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I happened upon this film by chance and watched it at first because of the beautiful scenery. Hooked. I watch again every chance I get. Janet McTeer is perfect as the intelligent, suppressed Victorian woman. She plays the stiffly proper role perfectly, even after we have seen her rebellious nature early in the film by her involvement with a married man.

I have always felt that Aiden Quinn has been under appreciated. He shines in this film, as does Pat Carroll in a rare serious role. I disagree with those who call the lesbian storyline a distraction. They didn't TALK about sex during Victorian times, but they sure had it! I had no difficulty believing that two women living together in an environment so foreign to their upbringing would develop a closeness which would lead to a physical relationship.

The traditional music was wonderful, but David Mansfield's original score was incredible. My family has lived in the mountains of West Virginia since the sixteen hundreds, there is a family cemetery on the side of a mountain in the woods. Mansfield's "And the Mountains Cried" playing while the coffin was carried up the hill showed me something that could have been a picture from my family's past. It moved me so much that I sent him an email, telling him what an impact his music, especially that song, made . To my surprise, he replied, thanked me, and included the lyrics.

I loved this film. Wonderful music, beautiful costumes, humor, lust, rebellion, murder, and you can't beat the beauty of the location.

I suspect it's a more accurate portrayal of life at that time and place than most people might think.

Just saw this tonight as part of the Spirit Awards showings. A nice surprise, since I spend long hours listening to Alan Lomax's field recordings of mountaineers singing old ballads when I was at Bard College - and later parlayed that experience into a radio job, hosting a traditional music show.

That aspect alone should make anyone loves this music run to see the show. It's reproduced with great authority, and a lot of chestnuts which haven't been heard in Pop culture since Joan Baez are played much as they must have been when first heard: "Matty Groves", "Barbry Allen", "I Wish I Was Single Again", etc. The castng overall is superb - Janet McTeer is a unique and believable presence; Pat Carroll delightful as a mountain matriarch; Aiden Quinn his charming, virile self.

The plot is acceptable, if not 100% believable - several of the (discreet) sexual situations peppered throughout seem much colored by modern attitudes. Especially the reckless bit of carelessness which leads to one of the key catastrophes in the film. And these backwoods people are just a LITTLE too understanding on the issue involved.

On the other hand, several obvious threads veer into surprising directions - the ending being one of them. And the glimpse of Appalachian life will be a revelation to many.

Not to mention the music. Lots and lots of wonderful music. Including Emmy Lou Harris' (NOT Dolly Parton's) closing number over the credits.

Jim Chevallier North Hollywood, CA

Beautiful music, and even more beautiful portrayal of a music-lover. The main character Lily's love oozes off the screen and shames everyone who's ever made a tape or CD music collection with far less effort and trial -- and persistence. No less beautiful is the love that catches fire between the leads, and where it takes them.

If you believe music, not to mention love, should be near the helm of your ship, you will savor the textures of this surprisingly fine home-made wine of a story. If you've also ever loved simple folk music, then that will be sinfully delicious icing on the cake. Hat's off to the crew for this very-obviously (and satisfyingly successful) labor of love.

I recently caught the tail-end of this on HBO and had to watch all of it on Netflix.

It is nearly mesmerizing. I think the only flaw I found with it was the beginning. I wanted a longer beginning, so that more contrast would become evident as the movie went on.

Having said that, Songcatcher is sweet and just a bit haunting.

Jane Adams steals this with a elegant and yearning performance. But the performances are all beautiful and slow as a massage without the meter running. I've always like Aidan Quinn and I love that Janet McTeer is not a Kewpie doll someone stuck into a serious film. She's a woman - just as there were once women in movies.

I recommend it highly.

What is life for? That's a question that many people throughout the ages have asked. There is no question in the mind of Tom Bledsoe (Aidan Quinn). Life is for enjoying. His idea of enjoying is playing music and drinking corn liquor. I don't know if I can argue with that.

Neither could Lily Penleric (Janet McTeer), Doctor of Musicology, who came up into the mountains to visit her sister Elna (Jane Adams), and discovered music that had not been heard by "outlanders" in hundreds of years. Songs that were originally written in Ireland and Scotland and hidden in the Apppalatian Mountains. She discovered that there was indeed culture among those whom the outlanders considered ignorant, inbred hillbillies, and she was determined to capture and share that culture.

In the process, she learned what life was really all about. It was a beautiful, tender story about people and differences; like the reaction over the discovery of her sister's partner, Harriet (E. Katherine Kerr).

The music was awesome, and this was Emmy Rossum's first movie. I loved her in The Phantom of the Opera, The Day after Tomorrow, and Mystic River; and now add another great performance to the list. I wasn't inclined to see Posiden, but I will make it a point now to see her again.

I have to end with a note about Pat Carroll, who played Viney Butlet. Her career is is old as i am and I am sure that I have probably seen her many times over the years and not known who she was. I will not forget now, as she was the most interesting character in the movie. Brava!