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IMDbPro

Um Motivo para Viver

Título original: Leo
  • 2002
  • R
  • 1 h 44 min
AVALIAÇÃO DA IMDb
6,5/10
1,1 mil
SUA AVALIAÇÃO
Elisabeth Shue and Joseph Fiennes in Um Motivo para Viver (2002)
Home Video Trailer from First Look
Reproduzir trailer1:48
1 vídeo
10 fotos
Drama

Adicionar um enredo no seu idiomaA recently-released prisoner and a troubled young boy share a pen-pal relationship, both connected by their past.A recently-released prisoner and a troubled young boy share a pen-pal relationship, both connected by their past.A recently-released prisoner and a troubled young boy share a pen-pal relationship, both connected by their past.

  • Direção
    • Mehdi Norowzian
  • Roteiristas
    • Massy Tadjedin
    • Amir Tadjedin
  • Artistas
    • Joseph Fiennes
    • Elisabeth Shue
    • Sam Shepard
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,5/10
    1,1 mil
    SUA AVALIAÇÃO
    • Direção
      • Mehdi Norowzian
    • Roteiristas
      • Massy Tadjedin
      • Amir Tadjedin
    • Artistas
      • Joseph Fiennes
      • Elisabeth Shue
      • Sam Shepard
    • 17Avaliações de usuários
    • 11Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 indicação no total

    Vídeos1

    Leo
    Trailer 1:48
    Leo

    Fotos9

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    + 4
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    Elenco principal36

    Editar
    Joseph Fiennes
    Joseph Fiennes
    • Stephen
    Elisabeth Shue
    Elisabeth Shue
    • Mary Bloom
    Sam Shepard
    Sam Shepard
    • Vic
    Justin Chambers
    Justin Chambers
    • Ryan Eames
    Dennis Hopper
    Dennis Hopper
    • Horace
    Deborah Kara Unger
    Deborah Kara Unger
    • Caroline
    Mary Stuart Masterson
    Mary Stuart Masterson
    • Brynne
    Jake Weber
    Jake Weber
    • Ben Bloom
    Davis Sweatt
    • Leopold - age 11
    James Middleton
    • Louis
    Don Henderson Baker
    • Jack
    • (as Don Baker)
    David Burke
    • Thomas Kingsley
    Amie Quigley
    • Ruth Livingston
    Andrew Ruse
    Andrew Ruse
    • Mark
    Zac Epstein
    • Kid #1
    Gil Johnson
    • Gil
    Terry Loughlin
    Terry Loughlin
    • Policeman
    Emma Rogerson
    • Isabelle
    • Direção
      • Mehdi Norowzian
    • Roteiristas
      • Massy Tadjedin
      • Amir Tadjedin
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários17

    6,51K
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    Avaliações em destaque

    10whpratt1

    Elizabeth Shue Was Outstanding

    This film held my interest from beginning to the very end with Joseph Fiennes, (Stephen) leaving a prison after serving a sentence of murdering a man and has been given a job at a dinner with some very strange people running the establishment. Dennis Hopper,(Horace) plays the role of a very dirty filthy old man who abuses a young waitress in sexual ways to degrade her. There are two central characters who appear in this film which has flashbacks with Elizabeth Shue, (Mary Bloom) who is a very attractive young woman who is married to a professor and lives in a very comfortable home and has a young girl. Mary Bloom is told that her husband is having an affair and Mary reacts by making love to a man who is painting her home and from this point in the film everything begins to turn into many different kinds of mysterious events. Great acting by the entire cast and especially the performance of Elizabeth Shue. Enjoy
    Cooper75

    Worth the wait.

    Leo is a film made up of two story strands, one detailing the experiences of a newly released prisoner and another tells the tragic tale of a bored 50's housewife whose life takes a downward spiral. Gradually, these two story strands weave together in a predictable fashion, but the film loses none of it's power despite this rather obvious 'twist'.

    Leo had been sitting on the shelf for a couple of years untill it's recent release in the U.K. and in my opinion it's difficult to see why. From the stunning cinematography employed, to the universally excellent performances, it's a small winner all round. Obviously not a commercial film but so much rubbish is dumped into cinemas nowadays there is a lot of room for films like this.

    As stated above, the film has two plotlines running together. The way in which the director takes us to one, and then the other is done cleverly and in no way detracts from the flow of the picture. The cinematography is a times breathtaking. In the scene in which the character of Steven is released from prison, the barbed wire fences behind him look almost beautiful in the sunlight's reflection. Combined with quick edits of his character running against a clear blue sky, the sequence is quite exhilirating.

    The performances in Leo also deserve praise. Joseph Fiennes as Steven is excellent, watch out for the scene in which he confronts Dennis Hoppers character in the back room of a diner.

    Elisabeth Shue is as good as in Leaving Las Vegas, if not better. Her descent into alcoholism from straight laced housewife is acted perfectly, her reaction to some devastating news delivered by two policemen is heartbreakingly delivered.

    Even if the final revelation is painfully predictable, (though there is a quite unexpected plot point revealed late on) and some of the supporting characters are drawn in very broad strokes, Leo ultimately delivers. It's well directed, well acted, looks gorgeous and is quietly moving in it's own way. And you'll still be thinking about it as you walk away from the theater.

    How many films can you say that about these days?
    7hylinski

    Predictable, but in a good way

    Joseph Fiennes is a fine actor, and the consistency of his performance is very much the centrepiece of this movie. There are elements of the script which don't seem as coherent, but I could gloss over these because of his consistency.

    I like the look of the movie, and the direction costumes and sets complemented each other well, and this was maintained in recounting present day and 'flashback' experiences.

    There are comparisons to other films which could be made, especially to Blue Velvet. Indeed Dennis Hopper could have made the two films without changing stride. And Fiennes' character is similar to that played by his brother Ralph in Cronenberg's masterpiece Spider, without the same degree of madness.

    I picked up fairly early on the way the plot would head, and I was right. The late novelist Kurt Vonnegut used to often tell the reader how the book would end in the first chapters, and yet the books were compelling. I found this equally so.
    8gmalav5877-2

    A tense Southern gothic type of film well worth seeing.

    Actually, I likened Leo to the Mickey Rourke film Angleheart as both films turned out to be a search for self.

    In Leo you have a young, troubled boy named Leo who as part of a school assignment begins writing to Joseph Fiennes, who plays a convicted felon in prison.

    When released from prison, Fiennes character sets out to meet the boy, Leo,and help both himself and Leo in the process.

    Outstanding performances by Elisabeth Shue, who reprises her role as an alcholic from Leaving Las Vegas and Dennis Hopper who rules the small town's diner as Capt. Bligh ruled the HMS Bounty only with a lot more violence and sexual tension thrown in.

    Sam Shepard's role serves as the Greek chorus and keeps the viewer aware of the progress of the other characters.

    All in all a very good film that will captivate and entertain.
    9socalledlife

    rent this. now.

    Why had I never heard of this movie until I saw it sitting on the video store shelf? I hadn't seen Elisabeth Shue in anything really good lately, and I hadn't seen Joseph Fiennes in anything since Shakespeare In Love, so I didn't have high hopes for this movie. But I'd have to say it's one of the best I've seen in a long time.

    This is one of those movies in which different story lines converge into one towards the end of the film. Fiennes is a recently released convict, having served 15 years for murder. Shue portrays a lonely wife and, later, a seemingly heartless mother. While both actors are great in this movie, Shue in particular is shocking (in a good way). Shue is unfailingly likable, whether playing a babysitter or a hooker, so seeing her as Mommy Dearest is both unsettling and refreshing. Having been in the industry for nearly 2 decades when this movie was released, it's exciting to see the (still gorgeous) actress making yet another Leaving Las Vegas-style breakthrough.

    I don't want to give away any important plot points, so suffice it to say that this movie left me with the same disturbed, depressed, yet greatly moved feeling that I get from movies like American Beauty. Don't let the fact that most people have never heard of it keep you from picking it up during your next trip to the video store.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Caroline Day and Sylvia Jefferies's debut.
    • Erros de gravação
      A letter addressed to Oxford, Mississippi, clearly has the ZIP Code 64933. The ZIP Code for Oxford, Mississippi, is 38655. There is no city with the ZIP shown in the film; ZIP's beginning with "649" would be near Kansas City, Missouri.
    • Trilhas sonoras
      Loss
      Written by Waz

      Performed by Waz

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    • How long is Leo?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 12 de março de 2004 (Reino Unido)
    • Países de origem
      • Reino Unido
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Leopold Bloom
    • Locações de filme
      • Charleston, Carolina do Sul, EUA
    • Empresas de produção
      • Freewheel Productions
      • Joy Films
      • Scala Productions
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 44 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 2.35 : 1

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