AVALIAÇÃO DA IMDb
6,7/10
9,1 mil
SUA AVALIAÇÃO
Os jovens amantes em Londres estão envolvidos num triângulo amoroso que pode não ser exatamente o que parece.Os jovens amantes em Londres estão envolvidos num triângulo amoroso que pode não ser exatamente o que parece.Os jovens amantes em Londres estão envolvidos num triângulo amoroso que pode não ser exatamente o que parece.
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- 1 vitória e 1 indicação no total
Avaliações em destaque
Truly the stand out at Sundance in 2003. This movie will carry that "I could tell you, but then I'd have to kill you" feeling all the way to the bank - just like "Sixth Sense". I got the chance to talk to Parkhill about the movie at another screening and he stated that the film was just "picked up" - just 2 days after it's premiere. He also said we will see this in theaters within the year. This film could not come out soon enough. He's got big shoes to fill now that he hit the jackpot coming out of the gate. I'm interested to see what he develops next.
This movie has lots of twists and turns and some have said an improbable storyline. Yet who wants to watch a move which is predictable? Another comment is 'couldn't it have been left as a good romance?' NO, there are lots of romance films around such as 'The Notebook'. This movie is basically a good thriller with a mega finale.
It has suspense, a good plot, great acting, believable characters and is different from the bog standard thriller.
I was glued to this movie from beginning to end. A definite must see for all who love a great story.
Enjoy
It has suspense, a good plot, great acting, believable characters and is different from the bog standard thriller.
I was glued to this movie from beginning to end. A definite must see for all who love a great story.
Enjoy
In London, in a French restaurant, the Spanish Carmen Colazzo (Natalia Verbeke) is celebrating with her girlfriends her next wedding with the wealthy British Barnaby R. Caspian (James D'Arcy). On her table, sit the Brazilian Kit Winter (Gael García Bernal) with his handy camera and two friends, and following a French tradition, Carmen warmly kisses Kit, and they have a crush on each other. This is the beginning of a delightful movie, full of secrets, mysteries and plot points.
Yesterday I saw "Dot the I" with the recommendation of a friend of mine. I was expecting to see a usual triangle of love romance, but I found a surprisingly great-unknown movie, full of twists. Inclusive there is a silly last scene in the middle of the credits. Although Gael García Bernal has no biotype of Brazilian, he shows a fantastic chemistry with the delicious and sexy Natalia Verbeke. James D'Arcy is amazing in the role of the cynical Barnaby. The intriguing, passionate and provocative story was the wonderful surprise of my weekend. My vote is nine.
Title (Brazil): "Jogo de Sedução" ("Seduction Game")
Yesterday I saw "Dot the I" with the recommendation of a friend of mine. I was expecting to see a usual triangle of love romance, but I found a surprisingly great-unknown movie, full of twists. Inclusive there is a silly last scene in the middle of the credits. Although Gael García Bernal has no biotype of Brazilian, he shows a fantastic chemistry with the delicious and sexy Natalia Verbeke. James D'Arcy is amazing in the role of the cynical Barnaby. The intriguing, passionate and provocative story was the wonderful surprise of my weekend. My vote is nine.
Title (Brazil): "Jogo de Sedução" ("Seduction Game")
Having seen most of Bernal's films, or at least everything available in the US, I've grown to like him greatly as an actor, thus explaining my motivation for renting this. The description given on the jacket, added with the blurb equating it with Memento (which was a very entertaining mind-boggle), talked me in. Call it a two-for-two deal.
Reading through the commentary left by others, I'm troubled by the negativity being attached. Exactly when did it become a crime to invoke plot-twists as a story device? The last I knew, filmmakers such as Hitchcock and Preminger relied upon them incessantly. A twist in plot, if carried off well, can satisfy viewers and fire the imagination.
Personally, I find the romantic drama as a genre in dire need of a wake-up call. Films such as this one, Closer, Unfaithful, Wicker Park, and very few others, are daring to attempt something original, whether it be a more frank look at relationships, a less clichéd or sexist view of infidelity, or a new take on the love triangle... and by new I mean new in both this film and Wicker Park. Rather than recycle Shakespeare, Jane Austen, or An Affair To Remember for the forty-billionth time, the director and cast broke new ground.
This is not a perfect film, and really, honestly, who gets entertainment from "perfect" films? Admiration, yes. Respect, yes. Are perfect films fun though? That's an argument for a forum... I gave this an eight out of ten, with two points off for those imperfections. The three leads are solid; the story is clever and solid enough. The two points to perfection can easily be forgiven.
I had fun watching this movie.
Reading through the commentary left by others, I'm troubled by the negativity being attached. Exactly when did it become a crime to invoke plot-twists as a story device? The last I knew, filmmakers such as Hitchcock and Preminger relied upon them incessantly. A twist in plot, if carried off well, can satisfy viewers and fire the imagination.
Personally, I find the romantic drama as a genre in dire need of a wake-up call. Films such as this one, Closer, Unfaithful, Wicker Park, and very few others, are daring to attempt something original, whether it be a more frank look at relationships, a less clichéd or sexist view of infidelity, or a new take on the love triangle... and by new I mean new in both this film and Wicker Park. Rather than recycle Shakespeare, Jane Austen, or An Affair To Remember for the forty-billionth time, the director and cast broke new ground.
This is not a perfect film, and really, honestly, who gets entertainment from "perfect" films? Admiration, yes. Respect, yes. Are perfect films fun though? That's an argument for a forum... I gave this an eight out of ten, with two points off for those imperfections. The three leads are solid; the story is clever and solid enough. The two points to perfection can easily be forgiven.
I had fun watching this movie.
The direction and writing of this film are superb. Matthew Parkhill has a wonderful and original talent of storytelling and the acting justifies every step the film takes. The dialog is interesting yet realistic and the characters are believable and extremely interesting. Natalia Verbeke has an acting style that is both likable and mysterious. I feel like the acting of the piece can potentially make or break the complicated story and I found that all three lead characters had a strong and specific enough performance that made the the plot fly.
I've been waiting for a film like this for a long time.
Truly excellent.
I've been waiting for a film like this for a long time.
Truly excellent.
Você sabia?
- CuriosidadesFilm debut of Charlie Cox ("Theo").
- Citações
Kit Winter: Theo, for Christ's sake, life is not a movie.
Theo: Yeah it is. Come on, whatever you say, whatever you do, movies always got there first. Even that line you just said comes from a movie, um - Kevin Spacey in the end of, uh, Swimming With Sharks.
- ConexõesFeatures O Sétimo Selo (1957)
- Trilhas sonorasThe Movement
Written by Christian Basso and Kal Cahoone
Performed by Christian Basso featuring Kal Cahoone
Published by Warner Chappell 2001
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- How long is Dot the I?Fornecido pela Alexa
Detalhes
- Data de lançamento
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- Dot the I
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- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 307.486
- Fim de semana de estreia nos EUA e Canadá
- US$ 9.581
- 13 de mar. de 2005
- Faturamento bruto mundial
- US$ 307.486
- Tempo de duração1 hora 32 minutos
- Cor
- Mixagem de som
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