Melodia Fatal

I have to agree with about everyone here on two things: 1 - it's sad to see this great combination of Basil Rathbone and Nigel Bruce end its run of Sherlock Holmes films, and 2 - it's too bad it ended with a mediocre film.

The story involves several music boxes which are made in prison and sold at an auction. Whoever buys them, gets killed. (I was sorry to see Dr. Watson's friend "Stinky" bite the dust so early, as he was one of the more interesting characters.)

The main culprit is a deadly female who reminds Holmes of an ex-foe he has great respect for: "Irene Adler." This character is "Hilda Courtney" (Patricia Morrison).

Actually, if I was grading this, I'd give it a C for "average." It's not the worst one in the series, as some people think, but it's not riveting, either, and I can see why the guys decided to "pack it in" after this one. The end of World War II also signaled the end of this series as a number of them were WWII stories.

It was a wonderful ride. I own all of them in the series and have a high regard for everyone connected with the set. I still think Rathbone is THE Sherlock Holmes and always will be.

A suspenseful Holmes and Watson feature about a group of killers out to find three music boxes sold at an auction. The boxes contain something in them that will help lead the crooks to loads of money. Only problem is that Sherlock Holmes is on their trail. Typical good acting and tight direction help this one rise above its somewhat implausible story. The chemistry between Rathbone and Bruce is as ever the binding of the film. Some other good performances are given by Patricia Morrison as a wicked woman and Edmund Breon as "Stinky," a school chum of Watson's. The verbal banter between Morrison and Holmes is for me the most memorable aspect of the film. As I watched the film, the lines slowly crept back into my head. "Praise from you is indeed gratifying Mr. Holmes," and then a line about respecting his memory. Great stuff!

This is a solid Sherlock Holmes mystery in the Basil Rathbone/Nigel Bruce series, with an interesting story, a good villainess, and a good pace once it gets going. Although, as with many movies in the series, the plot is not found in any of the original Holmes books, a number of the story elements were drawn or adapted from various Doyle stories. A number of times Watson also makes reference to one of the 'canonical' cases.

The setup is good, and it produces some interesting possibilities. Holmes must not only figure out a peculiar puzzle involving music boxes, but must do so in a race with a criminal gang that is trying to accomplish the same thing. Patricia Morison makes an elegant adversary for Holmes, and Rathbone and Bruce work well together as always.

Although these later movies in the series do not hold closely to the Victorian atmosphere of the originals, most of them are pretty good in their own right, and while this one mostly follows the usual formula, it is an enjoyable entry in the series.

Dressed To Kill was the last of the Basil Rathbone/Nigel Bruce Sherlock Holmes movies. I rather enjoyed this.

Music boxes are sold at an auction and the buyers of these seem to get killed. Holmes and Watson are called to investigate these killings and learn that a young women, who is the leader of a criminal gang has something to do with them. After attempting to kill Holmes, she is caught at the end.

Joining Basil and Nigel in the cast are Patricia Morison as the gang leader and Holmes Herbert.

Dressed To Kill is a good way to spend just over an hour one evening. Great stuff.

Rating: 3 and a half stars out of 5.

The last Rathbone Holmes (14/14) is again a slightly weaker affair than most of the preceding entries, another variant of The Pearl of Death this time involving music boxes. Music boxes whose tunes play out the location of the stolen and hidden Bank of England £5 plates no less. Holmes proves he has an inbuilt police whistle and a photographic(?) memory for music, whilst Watson says that he likes brass bands but is tone deaf. The woman here, although a thoroughly bad hat is not The Woman, the one and only Irene Adler who had bested Holmes in 1891, but for most of the film she has the upper hand.

By now the steam had left Rathbone, and although Bruce wanted to carry on and Universal held the copyright until 1949 the series had reached its natural conclusion. Director Roy William Neill had less than a year left to live too. Some lovely bits: Holmes consoling Mrs Hudson, distraught at letting 2 people into 221b who turned it over; Holmes' biscuit jar was seen to good advantage. And yes, the bullet holes in the wall from Faces Death were still there at the end! No matter how bad, mawkish or daft this marvellous series got I've always loved every entry. Watching a clean Definitive DVD of this with a lump in my throat I think of Brian Wilson's line "It's so sad to watch a sweet thing die", without even the dignity of end credits (they're lost).

All things must pass.