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IMDbPro

Standing in the Shadows of Motown

  • 2002
  • PG
  • 1 h 48 min
AVALIAÇÃO DA IMDb
7,8/10
3,9 mil
SUA AVALIAÇÃO
Standing in the Shadows of Motown (2002)
Home Video Trailer from Artisan
Reproduzir trailer2:07
2 vídeos
24 fotos
DocumentárioMúsica

Adicionar um enredo no seu idiomaDocumentary about the Funk Brothers, a group of Detroit musicians who backed up dozens of Motown artists.Documentary about the Funk Brothers, a group of Detroit musicians who backed up dozens of Motown artists.Documentary about the Funk Brothers, a group of Detroit musicians who backed up dozens of Motown artists.

  • Direção
    • Paul Justman
  • Roteiristas
    • Walter Dallas
    • Ntozake Shange
    • Alan Slutsky
  • Artistas
    • Joe Hunter
    • Jack Ashford
    • Uriel Jones
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,8/10
    3,9 mil
    SUA AVALIAÇÃO
    • Direção
      • Paul Justman
    • Roteiristas
      • Walter Dallas
      • Ntozake Shange
      • Alan Slutsky
    • Artistas
      • Joe Hunter
      • Jack Ashford
      • Uriel Jones
    • 79Avaliações de usuários
    • 50Avaliações da crítica
    • 76Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 8 vitórias e 14 indicações no total

    Vídeos2

    Standing in the Shadows of Motown
    Trailer 2:07
    Standing in the Shadows of Motown
    Standing in the Shadows of Motown
    Trailer 0:31
    Standing in the Shadows of Motown
    Standing in the Shadows of Motown
    Trailer 0:31
    Standing in the Shadows of Motown

    Fotos24

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    Elenco principal99

    Editar
    Joe Hunter
    Joe Hunter
    • Self - 'Funk Brothers' Keyboardist
    Jack Ashford
    Jack Ashford
    • Self
    Uriel Jones
    • Self
    Richard 'Pistol' Allen
    • Self
    Bob Babbitt
    Bob Babbitt
    • Self
    Benny 'Papa Zita' Benjamin
    • Self
    • (cenas de arquivo)
    Eddie 'Bongo' Brown
    • Self
    • (cenas de arquivo)
    Bootsy Collins
    Bootsy Collins
    • Self
    Johnny Griffith
    • Self
    Ben Harper
    Ben Harper
    • Self
    James Jamerson
    James Jamerson
    • Self
    • (cenas de arquivo)
    Montell Jordan
    Montell Jordan
    • Self
    Chaka Khan
    Chaka Khan
    • Self
    Gerald Levert
    • Self
    Joe Messina
    • Self
    Meshell Ndegeocello
    Meshell Ndegeocello
    • Self
    Joan Osborne
    Joan Osborne
    • Self
    Rudy Robinson
    • Self
    • Direção
      • Paul Justman
    • Roteiristas
      • Walter Dallas
      • Ntozake Shange
      • Alan Slutsky
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários79

    7,83.9K
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    Avaliações em destaque

    9marsupial3300

    Just beautiful....

    At 35, I'm too young too have been around when all this great music first appeared. But I truly feel the Motown music in my soul, always have. I still get goosebumps, to this day, when I hear certain Motown songs.

    Therefore, I spent half this film sobbing, for the beauty & genius of the music, the happiness I felt that that Funk Brothers were finally getting their due, and lamenting, as always, that they simply do not make music like this any more, and never will again.

    Beautifully filmed, fascinating....if it doesn't move you, or get you moving, you must be comatose.
    macjazz

    Meet The Funk Brothers!

    Standing in the Shadows of Motown is a terrific documentary that gives us a wonderful introduction to The Funk Brothers, the musicians behind the hits at Motown. This is their story, therefore little time is devoted to Barry Gordy or the label's stars. The Brothers emerge as engaging personalities in their own right - it's a pleasure to listen to them tell their tales of life in "the Snake Pit" (the studio) at Motown.

    Even more a pleasure is listening to them play and hearing new interpretations of some of the great old tunes. Especially, for me, Bootsy Collins on "Cool Jerk" (Bootsy puts the "fun" in "funk") and Joan Osborne on "Heat Wave" (the Brothers really groove on this one) and "What becomes of the Broken Hearted" - a stirring rendition that raises the roof and brings down the house! Great stuff. A few of the other new performances are not quite as strong as this, but overall the music is just great. The old guys have still got it. I really loved hearing little bits of their jazz playing sprinkled throughout the movie - in fact I'd like to have heard more of this, but of course there are time constraints in any film. It was also great to hear some of the arrangements broken down to (or built up from) individual parts. It brings home the fact that these guys are really creative players (try to imagine "My Girl" without the "dum da da da da da" guitar lick, for example).

    I already knew a bit about James Jamerson, the genius bass player for Motown, before watching this movie, but meeitng the rest of these great players and hearing their stories was just a pure pleasure straight through. Good to see these guys getting their props - they are The Funk Brothers!
    onwardsandupwards

    A Long Overdue Tribute To The Masters Of Soul......

    "Standing In The Shadows Of Motown" is a wonderful insight into the sessions musicians who played on practically every track that Motown Records produced between 1959-1972. Known as "The Funk Brothers", these talented men helped craft a sound that became distinctive around the world. They were, the musical backbone of the legendary record label.

    Directed by Paul Justman, this documentary highlights the trials and tribulations of "The Funk Brothers". With interviews from the surviving members, and concert footage of classic songs from many of today's artists such as Joan Osbourne, Ben Harper, Me'Shell Ndegeocello and several others, this is an entertaining and thoughtful look at the accomplishments these men have made to contemporary American music and the imprint they have left behind.

    Fascinating, touching, amusing and at times tragic, this documentary is well worth checking out. For lovers of music and for those who enjoyed a good solid documentary, "Standing In The Shadows Of Motown" delivers the goods on both counts. See how things were done - Old school style.....
    rodew

    Moving tribute

    I really loved this documentary. Three key points: (1) I applaud the spirit and energy to put the project- long overdue recognition and praise for great musicians- together. I happen to be a fan of the Temptations movie and saw this DVD next to it. Had I not bought it on a whim, I would be so much more empty. (2) James Jamerson-I would love a documentary on him alone. Not because of his quirks, but because of his tortured spirits; a great movie-making project! Also, upon my research of this topic after seeing this film, I came across an extensive web site, bassplayer.com, with a great tribute page to Jamerson. Among the most outrageous discussions that have not been resolved to my knowledge- who played bass on Stevie Wonder's "I Was Made to Love Her"? The majority of folks strongly contend it was James Jamerson, however, a woman named Carol Kaye states she was the actual bass player for the song.

    I don't know the truth, but I do know that after never hearing the bass in the song for the 30+ plus that this has been one of my all-time favorite songs, I ONLY hear the bass line. That bass line is so masterful, so exceptional, and so unrelentingly funky, that I believe only a virtuoso could have done it. The fact that that song and bass line were done in 1966/67, amidst so many hundreds of other Motown hits and other songs, tells me that the Funk Brothers and James Jamerson were truly blessed talents.

    (3) Chaka Khan's rendition of Marvin Gaye's "What's Going On" is undoubtedly the very best performance I have ever seen her do and is among the top performances ever recorded. That she won a Grammy for the song is amazing. She actually sang it in 2000; the movie was released in 2002 and won the Grammy in 2003! I get teary every time I hear her singing the song in the movie(I replayed this section at least 10 times when I first saw the movie) and I don't think she will ever have another brilliant performance that would match that intensity. Bottom line: I strongly recommend this movie and subsequent deeper research into other great R&B music roots. Rod Walker
    joeregularman

    I enjoyed it

    One thing that I always noticed in the traditional "Motown" music from the 60's is either the sound of the Tamborine or the Vibes. Little did I know it was the same guy on every album.

    Unlike many "true story" documentaries this was a good story with a happy ending. Most times when we watch documentaries about celebrities we tend to see much of the bad and ugly moments from their past. Certianly nobody is perfect with a squeeky clean background, however, I appriciate the fact that the producer of this movie put more emphasis on the good things and the funny stories and less on the conflicts and the shortcommings.

    All of the extra features give you a sense of who these people are with the extra unedited footage of the band interacting with one and other. The part about the guys that died before, during, and after production was especially touching because it brought closure to a situation with many loose ends. I feel that this story has a happy ending because those who are still living and those who passed on are satisfied that they were recognized for their contributions.

    Personally I would have liked to see the concert in its entirety instead of a few clips in between the candid interviews but overall it was a very well balanced and well written story about a band that most people didnt even know existed. Even though most people didnt know about the band, we can all relate because we know the songs. As each musican shares his involvement with Motown I know and "feel" where they are comming from because I probably have listened to their music a hundered times over.

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    • Curiosidades
      The Detroit Symphony Orchestra got the last credit in the film. The orchestra provided strings and other instrumentation for Motown recording sessions. According to The Funk Brothers member Dennis Coffey in his book, "Guitars, Bars and Motown Superstars", this included sessions recorded with a Stradivarius violin played by the orchestra's violin concertmaster, Gordon Staples.
    • Citações

      Uriel Jones: People would always say everything but the musicians. They would say it was the artists, the producers, the way the building was constructed, the wood in the floor, or maybe even food. But I'd like to see them take some barbecue ribs or hamburgers, anything, and throw down in that studio, shut the door and count off '1,2,3,4' and get a hit out of there. The formula was the musicians!

    • Cenas durante ou pós-créditos
      After all of the credits roll, we see a few of the Funk Brothers leaving the Snake Pit and turning off the lights.
    • Conexões
      Referenced in Film Geek (2005)
    • Trilhas sonoras
      Reach Out, I'll Be There
      by Brian Holland, Lamont Dozier and Eddie Holland (as Edward Holland Jr.)

      Performed by Gerald Levert and The Funk Brothers

      Gerald Levert appears courtesy of Elektra Records

      Used by permission of Jobete Music Co., Inc.

      All Rights Reserved

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    • How long is Standing in the Shadows of Motown?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 29 de novembro de 2002 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Central de atendimento oficial
      • Elliott Scott Productions - trailers, photos, etc.
    • Idioma
      • Inglês
    • Também conhecido como
      • Standing in the Shadows of Motown: The Story of the Funk Brothers
    • Locações de filme
      • Baker's Keyboard Lounge - 20510 Livernois Avenue, Detroit, Michigan, EUA
    • Empresas de produção
      • Artisan Entertainment
      • Rimshot
      • Elliott Scott Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 1.722.119
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 114.442
      • 17 de nov. de 2002
    • Faturamento bruto mundial
      • US$ 2.344.256
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 48 min(108 min)
    • Cor
      • Black and White
      • Color
    • Mixagem de som
      • DTS
      • Dolby Digital
      • SDDS
    • Proporção
      • 1.85 : 1

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