The Eye: A Herança

"The Eye"(2002)has to be one of the creepiest horror movies I have seen this year.The "transplant gone awry" concept has been done before-just check out "Body Parts"(1991)or the third story in the horror anthology "Body Bags"(1993),but the Pang Brothers created extremely eerie psychological horror with plenty of genuine scares.Angelica Lee is excellent as a young girl named Mun.Her numerous and extremely creepy encounters with the spirits Mun sees are filled with excellent use of sound.The conclusion is amazing and totally unexpected.The film is very scary and uncanny-it actually reminds me a bit Japanese horror hit "Ringu"(1998).Check it out,if you dare.9 out of 10.The elevator scene blew me away!

Even the website of this movie gave me the creeps. And it turned out to be one of the scariest movies I've seen in a while.

We follow the touching story of a young Hong Kong girl, blind from her earliest years, who undergoes a cornea transplant. After softening us up with lots of nice sentiment, the horror kicks her new found sight brings its own macabre rewards. Snappy editing and a well-timed score heighten the horrors that pack nanchuka punches to the guts. About a third of the audience was cowering behind their hands for the last half. In an age when American horror flicks are starting to look weary from over-use of CGI special effects or are toned down by self-censorship to reach a wider audience, The Eye comes in as a deftly woven real cardiac-stimulation shocker.

Sadly, the fact that it is subtitled limits the potential audience as many people simply refuse to go and see foreign language films until they have been genuinely moved or terrified by one. If you like horror movies and want to experiment, this is a good chance, and one of the best in the genre since the little shown Audition earlier this year.

This is a good little Asian horror film that I would definitely recommend renting or even buying, if you like foreign films. A young blind woman receives a cornea transplant and soon finds out that she got way more than she bargained for when she starts being visited by some very unhappy dead souls. It's not very original, true, but the acting is good, the lead character (played by Angelica Lee, is that her name?) is adorable, as is the little girl who plays Ying Ying; there is some serious tension and dread here, especially in the first half hour. The scene in the hospital hallway had my skin trying to crawl off my body, as well as the "Why are you sitting in my chair?" scene. We're talking serious chills. Some of the music IS a bit cheesy and over the top, but hey, you can't have everything, right? The scenes where we see through Mun's eyes in the first few minutes are very effective; we know someone is standing there, we just don't know who it is, and we feel her fear and uncertainty. Not the best movie ever made, but it's definitely worth seeing.

Before I close, I would like to respond to the attitude expressed here by some people that American films are all stupid, and that American filmgoers are all drooling idiots who have to see a throat slashed every few minutes in order to be engaged by a movie. When you make comments like that, you really show how ignorant you are when it comes to American cinema, as some of the finest movies ever made came right out of Hollywood, and no they aren't all slasher films or mindless teen comedies. But then I'm sure you folks already know that, you just want to feel intellectually superior to others. I enjoy a good foreign film, and so do many Americans, but just because they're foreign doesn't mean they're perfect. They have flaws just like any other human effort, so please get over yourselves and try to watch movies with an open mind, because you'll enjoy them much more that way. That's just my two cents.

Watch this movie, it's good.

There are already several comments left, but what the hey, I liked this movie and I'm gonna have my 10p worth.

Before I mention the movie itself, I'd better comment on modern Asian movies that reach Western shores, and the fact that they have different pacing, priorities and styles to what you would see at the cinema. The fact that a lot of people don't 'get' the parts of this film which seem to have no relevance is probably as much due to the difference in culture more than any wrongdoing on the production team's behalf. The same can be said for a lot of Hong Kong comedies, the 'humour' which would probably illicit a wry laugh back home flies miles over everybody else's head.

In that sort of circumstance, I've developed a good trick, I switch-off trying to figure out what all these little hints and gestures mean and concentrate on the character interactions and the scares. I've had a lot of practice, Western cinema in recent years has been guilty of 'rambling', and they've got no such excuse as 'cultural differences' ;)

Anyway, the movie! (good grief!), the plot's already been explained and probed, so I won't go into that. What this film has is a constant 'pressure', a claustrophobic atmosphere which persists regardless of the location. Clever camera work afoot! The palpable distance which the heroine feels from her family and the people around her (perhaps a symptom of not being able to communicate non-verbally with them so long? Perhaps not, but it's there) is always there too. You get the impression that she could be surrounded by a crowd and still walk alone from one side of a city to the other.

The smaller roles are played out very nicely, great acting considering the film concentrates almost solely on the two main characters.

The ending is a little bit of a let-down, predictable and not entirely 'working'. But, BUT, it isn't a catastrophe which ruins the film, which I'm sure you'll know what I mean. The ending of a film is what you're left with when you switch off the TV, and if it's bad, then so is the film.

This movie is the only one in recent years which actually gave me a start, and that's something. Real horror isn't about dripping guts and hooks with heads on them, it's about the unexpected, it's about being confronted with something terrifying, something which makes you wish the character was elsewhere. In order to achieve that, you need to give a damn about the character in the first place, which is where 90% of cheap horrors fall down. Not here, the characters are likable and have a little childlike innocence about them, you want to get in there and slap the more unpleasant visitors :P

All in all, I very much enjoyed watching this film, and intend to buy it when I find it for a pittance (almost all DVDs can be found for the right price at one time or another, shop around and ask people where they get their bargains). I would heartily recommend renting before buying, however. As several have mentioned already, there are several elements of this film which seem to have been deliberately copied from recent films such as Sixth Sense. If that prospect leaves a sour taste, I'd look elsewhere, but everyone else who hasn't had enough of all that yet should certainly have a look :D

Thanks for reading.

About three months ago, I was paging through cable and found a film that looked intriguing. After watching for about five minutes I had the pants scared off of me, so, being the complete wuss I am, I turned it off. Curiosity made me want to go back to it, of course, so about twenty minutes later I got up the guts to turn it back on. After about two minutes, I was full on terrified, and turned it off for good. I told some friends about this film, and all seemed intrigued, mainly because of the scare factor, so this weekend we got around to finally watching it. That movie of course, was the Pang Brothers' "The Eye", a film that ended up being something completely different than what I was expecting.

In "The Eye", Wong Kar Mun (Lee) is a young blind woman who gets a corneal transplant. Soon after her operation, as her eyes are adjusting, she begins to see some pretty scary images; shadowy black figures hanging around people who later die, dead people themselves, and her room keeps doing a pesky trick where it changes on her as she's looking at it, furniture and all. Her doctor, Dr. Lo (a really young looking Edmund Chen) doesn't believe her at first, but then realizes that there may be some merit to her claims, so they go in search of the donor in order to find out what history her eyes' previous owner had, and what kind of baggage Wong Kar Mun has to deal with now.

Based on my first impressions of the film, I was actually expecting a big scare fest like "The Grudge"; short on story, big on scares. What I actually realized is that the two parts that I briefly watched were actually two out of the three genuinely scary parts of the film. (The elevator scene was enough to make me take the stairs today at work, seriously.) The rest of the film is certifiably creepy, but there is actually a decent story to support those creepy parts. "The Eye" has no doubt been compared to "The Sixth Sense" in terms of theme, but it is also similar in substance as well. Even without the scares, the film would be able to stand on its other merits. Some of the special effects in "The Eye" were kind of cheesy (basically Sci-Fi channel made-for-cable television caliber) and in typical Chinese film fashion, the music was horrible, but all told, it is a decent film.

After doing a little reading on the film, I saw that Tom Cruise's production company bought the rights to the film and are planning a remake. I'm not very educated on Asian horror films and their American remakes, (yet) but I think I would see it just out of mere curiosity, because I would imagine that they would take this relatively small film and mess with it to make it "bigger". "The Eye" is definitely worth checking out because while it definitely scared the pants off of me a couple of times, the rest of the film was really was worth sticking around to see how it all would end. 6/10 --Shelly