Asas Quebradas

"Broken Wings (Knafayim Shvurot)" is a frank, involving portrait of a family coping with grief and stress.

Even more than such films as "Ordinary People," debut writer/director Nir Bergman has a sure touch in showing us the pressures and responses of a full range of individual family members, from the depressed working mother to her children -- five year old daughter, ten year old son, and and their teen brother and sister.

Within very realistic crowded and complicated living, working, school, and peer friendship environments, we see each as distinct individuals with guilts, needs, issues, and talents, and as the dependent members of a family unit dealing with past and present pain and crises, including through music.

I don't know the technicalities of the film stock, but the grittiness of the cinematography contributes to the naturalism, as well as the un-Hollywood, un-pretty look of the actors.

As an Israeli film what also adds to how touching it is is its non-political, non-geographically-necessary-specific content. This is just a beautiful human story of love and responsibility.

While the opening credits are bilingual Hebrew and English, the closing credits, annoyingly, are not.

Going into this movie i had little knowledge regarding the film just the basic plot and that it had won some awards in Israel. In fact it's the first ever Israeli film i've ever seen.

Looking at the rather simple plot line I was worried that it would be too boring. I gotta say that despite the simple plotline that it was still rather meaningful as I'm sure many families around the world experience such trials in their lives. Parents and their children fighting even over the smallest things.

I just thought they could have expounded a little more on the lives of the family after the death of the father. Indeed too short at 80 mins. I thought the acting was pretty good especially from the two lead actresses. You could really feel the tension between the two as they argue.

Nice film overall with good acting performances

"Blackbird singing in the dead of night. Take these broken wings and learn to fly. All your life, you were only waiting for this moment to arise." - Paul McCartney

The trauma that accompanies the sudden loss of a beloved family member is being repeated all over the Middle East today in both Israeli and Palestinian homes. Behind the headlines, however, is the human tragedy, the stories we never read about. This story is told metaphorically in Nir Bergman's brilliant first effort Broken Wings. It is not an overtly political film, but the implications are clear. Set in the Israeli port city of Haifa, it depicts the effect of the loss of the family's patriarch on each member of the Ulman family, perhaps suggesting the emotional state of Israel since the murder of Yitzhak Rabin. The 83-minute film won accolades at the Berlin International Film Festival and has been a huge critical and commercial success in Israel, winning nine Israeli Academy Awards in 2003.

Beautifully expressive Maya Maron in her first feature role is an Israeli teenage singer-songwriter (also named Maya) who dreams of becoming a rock star and wears wings when she sings in her local band. As the film opens, Maya is singing a song she wrote in memory of her father who died suddenly nine months ago, for reasons not disclosed until the end of the film. Her song is interrupted when her mother Dafna (stage actress Orly Zilberschatz-Banai), a nurse, phones and tells her that she has been called to work on the night shift at the local hospital and needs Maya home to take care of brother Ido (Daniel Magon) and sister Bahr (Eliana Magon). Maya emphatically refuses then relents but the tension between mother and daughter is palpable. Maya, who was with her father when he died, does not fully grasp the guilt behind her bottled-up rage and takes out her anger on her mother who is both irritating and sympathetic as she labors wearily to keep the family from a collision course.

We learn that each family member is suffering the father's loss in his or her own way. Dafna stayed in bed for three months leaving the children to do the parenting and the results are reflected in their erratic behavior. Six-year old Bahr wets her bed and Ido carries out a strange ritual of filming himself while jumping into an empty pool. The oldest brother Yair (Nitai Gaviratz), also a teenager, has been suspended from school and hands out leaflets on commuter trains dressed in a mouse costume while expressing a nihilistic philosophy to anyone who will listen. His inability to respond to the words father, fear, and anger during a word association test prompts his school counselor to deny him re-admittance until he receives treatment, but he does not help his cause when he tells the counselor "Your words are meaningless. This conversation does not exist and you don't exist."

Yair tells Maya that "things could be worse", and they do get worse before they get better. In fact, the catalyst for redemption comes in a life-threatening accident that allows the family to regroup, take responsibility for their lives, and begin the process of healing. Broken Wings sounds depressing but in the hands of the skillful direction of Mr. Bergman its sadness is balanced with humor and the strength and dignity of its characters. The film does not break any new ground but displays the kind of insight that allows us to learn something new about ourselves. Though rooted in reality, Broken Wings has a heart that leaps and a soul that soars and is a film that I truly loved.

More and more these days I come out of a film feeling cheated. I find that especially true of American films where technically everything is wonderful and yet there is an emotional laziness that makes me feel unfulfilled. The writer needed to write three more drafts and the director should have gone the extra mile with the actors but instead chose to focus on lens choices and fast slick cuts. Broken Wings is the antithesis of this phenomena. A wonderfully unpretentious, deeply personal and beautifully written piece that leaves you with the feeling that perhaps your life isn't so bad after all. The film follows the life of a mother and her four children desperately trying to cope with the emotional and financial aftermath of their father's death. The brilliance of the writing in my opinion lies in the ability of writer/director Nir Bergman to convey the devastating fatigue and hopelessness of poverty with a wonderful wit and humor. The camera serves the plot rather than the ego of the camera man. The entire cast delivers a remarkable performance that is understated and personal. Eliana Magon who plays the little girl, looks like she is carrying the weight of the world on her shoulders. Run to see this movie.

I fell in love with the trailer every time I heard the singing, and smiled at the video recording segment where Dafna was told not to say she's 43 with 4 kids but say 39, and ended up saying she has 39 kids. I was most eager when I finally get to see "Broken Wings." It was a filmic experience full of human, family emotions - those ever anguish-ridden teen growing pains (conflicts and raptures) - I was quite pleased, tear-jerker and all.

Broken Wings, aka K'Nafayim Shvurot (2002), a film from Israel in Hebrew with subtitles, is the debut feature of writer-director Nir Bergman. It may seem like yet another movie about teens, mother and kids in a struggling household - somehow there's a different tone and humanity level that's most warm and welcoming in feeling. Good story, thoughtful plot with trying crisis, and heartfelt performances all round. And the music - especially the song Maya sings, the lyrics and the guitar rhythm I really felt akin to.

It's a close-knit family - it shows: the dialog between mother and daughter, the interactions among teen sister and brother, elder brother and youngest sister, brother to brother, mother to sons - there's a lot going on and not without sprinkles of humor (and playfulness) injected in between. It's a poignant script Bergman delivered. And what a cast - each of the family members was portrayed with such nuance. Orli Zilverschatz-Banay is Dafna the mother, a central tour de force. Equally matched is the strong performance by Maya Maron as the daughter, whose sadness and bottled-up self-blame became a huge chip on her shoulder - struggling with her musical talent (composing and singing) and trying to be vulnerably strong ('I can take care of myself' persona) as a responsible daughter/sister/student/band member - life without Dad is so tough, or is it? Mother doesn't care, doesn't have time to love me, is it so? Ido, the younger son, reminds me of Edward Yang's "Yi Yi" - also a young boy on his own while the grown-ups and siblings exist in a different world. Daniel Magon plays Ido and Eliana Magon as the little sister Bahr - the pair had a street crossing scene with just as much tension felt watching their performances together. Nitai Gvirtz portrayed teen brother Yair, who's a character unto himself. Vladimir Friedman is Dr. Valentin, in the tension relieving role of Dafna's colleague, provided breather and smiles to the audience as well as the strung-out working mother of four.

Nir Bergman took the time to show us the different character developments - not shying away from confronting situations or gutsy parental-teenage tensions. "Broken Wings" depicts how a family unit copes with grief and how crisis unites, coming through with strength and renewed understanding. It's a worthy family drama. We're fortunate to have effective subtitles by Suzy de Lowe. Bravo to Sony Pictures Classics for the steady support in distributing gems of small independent foreign films.

An observation: the cause of death was given in a low key manner - nothing political about it as it seems to be a possible natural happening. Hence the central energy is more focused on the mother and daughter relationship - such wisdom in plot progression choices. If you're interested in a film that has a bit more political tone, try the Palestinian film by writer-director Elia Suleiman, "Divine Intervention" (2002) aka Yadon Ilaheyya, in Arabic and Hebrew with English subtitles - it's quietly political, pathos with poetic tenderness.