for people to see regarding the little known but most impressive rescue attempt made during WWII. I went with some friends who enjoyed it very much also and considering that we were women going to see a war movie, we did not know what to expect. We were treated to a satisfying and moving entertainment experience and also learned new things about what the previous generation had to go through. We already know about the horrors of war and it was moving to see the heroic exploits undertaken by some very brave men to save their comrades from Japanese annihilation. There were good character developments as well as action sequences. THe newsreel and actual footage that bookends the film add to its impact as one can compare the actual characters with their counterparts in the film. History classes in schools should be taken to see the film.

My name is Cecilia and being from Manila this film is very personal to me because my grandfather sacrificed his life during WWII. According to eyewitness accounts, he was tied to a post, doused with kerosene and set on fire. I am watching this film to somehow pay tribute to him and those who selflessly gave up their lives to ensure a free and humane future for all of us. I felt though that the film underestimated what we Filipinos really went through during the war. It would have been just to include the other atrocities perpetuated by the Japanese: babies thrown in the air and caught with bayonets, women brutally raped and breasts carved out, or the massacre of approximately 100,000 unarmed and innocent civilians during the battle for the liberation of Manila on the first days of February 1945. Nevertheless, I am grateful for director John Dahl for shedding light on a chapter in our history that many people hardly know about , specially the present generation, The Bataan Death March.

After the American evacuation of the Philippines following the Japanese attack on Pearl Harbour, thousands of American servicemen were abandoned to the Japanese enemy, finding themselves facing brutal conditions in Japanese POW camps, and feeling forgotten by their country. "The Great Raid" is the portrayal of a rescue mission to save five hundred of those POWs at the Cabanatuan camp before they're killed by their captors, as the Americans begin to close in during the closing days of the war.

As far as I can recall there haven't been very many movies depicting conditions in Japanese POW camps. "Bridge On The River Kwai" springs to mind, but this is the only other one I think I've come across. It's always hard to judge the accuracy of how the enemy is portrayed in a movie like this. In this case, though, we do know that the Japanese were in fact brutal captors. Surrender was the ultimate dishonour, and prisoners, therefore, were seen as deserving of neither honour nor respect. The conditions portrayed in the camp, therefore, were believable and probably historically accurate.

The portrayal of camp conditions is one of the highlights of the movie. The other is the actual raid carried out. It was portrayed in great detail and, again, in a very believable way. The basic problem with this movie, though, is that it repeatedly seems to get bogged down. Frankly, when the movie strays from those two subjects it just isn't that interesting, and all the various sidebars end up making this longer than it needed to be. The character of Margaret Utinski (played by Connie Nielsen) was especially problematic. Utinski was a real person - and a winner of the Medal of Honour - but there are historical questions about her life, and there was certainly no romance involved in her actions, as is suggested throughout the movie.

Aside from Nielsen, the cast were fine, but in all honesty no one stood out to me as outstanding. As I've suggested, there are certainly aspects of this movie that make it worthwhile viewing, but it certainly can't be mistaken for a masterpiece. (6/10)

While Hollywood has gone after the Nazis and the European campaign in World War II over and over again, ad nauseam, little has been produced depicting the Pacific Theatre or the thousands of Americans and others who perished there.

In fact, only a handful of motion pictures have touched on the subject over the last two decades, namely Steven Spielberg's "Empire of the Sun," Terrance Malik's "The Thin Red Line," and the Nicolas Cage bomb, "Windtalkers." The best film in this genre was probably 1957's "Bridge On The River Kwai," which won Oscars for David Lean and Alex Guinness, among others, but that was almost 50 years ago.

Now John Dahl ("Rounders," "Joyride," the TV series "Tilt") has shed some light on a little-known rescue attempt in the waning days of the conflict in the Philippine Islands. "The Great Raid" is a fine little film, smart, patriotic and fairly historically accurate.

The film begins with a crisp narration (accompanied by actual film footage) of the quick successes of the Imperial Japanese Army in the days following Pearl Harbor. Gen. Douglas MacArthur - thanks to Roosevelt's decision to devote more to the European effort through the Lend-Lease to Churchill program - is forced to evacuate the Philippines and retreat to Australia.

Meanwhile, thousands of American troops are trapped by the swift-moving Japanese forces on the islands of Bataan and Corrigidor and are compelled to surrender. While WWII German brutality is everywhere in motion picture, few have addressed the stark horrors of the Bataan Death March. Even this movie skirts the terror with a simple voice-over in filling in the background story of a group of surviving prisoners held for over three years.

Receiving word of mass killing of American POWs by the Japanese, top brass in the Pacific orders a raid on a camp still behind enemy lines, led by Army Ranger Lt. Col. Mucci (Benjamin Bratt, "Law & Order) and Capt. Prince (James Franco, "Spiderman," "Spiderman 2").

Military minutia abounds with the planning and execution of the assault, which pits a handful of rangers against over 200 battle-hardened Japanese troops, led by sadistic Maj. Nagai (Motoki Kobiyashi).

The movie also shows the strong relationship between the Americans and Filipinos which was not the greatest in the years after the Spanish-American War, but was cemented against the common Nipponese enemy. Nice composition between rangers, prison camp and the occupied capital of Manilla, where civilian nurse Margaret Utinsky (Connie Nielson, "Gladiator," "One Hour Photo")is working with the Filipino underground resistance.

This is no "Saving Private Ryan," and the acting sometimes leaves a bit to be desired, but the strength of the story, the fact it was inspired by true events, and the historical importance of the film, make this one a must-see, even for casual fans of the genre. It will not make much money, but it was very important that it was made.