Quando um ex-reitor universitário tem um caso com uma jovem misteriosa, assombrado por seu passado sombrio e retorcido, ele é forçado a confrontar um fato chocante sobre sua própria vida, qu... Ler tudoQuando um ex-reitor universitário tem um caso com uma jovem misteriosa, assombrado por seu passado sombrio e retorcido, ele é forçado a confrontar um fato chocante sobre sua própria vida, que ele manteve em segredo por cinquenta anos.Quando um ex-reitor universitário tem um caso com uma jovem misteriosa, assombrado por seu passado sombrio e retorcido, ele é forçado a confrontar um fato chocante sobre sua própria vida, que ele manteve em segredo por cinquenta anos.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 vitórias e 5 indicações no total
- Walter
- (as Danny Blanco)
- Young Ernestine
- (as Kristen Blevins)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I thought this was a lovely film - Anthony Hopkins is excellent and extremely convincing in this role, as were the characters of Farley (the ex-husband) & Zuckerman. The friendship particularly between Zuckerman and Coleman was extremely warm and charming. However, whilst Nicole Kidman's acting was very good, I remained unconvinced by the character that she played. Aside from this, I found the film extremely engaging and believable.
The plot is intriguing. The pasts of the main protagonists unfold, making their characters exceptionally deep. We get to see these characters evolve in interesting and compelling ways. There are shades-of-grey in these characters. We don't have the perfect hero. We have gentle people with kind hearts who make mistakes.
The direction is perfectly understated. There is a lot of nuance in the way the scenes are filmed and the way in which the actors are framed. Instead of the love scenes being the all-to-familiar humping and groaning, these scenes are filmed without graphic nudity. Note the way in which Anthony Hopkins places his hands on Nicole Kidman's back. It is so loving and tender and intimate.
Even the editing is right on. The length of the film, at 106 minutes, is the perfect length. There are no wasted scenes.
Some of the material is hard to watch. Note the posture and the facial expression on Anthony Hopkins in the kitchen scene in which Nicole Kidman is giving him a hard time. It is subtle and painful to watch.
If you are into light-hearted escapist film, this isn't for you. The subject matter is deep and difficult. I like these kinds of movies and this one is one of the best in class.
Kudos to all involved with this film.
This is a film that just does it right. Unlike so many other dramas with heavyweight casts, this really feels like it's about the story, not the work. Kidman, aside from slipping into her native accent on a handful of words, is fantastic -- perhaps her very best. Harris, like Streep and maybe two or three other actors, brings a real humanity to a role that any other actor would just fill out.
But most of all, everything is in the background and hence subservient to the story. The gorgeous lighting, scenery, dialog -- the whole craft of the film is done the way it's supposed to be done, in the damn background. That all said, I think the real reason this film is slighted is because it's a little too good for the average viewer. It doesn't live up to their idea of what a lit-cum-drama is supposed to feel like. I just have a feeling that in several years this will be revisited and appreciated much more. Now, I'm going to go watch it again!
Anthony Hopkins did a good job of playing a man riddled by angst, but his misery seemed to stem from his being in the movie, rather than from being in character. Gary Senise, an enjoyable actor, was stiff and terrified-looking. Ed Harris was typically brilliant.
The interesting part of the movie is the story of a young black man growing up in the 1940's and "passing" for white. The actors playing his family were wonderful, and the insights offered were moving and human. It is a shame that part of the story was not lifted out and made into a movie of its own. It would have been better for us all.
Você sabia?
- CuriosidadesThe mole on the side of Sir Anthony Hopkins' (Coleman Silk's) head was added, due to the fact that Wentworth Miller (Young Coleman Silk) has a mole on the side of his head. Hopkins also wore green contacts to match the color of Miller's eyes.
- Erros de gravaçãoWhen Coleman is looking in the dictionary for the definition of the word "Spooks" he turns to nearly the beginning of the book that couldn't possibly be the letter "S"
- Citações
Coleman Silk: Granted, she's not my first love. Granted, she's not my great love. But she is sure as hell my last love. Doesn't that count for something?
- ConexõesFeatured in Nicole Kidman: An American Cinematheque Tribute (2003)
- Trilhas sonorasHoneysuckle Rose
Written by Fats Waller (as Thomas "Fats" Waller) and Andy Razaf
Performed by Jess Stacy
Courtesy of Soundies Inc.
By arrangement with De Pugh Music
Principais escolhas
- How long is The Human Stain?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- La Piel Del Deseo
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 5.381.908
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.034.195
- 2 de nov. de 2003
- Faturamento bruto mundial
- US$ 22.954.068
- Tempo de duração1 hora 46 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1