Arte, Amor e Ilusão

'The Shape Of Things' gave me the impression of being an unconventional romantic comedy. It starts that way and pretty much stays that way in the first half hour. But, in a very subtle way, director LaBute, as though peeling the story, gradually reveals its darkness. The movie gets darker and darker by the minute and the ending is unsettling as Evelyn's revelation is exposed like an unexpected punch in the stomach. This also makes one question the 'little sacrifices' they make to satisfy their partners and the extent one is willing to go. LaBute has based the film on his play and it seems to have translated well on screen. With fine cinematography, tight editing, soulful score and solid writing, 'The Shape of Things' is certainly well made but what would it have been without its outstanding performances. Rachel Weisz is marvelous as Evelyn the artist. It can be described as a tour du force performance. Being more specific would risk revealing spoilers. Paul Rudd brilliantly suits the role of Adam (the names Adam and Eve(lyn) are an obvious reference that may define their relationship, depending on the viewer's perspective). Frederick Weller is great as Rudd's caddish friend and Gretchen Mol is very good. 'The Shape of Things' is certainly not your average rom-com. In fact, it isn't a rom com at all.

After the first 30 minutes I felt like the film lacked energy. The pace was a little too slow for my taste, and the intensity too low. I wanted it to be snappier, more sizzling.

But then, about halfway through, it got really interesting. The second half, although it still suffers from some pacing problems, makes up for the first. And then the third act is one of the most brilliant and satisfying third acts I saw in a long time. The ending brings together all of the elements and themes that were planted throughout the movie (our obsession with the way things look, the line between art and real life) to form insights about our lives that are as brutal as they are true.

I am generally fond of Neil LaBute's work - most of the time his works contain more than what they initially seem to be (I haven't see "The Wicker Man" remake yet, but I heard it was horrible). Here, what starts off as your run-of-the-mill romantic comedy/drama, develops into a cynic's paradise, presenting insights into our lives which are as brutal as they are true.

Three of the four actors do a splendid job (Weisz, Rudd & Mol). I especially liked Paul Rudd's performance, and the way his character changes throughout. All three, and especially Rachel Weisz, are convincing in their roles, and deliver multi-layered performances with lots of subtext. Fred Weller's performance leaves something to be desired, but the fact that his role is well written somewhat makes up for that. LaBute has successfully made all four characters three-dimensional and they feel like real people.

Overall, I'd say it was a pretty great movie, certainly entertaining, and an important one to watch and analyze if you are into writing, directing or acting. Somewher, though, I feel like it didn't live up to its full potential. This script, if directed with more intensity, could have become one of my favorite movies, up there with films such as "Closer", "Glengary Glen Ross" or "Oleanna". Maybe it's the transition from the stage to the screen that made LaBute feel like he should make everything more minimalistic and restrained. But it's definitely worth checking out.

Terrifying but so true tale about the way people can control us and the reasons we just let them do it. Rachel Weisz is amazing as art student who makes changes to a lonely guy who just wants to fit in. The story in true Neil Labute fashion takes a macabre turn and makes you question everything that you have done in your relationship and gives you a well deserved punch in the stomach in the reality department as well. The acting is beyond top of its game with Rachel Weisz proving once again to be one of the most talented and gifted actresses of our generation. Her performance is beyond brilliant and she single handily carries this movie on her shoulders with her performance. Paul Rudd, Fred Weller and Gretchen Mole do great work as well and Neil Labute proves once again to be a profound playwright of uncanny wisdom of the evil that resides in the human heart.

I do hope that Weisz and Labute work together again.

Neil Labute's shocker is nothing short of breathtaking with amazing performance by Rachel Weisz who is becoming the best actress we have around. The story is intense and the performance is great all around, and it will floor you once you finish seeing it. The biggest praise goes to Rachel Weisz, who single handily makes this movie as great as it is, and she carries this film on her shoulders all the way. Her performance is a tight rope of nerves and guts, and she does it all with style.

If you are looking for an intelligent movie with a great and fearless performance by one of the best actresses of our generation, this is it. If you can't take reality, then go hide under a rock.

While a well done film, it's not enjoyable. There are enough mean people in the world without voluntarily subjecting yourself to another one that is the heart of this film. Rachel Weisz plays convincingly in this film as a heartless art student who subjects Paul Ruud to her talents as a sculptor of humans. The best thing about this film is Paul Ruud's subtle transformation from geek to chic. By the end of the film, you've realized how convincing his change was. However, just because a movie is well made and well acted does not mean it is worth watching. When I left this movie, I felt as if I had spent two hours in the company of evil and meanness. If you like a think piece that leaves you feeling negative, then this is the perfect movie. But if you're looking to spend your hard earned money on a movie that leaves you feeling better for having spent it, choose another flick.