Migração Alada

I really cannot summarize this documentary in one word. I was awe-struck, elated, saddened...this movie has so many emotional experiences in one 90-minute time frame that I am completely overwhelmed by it. The cinematography is so outstanding it is nearly unbelievable. That same cinematography is behind much of the emotional upheaval of this documentary. Some of the vistas and scenery are so breathtaking that you might just find yourself crying from the joy of looking at something so beautiful.

The musical score for this movie is half the experience. I don't think the movie would have been the same at all without it. The movie speaks to your heart, but the music speaks to your soul. The birds themselves are stunning and you feel their complete freedom, as well as the effort it takes to fly these tremendous distances, all based on the instinct of survival. Not all survive, and you will feel the sadness and pain of the sacrifices made along the arduous trip.

I happen to be a bird lover, but I don't think you need to be one to fully appreciate this movie. It is so much more than just about birds, it's the life, struggle and survival of all wild creatures who follow their instincts. If you see this movie, and I think everyone should, you will come away from it with a greater feel and respect for nature and it's struggles, as well as it's magnificent beauty. And I, for one, believe that respect will make each of us a better person.

I give this movie a 10.

A film that's difficult to classify: part nature film, part documentary, part drama. And *completely* beautiful. The makers of this film used every imaginable flying and suspending machine in order to film birds wherever they went. From ultra-light planes to hot air balloons, to hang gliders the camera operators managed to capture what must be the most amazing shots of flying ever filmed. The crew travelled the world to follow birds in migration (and some in their native habitat).

My kids (ages 11 to 15) were transfixed.

To those who say this film lacks "action", I can only express my deep regret that they are so earth-bound as to be unable to let go and soar with some of nature's most wonderful creatures.

Forget `Ode to a Skylark.' `Winged Migration' - adhering to the proposition that a picture is indeed worth a thousand words - offers a soaring, visually astonishing tribute to all the cranes, geese, swans and assorted other birds that have, since time immemorial, made long and dangerous airborne treks from one corner of the globe to another. Like no nature special you've ever seen, directors Jacques Cluzaud, Michel Debats and Jacques Perrin and no fewer than fifteen credited cinematographers create a visual poem to these feathered marvels by taking us right into the thick of the action, somehow managing to get their cameras to fly, in beautifully coordinated fashion, right alongside the birds at amazing speeds and altitudes. Seeing is believing in the case of this film, and even after seeing it, you still may not believe it. That's how eye-popping and visually dazzling an experience this film is.

With only minimal narration (some of it spoken and some of it subtitled), the filmmakers provide some helpful information regarding the particular species we are seeing and its migratory patterns. But the film is far more of an aesthetic visual experience than an educational one. For long stretches of the movie, the birds merely fly along in majestic silence or backed up by haunting symphonic mood music (much of it reminiscent of the work in `Koyaanisqatsi').

In addition to the birds themselves and their amazing feats, the cinematography captures, with blindingly crystal clarity, the awesome beauty of the various landscapes through which these extraordinary creatures travel (there's even a shot of the birds flying past the Twin Towers). Watching this film is truly like being transported to another world. Nature has probably never looked this good on film.

I was quite pleased with this movie until I watched the "behind the scenes" featurette on the DVD. It turns out that most of the extraordinary close-ups of winged flight that make the movie memorable are NOT of wild migrating birds. Rather, the filmakers raised and domesticated all sorts of birds through a process known as "imprinting" so they would be comfortable flying next to the noisy photography planes. Then they took their birds all over the world to dramatic backdrops like the Sahara and Monument Vally. They also used these domesticated birds for the dramatic set pieces revolving around birds trapped in sludge, stuck in a blizzard, escaping cages, or wandering the desert. Not only are these set pieces heavy-handed and overly dramatic, but the fact that the birds are not even wild and were placed in these situations really undermines the credibility of the film.

7 out of 10 (minus 1 point for the use of domesticated birds and minus 2 for putting ridiculously staged drama scenes in an otherwise beautiful nature film)

When documentaries fail to show humans and human events it's almost enough to put the audience to sleep by default (except of course, those who get excited at the mere suggestion of shows like "Nova" or educational programmes sponsored by the Mutual of Omaha).

WINGED MIGRATION doesn't essentially need or looks to inform us what we probably know already: that birds migrate, and in doing so, ensure their own species. But what it does show us is a continuous yet striking montage of birds of different species flying among oceans, mountains, skies, land... we see them through their points of view, while throughout there is the barest suggestion of a plot here and there as inevitably one bird either gets lost in flight, lands in a ship, gets caught in toxic waste (of which it may not escape alive as the others, obeying that instinctual law of moving on, depart), gets disoriented and injured and becomes food for hungry crabs, or even captured by humans to become pets. Beautiful, sometimes moving images that shows us a quiet cycle of life, death, and reproduction, which will stay with the viewer long after the credits have rolled.