Azazel

It would be hard for a film version to do justice to the book "Azazel": in my opinion the best of the Fandorin series, although "Death of Achilles" ranks a close second. The period costumes are enjoyable, as are the characterizations of Brilling, Bezhetskaya, Liza and especially Lady Adair. The actor portraying Fandorin, unfortunately, falls a little short of the mark--however, a larger than life character is hard to cast correctly.

For once, the film follows the book (thank you, Mr. Akunin, for the script). Those who complain about the length of the film need to realize that this was originally a TV serial, each segment running 48 minutes as most serials do on Russian TV.

Not the best it could have been, but definitely a warm-up for IMO, the best Russian serial of all time: "The Idiot"----a must see for anyone. Fortunately, the Idiot has subtitles in English, but the language is so beautiful (the 19th century idiom is delightful), one must listen carefully to appreciate.

It will be interesting to see what Hollyweird does with "Azazel" in 2009. Milla Jovovich as Bezhetskaya: inspired casting choice!

Excellent adaptaion of the first book by Boris Akunin "Azazel'". The book is the first of series of books about Fandorin, a young Russian detective. The movie was made for TV, but it was done very well, following the book to the end. Currently there are talks of making an English version movie. Unfortunatelly, this movie is entirely in Russian.

Based on Boris Akunin's novel 'Azazel' (English title 'The Winter Queen') set in Moscow in 1876. Boris Akunin is the pen name of Grigory Chkhartishvili, who was born in the republic of Georgia in 1956; he is a philologist, critic, essayist, and translator from Japanese. I recently read and enjoyed "The Temple of the Golden Pavilion" by Yukio Mishima translated by Chkhartishvili.

Chkhartishvili published his first detective stories (using the pen name Boris Akunin) in 1998 and in a very short time has become one of the most widely read authors in Russia. He has written nine Erast Fandorin novels to date, and is working on two other series as well. I am an avid fan of all three Akunin's series: about Erast Fandorin; about the Nun - PI Pelagiya (three books), and the newest one - about Nicolas Fandorin, the grandson of Erast.

Akunin enjoys almost legendary popularity in Russia. He lives in Moscow. In 'Azazel', the first and IMO, the best in Erast Fandorin series, a young police officer - Erast Fandorin - works on his first case - an odd suicide of a rich young man which leads Fandorin to the global and very dangerous conspiracy.

The film is an interesting and very enjoyable adaptation of an excellent book. The script was written by Akunin himself and adapts very well to the screen. The film was made in Nikita Mikhalkov's Studio by Mikhalkov's long time collaborator's Aleksandr Adabashyan. Visually, "Azazel" is absolute delight, literally letting the images of Old Moscow become one of the film's main characters and attractions. The acting was good (Marina Neelova as Lady Ester was excellent; and the rest of cast all seemed to enjoy working in this project).

There is a usual disappointment when someone reads an ingenious work of a writer and watches the film of it after even though the screenplay is written by the writer. You feel it in this one too. Mise-en-scene and cinematography is proper, however acting of some of the actors might be much better especially the main interesting character Fandorin had to have the best acting but unfortunately he has not. The music was missing in some parts of the movie. There should have been less cuts. And the important moments should have been emphasized. Overall it is a very interesting detective to watch, but it could have been done better by Aleksandr Abadashyan.

The book is excellent, no question, but, unfortunately, the movie is not as good. Noskov's (Fandorin) acting is not convincing and his voice sounds really strange at times. Brilling is a typical Andrey Mironov type, and it looks like Bezrukov tries to imitate his acting. The best of all is Neelova (Lady Ester): her acting is way above everybody else's. Overall, the movie feels a little bit raw, as if made in a hurry: some parts are good, some are bad. So it's not like old-time classics, but still worth seeing.