Peixe Grande e suas Histórias Maravilhosas

When I saw the French movie Amelie I sat in the movie theater with a smile on my face throughout the whole movie. The exact same thing happened while watching Big fish. It is simply one of the best movies I have ever seen. It made me feel good, it made me laugh, and it almost made me cry. What else is there to ask for?

The actors did an excellent job, and the dialogue and the story was told in a very good way! The characters are also well described, every character had a meaning in the movie, everyone from the friendly giant to the twins to the witch to the big fish!

The are a couple of movies that really makes me feel good, and Big fish easily enters that collection of feel-good-movies. (Amelie, The Cider House rules, Chocolat)

I approach Tim Burton films with a certain trepidation. Will it be "Edward Scissorhands" or "Batman II?" With Burton you could get a quirky comedy, a dark thriller, or sweet morality tale. And there's always the possibility of Danny DeVito chomping down on a raw fish.

"Big Fish" combines Burton's unusual humor with a heart-wrenching story of a father-son deathbed reconciliation. Albert Finney and Ewan McGregor share the role of Ed Bloom, one of the big fish from the movie's title while an SUV-sized catfish plays the other. Bloom is a metaphorical and literal big fish in the small pond of Ashton, Alabama in this tale told mostly through flashback. Jessica Lange plays his wife and Billy Crudup plays the son, Will, estranged from his father for the past three years. Father and son are reunited as Finney lies dying of cancer.

Ed Bloom has spent his life spinning his personal history into mythological proportions: an early encounter with a very tall man becomes a battle with a house-sized giant; a rural village is depicted as heaven on earth; military service during the Korean War morphs into a behind-the-lines mission that would make Duke Nukem proud. Originally a true believer, Will now knows everything his father has told him was not just an exageration or even a tall tale but an outright lie. In his effort to understand the truth behind his father's stories he learns to love the man as well as the mythology. And Burton delivers a terrific punchline at the end of the film that left me both tickled and weeping, a truly weird emotional state.

Burton deals with mythic themes in "Big Fish." Besides the surface story of the generational tension between father and son he explores the metaphor of the big-fish-in-a-small-pond by examining the impact Ed Bloom has had on the lives he's touched in his workaday contacts with colleagues, customers (he's a traveling salesman), and people in the small towns across the South. Not exactly "It's A Wonderful Life," he still manages to show how all of us -- even the little fish -- have profound effects on the people around us. And of course love -- unrequited and reciprocated -- control almost all of Ed's many adventures.

The acting is wonderful. You will actually believe two Brits and a Scot (Finney, Helena Bonham Carter, and McGregor) are natives of small town Alabama. Lange brings dignity and brio to the role of the long "suffering" wife -- and she still looks great(!)-- you believe she has had a long and loving life with Finney/McGregor. DeVito is a delight in the role of a circus ringmaster. But the scene-stealer is Bonham Carter in the dual role of Jenny and the crone witch.

I rated this movie ten stars and when you see it you'll do the same.

It was either "Cheaper by the Dozen," "The Haunted Mansion" or this. I didn't exactly feel like watching my favorite comedian run around with a horde of little kids cracking bad poopy jokes behind them, and I didn't want to see Eddie Murphy do this either (it was bad enough in last year's "Daddy Day Care"), so I chose to see the more adult-oriented of these three films, and I'm glad I did, because Tim Burton's "Big Fish" is a marvelous film--full of wit and imagination and eerie vibes that sometimes don't fit into Burton's films the way he wants them to--but actually have a purpose here.

"Pee Wee's Big Adventure" is simply one of the best films of all time, and you can quote me on that. That was Burton's breakthrough--then came "Batman," which was very good but slightly lacking in substance, and then came "Edward Scissorhands"--one of my sister's favorite films, a beautiful love story and an eerie fable...but just missing a very small ingredient that kept it from becoming a great movie (perhaps the same with his film "Ed Wood"--a very good film, but not exactly one of my all-time favorites).

I have my doubts as to whether anyone other than Tim Burton could have pulled off "Big Fish." Here's a movie I expected I would dislike and come away feeling a little bit empty--but that's only partially true. The movie doesn't quite exceed on the level it tries to, but as a film, it's one of the best motion pictures of the year.

It stars Albert Finney as Edward Bloom, an old man who loves to exaggerate tales of his past and pass these on to his friends and family. One night his son, William (Billy Crudup), tires of hearing the story about how he caught the town's largest fish in a lake using a gold ring--so he ignores his father for three whole years, until his mother (Jessica Lange) informs Will that his father is dying of cancer, and that he wishes to speak with his son one last time.

Drawn back to his old Alabama hometown with his new wife, Will finally learns the truth about these so-called "exaggerated" stories--and we, as the audience, get to see them in flashback mode. It begins with a young Edward (Ewan McGregor), a "big fish" who was just too small for his own town and had to move away to search for brighter prospects. On his journey he comes across an assortment of odd fellows, including a "Gentle Giant," a failed poet living in a heavenly town named Spectre, and a strange circus ringleader who also happens to be a werewolf.

All of these stories that Edward Senior tells his family relate to their current positions, and to call the film simply beautiful would be what John Candy once said is "the understatement of the year." My particular favorite character was the poet living in Spectre, played by Steve Buscemi (a wonderful supporting actor), who I had no idea played any role in this film prior to viewing the opening credits and seeing "with Steve Buscemi" appear on screen.

Buscemi's poet has been working on a particular poem for twelve years whilst living in Spectre. "Can I see it?" asks Edward. It says, "Roses are red, violets are blue, I love Spectre." "But it's only three lines long!" says Edward. "That's the reason you don't show your work to people," Buscemi says.

Danny DeVito also appears as the circus ringleader, and the most regretful scene in the film is that in which we see him naked from behind. I shudder at the thought. But, for what it's worth, DeVito's second re-teaming with Burton is magnificent--he's a supporting character, but the film certainly benefits from his performance.

Like all of Burton's films, "Big Fish" teeters on the edge of greatness, but it never quite crosses the line. This is a marvelous film, full of warmth, kind-hearted fables and beautiful cinematography, and it's one of the best films of the year. It's certainly a unique film experience unlike any you've ever had before. Unless, of course, you've seen "Edward Scissorhands" or "Ed Wood." Then some of it may look a bit familiar.

Still, I enjoyed it more than "The Lord of the Rings." And I could actually relate to this film.

Trivia note: "Edward Scissorhands" was a Tim Burton film. The main character of this film is named Edward. Sometimes when people pronounce his name with their thick Alabama accents it comes across as "Ed Wood." Mere coincidence or something more? We may never find out.

4.5/5 stars.

• John Ulmer

What do you say about this movie?

I am at a total loss to describe it. The concept itself, a son tries to come to terms with his dying father that he knows nothing about but an enormous catalog of unbelievable stories, doesn't sound very promising. It sounds like a tired old formula, and I expected such when the rental started playing

It's not.

Werewolves, giants, witches, siamese twins, bank robbers, hidden cities, sirens, etc. are all present in the fantasy, but they seem unremarkably to be part of the life of an otherwise ordinary traveling salesman. Whether they really are or not is never made completely clear, but that's the rub.

I once read a review by Harlan Ellison in which the main point was how a well told lie illuminates the truth in far better clarity than a simple recitation of the facts ever can. At one point in the film, the questing son remarks to his bed-ridden father that he's heard all of his stories thousands of times, and he has know idea who his father really is. The father's reply is, `I've never been anybody but me from the day I was born. If you don't know who I am, that's your failing, not mine.' Later investigations make the point clearer. I'll bet Ellison loved this movie. It is an extraordinary lie.

Did I like the film? You bet. It's Tim Burton's best work without a doubt. Is it for everybody? Probably not. Many will find it confusing and pointless, but good fantasy is like that. All I can say is, relax and let it happen. You won't regret it.

I've had high hopes for this movie since I first heard about it some time ago. After all, most of the Tim Burton movies I've seen (barring Planet of the Apes) have been really wonderful. To say the least, Big Fish did not disappoint me. The story - by no means complex or suspenseful - was simple enough to allow the viewer to really take in the fantasy and mythology in Edward Bloom's tales. One didn't need a surprise ending or secret identities to make this film enjoyable. Rather, it was the simplicity and universal nature of the story that made it interesting. While some reviews have mentioned that the film can seem choppy at times, I didn't see this at all. The transition seemed smooth and logical, and while sometimes I found myself wishing for more scenes of younger Edward Bloom, I never felt bored by any of the movie. Nothing seemed to 'drag'. I was also quite impressed with the quality of acting in nearly the entire cast. Billy Crudup didn't really hit his stride until the end, but he was tolerable through the first three-quarters of the movie. Albert Finney did a great job of portraying a lion on his last legs, bigger than his body but unable to show it. Jessica Lange was amazing and added the emotional oomph that Billy Crudup often failed to provide. And while Ewan McGregor's role was not particularly difficult, at no point did he overplay the character, and his accent (to my ear anyway) never slipped. Though this wasn't as dark as Sleepy Hollow or as bizarre as Edward Scissorhands and Beetlejuice, Big Fish definitely had the Tim Burton touch in its scenery. The colors - whether dull for Elder Bloom's time or bright for Younger Bloom - matched the mood perfectly, and everywhere you looked (especially in Bloom the Younger's timeframe) there was something else to marvel at. Tim Burton fans will not be disappointed.