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IMDbPro

Tiros em Columbine

Título original: Bowling for Columbine
  • 2002
  • 12
  • 2 h
AVALIAÇÃO DA IMDb
8,0/10
151 mil
SUA AVALIAÇÃO
Michael Moore in Tiros em Columbine (2002)
Home Video Trailer from MGM Home Entertainment
Reproduzir trailer2:07
2 vídeos
47 fotos
CrimeDocumentárioDocumentário políticoDrama

O cineasta Michael Moore explora as raízes do gosto dos americanos pela violência armada.O cineasta Michael Moore explora as raízes do gosto dos americanos pela violência armada.O cineasta Michael Moore explora as raízes do gosto dos americanos pela violência armada.

  • Direção
    • Michael Moore
  • Roteirista
    • Michael Moore
  • Artistas
    • Michael Moore
    • Charlton Heston
    • Marilyn Manson
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    8,0/10
    151 mil
    SUA AVALIAÇÃO
    • Direção
      • Michael Moore
    • Roteirista
      • Michael Moore
    • Artistas
      • Michael Moore
      • Charlton Heston
      • Marilyn Manson
    • 903Avaliações de usuários
    • 154Avaliações da crítica
    • 72Metascore
  • Veja as informações de produção no IMDbPro
    • Ganhou 1 Oscar
      • 39 vitórias e 13 indicações no total

    Vídeos2

    Bowling for Columbine
    Trailer 2:07
    Bowling for Columbine
    Bowling For Columbine: Epk
    Featurette 3:11
    Bowling For Columbine: Epk
    Bowling For Columbine: Epk
    Featurette 3:11
    Bowling For Columbine: Epk

    Fotos47

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    + 43
    Ver pôster

    Elenco principal84

    Editar
    Michael Moore
    Michael Moore
    • Self - Narrator
    Charlton Heston
    Charlton Heston
    • Self
    Marilyn Manson
    Marilyn Manson
    • Self
    Salvador Allende
    Salvador Allende
    • Self - President of Chile
    • (cenas de arquivo)
    Mike Bradley
    • Self - Mayor of Sarnia, Ontario, Canada
    Arthur A. Busch
    • Self - County Prosecutor: Flint, Michigan
    • (as Arthur Busch)
    George Bush
    George Bush
    • Self
    • (cenas de arquivo)
    George W. Bush
    George W. Bush
    • Self
    • (cenas de arquivo)
    Michael Caldwell
    • Self - Police Detective
    Richard Castaldo
    Richard Castaldo
    • Self - Columbine Victim
    Dick Clark
    Dick Clark
    • Self
    Bill Clinton
    Bill Clinton
    • Self
    • (cenas de arquivo)
    Steve Davis
    • Self - Deputy Sheriff
    • (cenas de arquivo)
    Ngo Dinh Diem
    Ngo Dinh Diem
    • Self - President of South Vietnam
    • (cenas de arquivo)
    Mike Epstein
    • Self - Shopper in Mall
    Joe Farmer
    • Self - Superintendent of Schools
    • (cenas de arquivo)
    Denny Fennell
    • Self - Home Security Consultant
    Barry Glassner
    • Self - Author of 'The Culture of Fear'
    • (as Prof. Barry Glassner)
    • Direção
      • Michael Moore
    • Roteirista
      • Michael Moore
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários903

    8,0151.1K
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    Avaliações em destaque

    8KnightsofNi11

    Political but important

    On April 20, 1999 two students opened fire on their classmates at Columbine High School in Littleton, Colorado. It left 13 people dead and many more injured, gravely affecting the lives of those involved and stirring up a very loud gun control debate. In 2001, Michael Moore released Bowling for Columbine, a documentary that takes a look at gun violence in America and the things that make us the nation with, by far, the most gun related deaths per year. Moore examines the culture of America and just how we got this way through fear, paranoia, and vast over compensation to protect ourselves from something that isn't even there.

    Michael Moore is obviously very liberal, and this comes through in almost everything he says or does. There is a lot of politics that go into his filmmaking, especially in this film that was released amidst the Bush administration. A lot of personal opinion goes into his filmmaking and he presents a very left wing point of view. Moore also employs plenty of theatrics and some overly dramatic moments in his film to get a point across. However, said point is incredibly important and it is laid out very clearly and very concisely throughout Bowling for Columbine.

    Politics play a part in Moore's arguments, but they don't overshadow the basis of what he is trying to prove. In this film, he clearly outlines America's gun crazy culture fueled by paranoia, and if you just take a look around you will know that he has a point. Sure he finds the most ridiculous stories and the greatest examples to push his point, but in the broad generalization of what he is examining you can't say that he's wrong.

    Interestingly enough, things haven't changed much in our culture in the eleven years this film has been out. America still thrives on fear, and we still fear the same things we did when this movie was made. It was incredibly interesting watching this film after the recent events in Aurora, Colorado because anything Moore says about Columbine can easily be related to our most recent tragedy. It proves that Moore has, rather unfortunately, made a timeless film that looks at an issue that seems to never go away, instead only getting worse. Moore tackles some disturbingly true topics about gun violence and fear, and he puts it all into his perspective very well in a very high quality documentary. Bowling for Columbine is an excellent film that people in America truly have to watch. Moore points out some sad but very prevalent truths in this film, and there is a lot to be learned from it.
    10preppy-3

    Fascinating

    Documentary by Michael Moore about the NRA and America's fascination with guns. Much of the footage deals with Columbine and the case in which a 6 year old boy shot to death a 6 year old girl. It all culminates in an interview with the head of the NRA Charlton Heston.

    Riveting, chilling, hilarious and absolutely incredible movie despite what your views are on the gun issue. Moore's views are definetely anti-gun but he does try to show the opposite side also. Moore questions why there are so many killings in America by guns and almost none in other countries. He gives no real answers to this question but he raises a lot of interesting points and theories. I walked out of the theatre very shaken but, in a way, exhilirated. This is truly a great documentary.

    I'm not going to review this fully--it's a movie you should see for yourself. A definite must-see.
    8inkblot11

    Not really about Harris and Klebold, the Columbine shooters; more about the gun problem in America

    As most of the world knows, in April 1999, two Columbine High School students, Eric Harris and Dylan Klebold, took guns to school and shot thirteen students and one teacher dead. How did they get the guns? What does bowling have to do with anything? Those looking for an in-depth look at the two shooters will be disappointed. Although Mr Moore does record that Harris and Klebold went bowling on the morning of the shooting and later takes two of the wounded students, now recovered, to buy bullets at Kmart, this is not really about Eric and Dylan. Rather, it is more of an examination of the "gun culture" of the USA. The National Rifle Association, in this film headed by Charlton Heston, has ensured that getting a gun and ammunition is as easy as filling a prescription. Moore notes that we are unique among countries in that our rate of gun shootings and killings far surpasses that of Canada, our nearest neighbor, and other Western civilizations. Some have blamed violent video games, some singers like Marilyn Manson (interviewed in this film as a favorite singer of Harris), still others that "family department" stores like Kmart and Walmart have the weapons and the ammo. Interestingly, Moore also takes a look at Work-to-Welfare programs like the one near his hometown of Flint, Michigan. A young single mother was forced to work at a casino, 90 minutes away, to satisfy the welfare requirements but still couldn't pay the bills. When she was forced to move in with an uncle and had to leave her six year old son in his care, the young lad found his uncle's gun and took it to class, only to shoot a fellow student dead. what a tragedy! In short, anyone wanting to talk about the Second Amendment and gun control would do well to begin with this film. Those seeking in- depth information on the Columbine shooting should look elsewhere.
    10octomagneto

    A movie that should be mandatory for all politicians

    Yes Mr. Moore may lean left, and yes he may not be the most objective documentarian.

    However the facts stand: America has many, many more deaths attributed to guns than any other nation. It's a sad truth.

    Unfortunately Mr. Moore has been vilified for asking why. And typical of the "head-stuck-in- the-sand" mentality of the far right, they are angry for his work, not at the facts.

    This movie is well done and if you're left, right, in-between, gun nut, or responsible gun owner it is definitely worth viewing.

    I suspect most of the negative comments posted about this movie at IMDB and similar sites are by people who haven't seen the movie. They're just angry at what they perceive the movie to be.

    It isn't a movie about gun control. It's a movie that merely ask why so many deaths.

    Enjoy.
    emma502

    One of the most thought provoking movies.

    What has become of the United States? Is there any difference from the United States that was formed by Puritans and tried to escape from persecution under the British flag? Has there always been a different mentality for the American than that of any other nationality of individual? After September 11th Michael Moore the director and writer set out to make a documentary that addressed these and other embedded questions that are addressed everyday in our news media, school systems, homes, stores and street corners. Attempting to address all sides of the issues as a person of the media Moore used not only his own experiences, his connection to the NRA, but also other persons opinions that ranged from Charlton Hesston, the well known president of the NRA and famous actor, to the average American that was confronted with the violent acts that resulted from the accessibility of fire arms. This documentary took a new approach to the display of information. Not only was animation used to explain history, American's imbedded fear of their own neighbors, but it also used rock music ( gave a beat or a pulse to the film that progress from slow to fast as the intensity of the issues progressed), sarcasm, interviews, and casual conversations. Moore traveled the country to talk to all those that make up the spectrum of the American society, he traveled to the scenes of some of the more recent American tragedies, made impromptu stops in corporations such as Kmart (where the boys from Columbine bought the ammunition used in the shooting), and traveled to Canada to get an outside or foreign opinion. The idea was to move away from the documentary style of `talking heads'; he wanted a film that would not only touch a chord with the American people but one that would also be readily watched. This idea also made the documentary, that there was too much influence placed on the `words of the professional' or the ` findings of the expert'; that these findings and misleadings flooded the news at night to increase the amount of fear that the average American has as it looked for a scape-goat to blame. The information that Moor presented in his documentary did not technically follow a pre-described narrative, but followed more of a form where the audience was left areas to think and to breakdown the information. Elements of the circular narrative were the foundation of the film, where similar elements in opinions and the common American we continually addressed. Yet, the only problem that could be addressed is one of the ways in which Moore collected some of his data. Some might see a use of trickery or manipulation was used on his part to get the responses and such passion-filled opinions stated. While others would see the same information in the light that no instigation was needed, that people have these strong beliefs, opinions and are willing to talk about them but they lack the examples or understanding of the topic to take a well informed stand on one side or the other. Such a problem is not new in the world of documentaries when controversial data is presented to the public. Moore did a great job of presenting a delicate subject to the American people and was deserving of the Academy Award for the project.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Because the film didn't fit neatly into any established categories at Cannes, the Jury created a special 55th Anniversary Award just for the film.
    • Erros de gravação
      The film claims that that Eric Harris and Dylan Klebold attended a bowling class on the morning of the massacre. This is incorrect as testified in a judicial review.
    • Citações

      Michael Moore: If you were to talk directly to the kids at Columbine or the people in that community, what would you say to them if they were here right now?

      Marilyn Manson: I wouldn't say a single word to them. I would listen to what they have to say, and that's what no one did.

    • Cenas durante ou pós-créditos
      In the credits, there is a thank-you to Mike's Militia--Athens Branch. This does not exist; during his speaking engagement at Ohio University to promote his book "Stupid White Men", Michael Moore screened two versions of the "History of gun control" animated segment, which featured the same animation but different narration. The audience was asked to vote on which of the two versions should be included. After choosing a version, Moore claimed he would include Athens, Ohio and the audience in the credits, but wasn't sure what name to give credit to. Several suggestions were shouted out and Mike Michigan Militia, Athens, Ohio branch was finally chosen.
    • Versões alternativas
      In the theatrical release, a caption was inserted into a 1988 Bush-Quayle ad, "Revolving Doors," which read "Willie Horton released. Then kills again." In the DVD release, the caption reads "Willie Horton released. Then rapes a woman." Neither version makes it clear that the text was not part of the original ad.
    • Conexões
      Edited from Peasants' Paradise (1931)
    • Trilhas sonoras
      Take the Skinheads Bowling
      (1985)

      Written by Victor Krummenacher, David Lowery, Christopher Molla, and

      Jonathan Segel

      Performed by Teenage Fanclub

    Principais escolhas

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    Perguntas frequentes19

    • How long is Bowling for Columbine?Fornecido pela Alexa
    • What are the clips shown during "Happiness Is a Warm Gun?"

    Detalhes

    Editar
    • Data de lançamento
      • 16 de maio de 2003 (Brasil)
    • Países de origem
      • Estados Unidos da América
      • Canadá
      • Alemanha
    • Idioma
      • Inglês
    • Também conhecido como
      • Masacre en Columbine
    • Locações de filme
      • Windsor, Ontário, Canadá
    • Empresas de produção
      • United Artists
      • Alliance Atlantis Communications
      • Salter Street Films International
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 4.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 21.576.018
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 209.148
      • 13 de out. de 2002
    • Faturamento bruto mundial
      • US$ 58.015.923
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h(120 min)
    • Cor
      • Color
      • Black and White
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.85 : 1

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