The Case of the Whitechapel Vampire

This starts off with a rather curious disclaimer stating it has taken the characters from the public domain and that no effort has been made to liaise with the estate of Sir Arthur Conan Doyle. All perfectly legal, of course, but it did make me wonder what liberties they were about to take with the long established characters of "Sherlock Holmes" (Matt Frewer) and "Dr. Watson" (Kenneth Welsh). Well, as it happens, that intrigue is about as good as this gets as our super-sleuthing duo become embroiled in a series of murders that people suspect might be the work of a vampire. Frewer and Welsh are not Rathbone/Bruce, but they make for a decent pairing in this otherwise unremarkable drama that seems to draw more from "Cadfael" then from "Hound of the Baskervilles". The mystery develops pretty routinely, as you'd expect from a ninety minute television movie, before an ending that reminded me of "Scooby Doo". It isn't terrible, indeed the production looks fine, but the sum of the parts is underwhelming, with some pretty wordy dialogue and too many characters to clutter up any participation from the audience in the investigation. Maybe one for die-hard fans of these iconic characters, but otherwise just daytime telly fodder.

The first question you need to ask is "Why the hell bother?". Sherlock Holmes has been done to death and with Jeremy Brett, reached the apex of plausibility. The Basil Rathbones are good fun and there's been numerous feature film attempts, some of which are excellent and some of which should be forever stricken from the records. Unfortunately these Hallmark efforts fit into the latter category.

I've always enjoyed Matt Frewer's acting and he certainly has the perfect face for Holmes but the quality of acting is abysmal. It's like a 1960's Disney animated version of Holmes, cod Cock-er-knee accents and Sherlock has become some sort of pantomime version of himself, complete with stupid fake upper class accent and ability to annoy practically everyone. This results in all dramatic suspense being lost as we're expected to accept this Holmes as a comic geek.

The few Hallmark episodes that have been produced are all stinkers and have been made purely for the US market that still believes that Victorian England was a perfect chocolate box representation.

I have a sneaky suspicion that director Rodney Gibbons is the main culprit and the cause of the rampant artificiality of these terrible additions to the cult of Holmes.

If you like amateur dramatics then you'll love these. If you love the density of Holmes' Victorian world you'd be better off with the many Jeremy Brett episodes.

It's hard not to watch this and compare it with Jeremy Brett's The Last Vampyre, and once again, as with all of Matt Frewer's Sherlock Holmes films, it's a mix of good and bad.

Let's start with the good, the story, I liked it, I'm not a huge fan of vampires in general, but this works rather well. I like the visuals, it looks authentic enough, it's atmospheric, it looks murky, and lacks some of the usual polish you get in such productions.

The acting, is a little patchy it's fair to say, some of the cast are a little hammy, Frewer though I did enjoy, I liked his accent, I liked his quirkiness, he had some presence.

On the debit side, it felt a little clunky at parts, some of the dialogue is a little over the top. I mentioned earlier that you shouldn't compare, the trouble is when you do compare this with Brett's, it's just not in the same league.

It's watchable, 6/10.

The skeptical Sherlock Holmes (Matt Frewer) and Dr. Watson (Kenneth Welsh) investigate some deaths in the monastery of Whitechapel attributed to a vampire. Sherlock Holmes refuses to believe in any type of action from the supernatural or any coincidence. As usual, there is a very logical conclusion of the story. This is the type of very verbalized movie, basically with no action. The viewer feels like being in a theater, with a stage on the screen. Therefore, the running time could be shorter. The viewer may also become a tired, especially if he is not fluent in English and needs to read the subtitles. But it is a good plot and the mystery and its resolution keep the attention along the whole story. My vote is six.

This movie has the flavor of a tv movie the from days of old, produced by and for the Hallmark channel.

A murder at a coed monastery calls for the talents of Sherlock Holmes. Holmes is unabashedly skeptical of religion, but murder is murder regardless of the venue. There are indications that the initial murder, as well as subsequent murders, were committed by a vampire, and as you might expect, Sherlock is equally skeptical about the undead. The movie proceeds at a gentle pace as we untangle the present conflict with past events which occurred in Guyana some years ago. All in all a pleasant way to pass a sleepy afternoon.