Presos... Mas Nem Tanto

Okey , no Brain comedy but the monkey makes you laugh out loud few times....and Rodney is good again ...still a kinda good movie to watch when you don't wanna think much

Tsk! Tsk! Tsk! I'm embarrassed by a few of the unpleasant, negative reviews for Back By Midnight. Review this film as a Lampoon, sure, why not? But review it with a sharp Harpoon? Now, that's unnecessary overkill. Dangerfield deserves better given his legacy and contributions to the industry. It was Dangerfield who gave career starts to struggling comedians like Jim Carrey and Tim Allen. He took them under his wing and shepherded them until they could find their own "comedic voices."

Jacob Rodney Cohen, born November 22, 1921, was a multifaceted, stand-up comedian, actor, producer, screenwriter, musician and author. His self-deprecating one-line jokes such as, "I get no respect," have risen to the status of iconic humor. Who else could have the King of late night talk shows, Johnny Carson, laughing to tears when Dangerfield was his guest? Dangerfield was so well loved that UCLA's Division of Neurosurgery named a suite of operating rooms after him and gave him the "Rodney Respect Award." Dangerfield's status was elevated to some pretty rarified company. Other recipients of the "Rodney Respect Award" include Tim Allen, Jim Carrey, Louie Anderson, Bob Saget, Chelsea Handler, Chuck Lorre, Kelsey Grammer, Brad Garrett, Jon Lovitz and Jamie Masada.

Sure, Back By Midnight isn't Caddyshack or Easy Money. And yes, the plot is nominal. But that doesn't stop Dangerfield from zinging out classic one liners. Indeed, any film with Dangerfield in it immediately became a stage for his outrageous improvisations, and no film escaped his witty humor. For this alone, Back By Midnight deserves "a lot more respect."

Rodney Dangerfield isn't the main character of this movie. He's barely in it. Most of the screen time is dominated by unfunny jokes. One running gag is that a character is named Jerk Off. There are also lots of erection jokes, where the punch line is someone has an erection. This movie is as funny as Kirstie Ally's British accent is convincing.

This movie started off like a weak action movie: five minutes of back story and then bam! Unfunny jokes. But, aside from the terrible writing, the movie is also poorly directed and the acting is terrible. Also, this movie does the old bad comedy cliché of having lots of well-known B-movie actors. Harland Williams, Gilbert Godfried, Randy Quaid, and Phil La Mar. These are just some of the people that spend more time on the screen than Rodney, even though he's billed as the main character. Don't be surprised to find this movie at a drug store selling for five bucks. Even that is too much.

I've noticed over the years that when a rock star makes his final album before his death, that album, if it's not his best, is usually prolific in some way and worthy of a listen at least. The album is usually good enough to cement a legacy. However, when it comes to comedians, especially mainstream comics who star in their own vehicles, their final movie is usually God awful. John Belushi had "Neighbors", John Candy had "Wagon's East", Chris Farley had "Almost Heroes", Phil Hartman had "Small Soldiers", and Rodney Dangerfield had this movie.

"Back By Midnight", although it may not have been Dangerfield's very last film, is weak in every sense of the word. It wrapped filming in 2002 according to this website, but it was not released on DVD until 2005, the year after Dangerfield died. It's safe to say that it would have stayed on the shelves if Dangerfield was still alive. I have been a big fan of Dangerfield's since I was in my early teens, and it pains me to see how rotten this film was.

What amazes me the most is that a number of other talented people took part in a movie with a very weak premise to begin with. Dangerfield, a great comedian who usually played his comic persona on film, is a prison warden who houses a close knit group of inmates. When the owner of the prison, Colonel-Tom-Parker-meets-Sam-Walton billionaire Eli Rockwood (Randy Quaid), cuts funding for the prison, the warden sends a group of inmates to break out of prison, rob Rockwood's eponymous convenience stores of consumer goods, and break back into prison with the loot. By taking what's in the convenience stores, they are (I guess) taking what they believe Rockwood owes them.

With this flimsy premise, the movie sputters and stalls frequently. On top of that, the jokes that you think would be this movie's salvation are not even close to funny, not even from Mr. No Respect himself. That is incredibly disappointing too, because you'd expect a movie with Oscar-nominated (!!!) Randy Quaid, Kirstie Alley, Gilbert Gottfried, Ed Begley Jr., Yeardley Smith, and others to be at least a little bit funny. Instead, Quaid plays a character we've seen before in countless other comedies, Alley plays a British heiress with an awful British accent (could this movie not afford an actual British person!?!), and every joke was poorly set up and poorly timed by virtually every member of this ensemble. It was just a bad movie.

"Back By Midnight" was rated R mainly for language (and one scene of nudity). The irony in this fact is that many of the jokes are so audience insulting that even kids (if you edit out the language) would walk out of this film. The physical gags are also incredibly predictable, especially when Alley's pet monkey torments Quaid's character. When the monkey grabs a pair of scissors and jumps on Quaid's couch, who wouldn't know where that gag was going?

Being a direct-to-video comedy, of course I didn't expect any Oscar-winning material on here. The truth is, though, Dangerfield has made some great, timeless comedies before. "Easy Money" and "Back To School" are hilarious still, and were definitely not Oscar-worthy in the slightest. However, there's a difference between making a dumb comedy that's funny, and making a dumb comedy. With the latter kind of comedy, it seems like the filmmakers don't even try, which is precisely the case with this lame excuse for a wasted 90 minutes. Rest in Peace, Rodney, but add this film to your batch of forgettable comedies like "Meet Wally Sparks" (1997) and "The Godson" (1999). This film, dare I say it, is not even worth seeing.

Put a DVD of this flick in a time capsule, and it will definitely illustrate for future generations a perfect example of one which warrants the minimal rating on a 1-to-10-star scale.

Bill Cosby and Ray Romano have been at the top - in ratings and with tens of millions in earnings annually - with their television series'. Yet each has had no success in big-screen offerings. This has also been true for other TV personalities - perhaps because many of the stories which are presented for two hours or so seem more suited to either a 10-minute skit, or at most, the 22 or 23 minutes of drama during a half-hour program.

This film, however, doesn't have one single element which would warrant two or three minutes of time on MAD TV, SNL, or anywhere else on a screen or stage.

Its origination date is listed as 2002, but release date - to DVD only - is shown as 2004. It also was filmed not long before Rodney Dangerfield's death, so its one redeeming value is that it probably provided at lease a few hundred thousand more dollars for his heirs.

I'd never heard of it, but found it when turning-on my set, and frankly became fascinated by it. Some movies are so truly awful that they rate a sort of top rating in reverse - so bad that you can move the dial backwards to a 9 or 10. "Plan 9 from Outer Space" is the best example - and the Bruce Jenner/Village People opus, "Can't Stop the Music," is another.

Unfortunately this flick falls short even there. Even if Rodney's earlier work (as well as some of his fellow cast-members') fell short of "Citizen Kane" or "Casablanca," there were many moments of humor and a story providing at least a modicum of interest.

Unfortunately, this presentation doesn't seem to possess even a minute or two's worth of such material.