Um carro de corridas chamado Relâmpago McQueen é desviado para Radiator Springs, onde ele encontra o verdadeiro significado da amizade e da família.Um carro de corridas chamado Relâmpago McQueen é desviado para Radiator Springs, onde ele encontra o verdadeiro significado da amizade e da família.Um carro de corridas chamado Relâmpago McQueen é desviado para Radiator Springs, onde ele encontra o verdadeiro significado da amizade e da família.
- Direção
- Roteiristas
- Artistas
- Indicado a 2 Oscars
- 28 vitórias e 34 indicações no total
Owen Wilson
- Lightning McQueen
- (narração)
Bonnie Hunt
- Sally Carrera
- (narração)
Paul Newman
- Doc Hudson
- (narração)
Larry the Cable Guy
- Mater
- (narração)
Cheech Marin
- Ramone
- (narração)
Tony Shalhoub
- Luigi
- (narração)
Guido Quaroni
- Guido
- (narração)
Jenifer Lewis
- Flo
- (narração)
Paul Dooley
- Sarge
- (narração)
Michael Wallis
- Sheriff
- (narração)
George Carlin
- Fillmore
- (narração)
Katherine Helmond
- Lizzie
- (narração)
John Ratzenberger
- Mack
- (narração)
- …
Michael Keaton
- Chick Hicks
- (narração)
Richard Petty
- The King
- (narração)
Jeremy Piven
- Harv
- (narração)
Bob Costas
- Bob Cutlass
- (narração)
Avaliações em destaque
This is EASILY the movie I've watched most in my life. Back when I was young, I would have this on repeat. My parents said I used to HAVE to watch this movie every day for a certain period of time or I would get mad. Well, until now, I hadn't seen it in like 6 years until now. It was just as I remember, and extremely nostalgic. I can't be bothered to wonder why this movie gets the hate that it does. In fact, it's one of the best Pixar films. Idk if the nostalgia is blinding me, but for me this was (so far) one of the better Pixar films. A great character arc for Lightning McQueen, an amazing redemption for Radiator Springs, just a magical movie. I will forever hold this movie close to me and never let go. Imo, this is one of THE movies.
Fun fact: I own all 36 original car action figures from the race at the beginning.
Fun fact: I own all 36 original car action figures from the race at the beginning.
I'm a man (71). I took my son (40) and my granddaughter (10) to see "Cars". It was wonderful exciting entertainment for all our ages. I grew up with the old cars and have traveled Route 66 a few times so I was able to relate to the story and talk about the old times after the movie with the younger kids. My son and his daughter love NASCAR so they got a lot from the movie. The scenery though computer modified and generated was beautiful and true to the area portrayed. There is so much going on that this is one movie I want to see again. I have more grandkids, I think I'll have a valid excuse to go once more. Please!, if you see this movie remain seated until the very end of the credits, you are in for a treat.
Without giving away any of the story, here's my take. I attended the premiere of CARS at LMS on Friday, May 26. True to Disney form, the premiere itself was spectacular. Four giant screens, live entertainment,lots of fireworks, great inclusion of military personnel, and as good of a red carpet as you can do with chain link fenced areas... This movie rates right in the middle of Pixar releases for me. I place it above Monsters Inc, A Bug's Life and Toy Story 2, but not as good as the "original", the best ever, Toy Story, and The Incredibles. Everything just looks so real in this movie. The dust stirred up when Lightning drives off, the scenery around Route 66 (well, maybe not those mountains that look like the fins of old cars). Even the shine on the clean cars looks so real. As an adult, I enjoyed the story line. I can't tell you how the kids would like it, as by the time the movie finally started, my kids were asleep. As always, don't leave your seat until all of the credits roll. Sometimes they are some of the funniest clips in the movie! You'll love them this time, as they tie back to prior Pixar movies, in a car sort of way. This is definitely a movie we'll add to the DVD collection. I really hope this movie does well since it's the first release since Disney bought Pixar. Don't go in looking for the action or adult humor of The Incredibles. If you do you'll be disappointed. Just go in looking for the "Disney always has a good moral behind its animated movies" type of movie and you will really enjoy it. Paul Newman and Larry the Cable Guy really have the best characters in the movie. And while John Ratzenberger's character doesn't have a lot of screen time, I really enjoyed him! I'll be going back to see it when it releases in theaters so I can get a better feel for the sound, as it wasn't the best in an outdoor setting. In my opinion, it easily beats the other animated movies released over the past year or so.
There's really nothing wrong with this; it fits the mold as a smart kid's movie with enough subtle nudges and winks to keep the adults happy, a formula that Pixar has mined extremely well over the past decade and a half. It's even got that one weighty central topic, the moment the entire picture balances upon, when the collective audience presumably takes a sharp breath of air and has some sort of mini-epiphany in connecting it to their own lives. The major pieces are all there, truly, so why didn't I find this picture as rewarding as the rest of the animation house's legendary catalog? It's got something to do with the moments in-between. Usually, it's precisely those instants off the beaten path that Pixar absolutely swallows up, enveloping the screen with tiny jokes, dazzling visual wizardry and deep, circumstantial character development. In Cars, for whatever reason, the power in such moments is lacking. The studio goes through the motions, which makes for a more-than-decent facsimile, but in the end it doesn't feel as complete and engaging as their other masterworks. I would've loved it as a kid, and plan to share it with mine some day, but as an adult I'd rather throw in Toy Story or The Incredibles.
Revised thoughts, nearly three years later:
My boys are absolutely bonkers for Lightning McQueen and Tow Mater right now, but had never actually seen the movie. Needless to say, they loved it, and I discovered that my own opinion has softened over time. Of course, it still can't hold a torch to the innocent humor of Toy Story, the sentimentality of Monsters, Inc. or the pulse-pounding twists of The Incredibles, but it fits in snugly on the second tier alongside A Bug's Life and Ratatouille. The theme may have seemed transparently concocted to sell merchandise, but as a product of the era when Pixar didn't do anything they didn't believe in, it still resonates with thoughtful care and well-placed emotion. Perhaps unfairly cast aside at first, it's a well-made, lovingly executed film that tugs shamelessly at the heart strings when its points bubble to the surface. I'd upgrade my score from 7 to 8/10.
Revised thoughts, nearly three years later:
My boys are absolutely bonkers for Lightning McQueen and Tow Mater right now, but had never actually seen the movie. Needless to say, they loved it, and I discovered that my own opinion has softened over time. Of course, it still can't hold a torch to the innocent humor of Toy Story, the sentimentality of Monsters, Inc. or the pulse-pounding twists of The Incredibles, but it fits in snugly on the second tier alongside A Bug's Life and Ratatouille. The theme may have seemed transparently concocted to sell merchandise, but as a product of the era when Pixar didn't do anything they didn't believe in, it still resonates with thoughtful care and well-placed emotion. Perhaps unfairly cast aside at first, it's a well-made, lovingly executed film that tugs shamelessly at the heart strings when its points bubble to the surface. I'd upgrade my score from 7 to 8/10.
But WHY is it great?
1. Visually. From the very first moments of the film, my mouth was hanging open. I mean, what the hell? Nothing looks this good. I have no idea how they made the cars look so much like real cars, and STILL make them look so much like characters. And the settings? Having grown up and traveled all over the South West United States (including more than one pilgrimage down Route 66) They captured, not only the visuals, but the atmosphere and character America's Main Street Perfectly. Frankly, if you put real actors in many of the scenes, you wouldn't realize it was computer generated you know, if the landscape wasn't made up of old car parts.
2. Creativity. Talking animals. Every cartoon HAS to have talking animals. Only so many cartoons can be about talking animals trying to bamboozle around with humans. Thank goodness for Cars. They create an entirely believable world populated by machines, with tractor cows, and somehow they still have George Jones and Hendrix. The story IS quite predictable, but it's still quite creative. With this level of creative juice flowing in one of John's babies, I can't wait to see what he has in store for further feature animation and theme parks.
3. Characters. I have a beef with Hollywood. They have no idea what life in a small town is like. They either try and stuff their ideals and attitude into a western shirt, or else fill America's heartland with dolts, "we don't like outsiders" sheriffs, or crazed murderers. Thankfully, Pixar did their homework and featured small town folk as they really are: eclectic, eccentric, loyal, creative with their fun, friendly with visitors, and really worth while. The subtle touches, such as the lovable rivalry between the Hippie van and the Army truck, or the crazy old Model T talking to the memorial of her dead husband (very touching), gives a complex and wonderfully, realistically diverse view off small town life. The same is true with the racing world. Wilson and Newman are, of course, fantastic. It's funny how the gravel in Newman's voice fits perfectly with the rumble of his engine, likewise Wilson's distinct voice sounds just like the high-tuned growl of a race car. Every voice is so paired. Bottom line, you leave loving virtually every character in the movie.
4. Story. A little bit A Christmas Carol, a little bit The Sting. The story starts out fast and exciting, like the race it portrayed. The big second act meanders lazily from one fantastic story point to the next, just like Route 66 drives from one landmark to another. I can see why some may say it can get slow, but, as is one of the points of the story, the joy is in the ride. And again, the third act flows quickly and furiously like, well, another race.
I give it a score of 10 out of 10. I can't wait to see it again.
1. Visually. From the very first moments of the film, my mouth was hanging open. I mean, what the hell? Nothing looks this good. I have no idea how they made the cars look so much like real cars, and STILL make them look so much like characters. And the settings? Having grown up and traveled all over the South West United States (including more than one pilgrimage down Route 66) They captured, not only the visuals, but the atmosphere and character America's Main Street Perfectly. Frankly, if you put real actors in many of the scenes, you wouldn't realize it was computer generated you know, if the landscape wasn't made up of old car parts.
2. Creativity. Talking animals. Every cartoon HAS to have talking animals. Only so many cartoons can be about talking animals trying to bamboozle around with humans. Thank goodness for Cars. They create an entirely believable world populated by machines, with tractor cows, and somehow they still have George Jones and Hendrix. The story IS quite predictable, but it's still quite creative. With this level of creative juice flowing in one of John's babies, I can't wait to see what he has in store for further feature animation and theme parks.
3. Characters. I have a beef with Hollywood. They have no idea what life in a small town is like. They either try and stuff their ideals and attitude into a western shirt, or else fill America's heartland with dolts, "we don't like outsiders" sheriffs, or crazed murderers. Thankfully, Pixar did their homework and featured small town folk as they really are: eclectic, eccentric, loyal, creative with their fun, friendly with visitors, and really worth while. The subtle touches, such as the lovable rivalry between the Hippie van and the Army truck, or the crazy old Model T talking to the memorial of her dead husband (very touching), gives a complex and wonderfully, realistically diverse view off small town life. The same is true with the racing world. Wilson and Newman are, of course, fantastic. It's funny how the gravel in Newman's voice fits perfectly with the rumble of his engine, likewise Wilson's distinct voice sounds just like the high-tuned growl of a race car. Every voice is so paired. Bottom line, you leave loving virtually every character in the movie.
4. Story. A little bit A Christmas Carol, a little bit The Sting. The story starts out fast and exciting, like the race it portrayed. The big second act meanders lazily from one fantastic story point to the next, just like Route 66 drives from one landmark to another. I can see why some may say it can get slow, but, as is one of the points of the story, the joy is in the ride. And again, the third act flows quickly and furiously like, well, another race.
I give it a score of 10 out of 10. I can't wait to see it again.
Você sabia?
- CuriosidadesThis was Paul Newman's last American feature film before his death of lung cancer in 2008. It turned out to be the highest-grossing movie of his career. George Carlin died of heart failure three months earlier. This was the highest-grossing film of his career as well.
- Erros de gravaçãoWhen Lightning McQueen wakes up in the impound yard, the boot is on the driver's side front tire. Mater hooks up to Lightning's rear to tow him in. He should have hooked to the front since one of front tires was incapacitated.
- Citações
Lightning McQueen: He's won three Piston Cups!
Mater: [spits out fuel] He did WHAT in his cup?
- Cenas durante ou pós-créditosThe credits contain a dedication and retrospective of characters voiced by Joe Ranft, a Pixar writer who died in 2005.
- Versões alternativasThe UK version features Top Gear (1978) host Jeremy Clarkson as the voice of Harv instead of Jeremy Piven. This version is also available worldwide as an audio track on Disney+.
- ConexõesFeatured in Pixar's 20th Anniversary Special (2006)
- Trilhas sonorasLife Is a Highway
Written by Tom Cochrane (as Thomas Cochrane)
Performed by Rascal Flatts
Produced by Dann Huff and Rascal Flatts
Recorded by Justin Niebank and Mark Hagen
Mixed by Justin Niebank
Rascal Flatts appear courtesy of Lyric Street Records
Principais escolhas
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Detalhes
Bilheteria
- Orçamento
- US$ 120.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 244.082.982
- Fim de semana de estreia nos EUA e Canadá
- US$ 60.119.509
- 11 de jun. de 2006
- Faturamento bruto mundial
- US$ 461.996.328
- Tempo de duração1 hora 56 minutos
- Cor
- Mixagem de som
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