Skinwalkers

Movies in sub-cultural settings become exceptional when you quickly forget that it is, in fact, a sub-culture. Within minutes of the opening scenes of "Skinwalkers", I no longer dwelt upon the thought that a murder movie on an Indian Reservation is an unusual setting and, instead, focused on the murder mystery itself. In this sense, it reminds me of "Barbershop" (http://us.imdb.com/Title?0303714) in its ability to portray a particular sub-culture in America without actually dwelling on the differences between that sub-culture and America as a whole.

In other words, these movies become successful when you are drawn into the story so deeply that you realise that the sub-culture is as much a world in its own right as the so-called "majority" of America.

I would love to see this film turned into a weekly series. There's certainly enough potential depth of storylines to allow that.

I just caught this on PBS for the first time and immediately noticed all the errors and shortcomings I had planned to document before seeing they had been mentioned by viewers already. Morris Bitsie in particular has commented accurately, as have all the people who vastly preferred the book(s).

It just begs the question to have the benefit of Tony Hillerman's own acknowledgement in the afterword that the process of making a movie is very different from that of writing a novel. But to see the movie set on the low desert instead of the high plateau of the Navajo nation is almost as sacrilegious as giving short shrift to the actual language, religion, and culture of the Dine themselves.

As a former student at Northern Arizona University with many friends on the nation, I was dismayed to see Hillerman's sensitive and intricate plot and characters chopped up, re-sorted, and spat out as yet another Hollywood style detective yarn. Only the mere fact that all the main characters were at least Native Americans saved it, though the usual all-Indians-look-alike-so-why-bother-to-get-real-Navajos aspect is so obvious as to be ludicrous.

Because I want to see better versions of Hillerman in the future, and I think Adam Beach has an appealing start toward a real Jim Chee, I rated this about four points too high at a 7 of 10. Next time I want to see real Navajos, however.

Way to go Jamie! A great job! We hope this turns into a series.

I like the fact that all the actors and the director were of Native-American descent, it gives the story more authenticity.

A murder happened in an Indian country, thus the investigation and trial were subject to the jurisdiction of the tribe. This shows great aspects of Indian Law and culture. I highly recommend that law professors use this movie to teach the students how the justice system operates in an Indian Country. As a student of American Indian Law, I found that they were a minority group the was really hurt by the people that came to North America to find a land of freedom. Those who came in pursuit of happiness almost destroyed those who were living here so peacefully. I cannot believe that the American Indians were given land, but not given the right to use the water on the same land. Sorry, I am getting carried away in tangent here. I like anyone who gives any minority group an opportunity to be portrayed as `human beings' rather than the traditional stereotypes.

The mystic side of the culture is shown as well, and it is done with details on their symbols and witchcraft.

I think that the casting was wonderful, giving Native Americans a chance to shine. It would be a great to see a minority group that seldom has the chance to be portrayed in a positive fashion to have a series where they are not the `nasty, dumb guys' Jamie is following his dad, Robert Redford's, footsteps and breaking new ground in the American film industry! I am big fan of the entire family and will give them my whole heartedly support in any way I can! Robert Redford has given an endowment to the American cinema, as well as the International cinema like no one else I know of. It is so nice to see the second generation moving in the same direction!

Suspenseful, extremely well written and very educational! BRAVO!

A long-time fan of the books, I watched the film a little on edge. Could they do justice to Hillerman's sensitivity for The People and not get bogged down in a dusty melodrama? My reaction when it was over was mixed. The characterizations were fine; I had already casted the role of Leaphorn to Wes Studi, so I had no complaints about the cast. Ultimately, it was the pacing that diminished the movie. There is a lot of ground to cover in this story, especially with the counterpoint of Emma's illness intruding throughout. It all unravels too quickly, and this robs the story of the deliberative drama Hillerman spins out so well. And speaking of ground to cover, where were the panoramas of the Southwest?

My comments may be a little late to the party, but this was the first one I've seen adapting one of Tony Hillerman's Navajo mystery novels to the screen. After seeing the movie and reading some of the comments, it is evident there are too many reviewers getting caught up in the location and tribal origin of the actors chosen, thus, obscuring the fact that this is a decent, enjoyable, and satisfying movie. If it compels a few people who haven't had the opportunity to pick up any of Hillerman's work and start enjoying the unique mixture of Navajo Indian culture and old-fashioned who-dun-it, then it did its job.

Though I haven't read all of the series, including the book this movie was based upon, the movie was a respectable representation of a typical Hillerman novel. I think one reviewer was right on the nose when they mentioned that both Leaphorn's and Chee's character, the two principle individuals in a good number of the novel series, were not entirely faithful to the book. That may have been necessary because in the books, both of them don't say anymore than necessary and there are a lot of character thoughts expressed to the reader, something that can't be done as easily through a movie unless the director uses a voice-over approach to express the thoughts. It wouldn't have worked, so I'm glad it wasn't done. Still, as an avid reader, Joe was overly stoic and Chee had a little too much gee-whiz kind of look. Believe me, these are small quibbles for what is otherwise an admirable job to play these two decidedly different men.

What is over-emphasized is the repeated complaint of those who say the characters didn't look Navajo-like or that the locations didn't represent the Navajo nation in general. As far as them not looking Navajo enough, I'd be willing to bet most of them didn't get that while watching the movie, they probably learned that little tidbit of information through the movie sites with extensive biographical info on the actors. So, exactly how many people who watch the movie who aren't from the immediate area are going to give a cactus prick about the actors not matching the tribal features of most Navajos? Precisely zip. Were these people also ones to object to Graham Greene playing the part of a Sioux native American in Dances With Wolves, considering he is a Oneidan native from Canada??? I doubt it. I'll watch Graham Greene playing anything, whether the part calls for native North American or not. Busting the chops of those who put together this movie because the wrong ancestry of the actors who were put in just should nitpick more important things like bills from Congress. The location complaint is just as bogus, it may have been too flat but it doesn't detract from the essence of film.

It isn't a perfect film, but it was well worth the time spent and I'll be looking out for more of these adaptations. It is a tribute to Hillerman's work that his would be the first mystery series based on an American novel to be produced through Mystery, who has provided such a terrific portfolio of British based mysteries for a long time.