Columbo: Columbo Likes the Nightlife

My girlfriend and I watched the premiere of Columbo: Columbo Likes the Nightlife tonight, and we both loved it! She got me hooked on Columbo when I first met her a couple of years ago and now we both try to catch it on TV whenever it's on... which brings me to the newest Columbo movie.

I read that ABC tried to add youth appeal to the ongoing Columbo movies. Since I'm not a teenager or twenty-something anymore, I don't know if it was successful with those demographic groups, but for myself, it was a worthy addition to the Columbo films and kept me glued to the screen.

Kudos to director Jeffrey Reiner and writer Michael Alaimo for creating a believable and gripping story with three-dimensional characters that Columbo could play along with. If you thought recent Columbo movies were still stuck in the 70s and 80s in their style, check this one out! I'm sure it was the director's previous work as an editor that helped create the never-dull-and-always-something-worthwhile-to-watch pacing. The rave scene was a good idea for the background for this story. It contrasts nicely with Columbo's polite and conservative character traits.

And it was fun to see Steve Schirripa (who plays Bobby on the Sopranos) in a small role. I would have liked to see more of him, but that's a minor quibble.

Keep up the excellent work! I would definitely want to see the same director and writer creating future Columbo movies. As for Peter Falk, he's irreplaceable! It's great seeing him in anything.

Catch this movie on DVD if it ever comes out in this format (fingers crossed) or on TV. 9/10

If you've heard any negative reviews of 'Columbo Likes The Nightlife', ignore them! This is a refreshingly contemporary and magnificently dignified end to one of the greatest crime series ever made.

'Columbo Likes The Nightlife' fittingly goes back to more of the great detective's keen eye for detail, collection of the facts, and assertive dominance over the villain(s), whilst still not losing the series' sense of dry humour, which had been an essential part of the 70's episodes, but sadly lost somewhat in some of the later 90's entries in favour of more of the character's pratfalls and bumbling antics. The fact here that the main villain, *spoiler alert* Matthew Rhys, is so coyly manipulative and not prone to the clumsy stupidity and slip- ups that befell some villains in more later entries, makes him all the more threatening to us, and also makes it all the more worthwhile and satisfying to then see Columbo pick away at that dangerous and arrogant persona.

The whole rave scene, all bright vivid colours and pumped-up beats, that forms the basis of the film, stands this episode out amongst the rest. With me, as I'm sure it did with many others, it took me aback to start, but not in a bad way whatsoever. This is a revamped and hip look for the franchise, and unlike such other later episodes like 'A Trace Of Murder', this felt like it was real and naturally flowing; the fashion of that time coinciding perfectly with the firmly established formula of Columbo and this tightly woven story to create a different, new, but respectfully structured and trustworthy, solid entry in the series.

There's little to criticise here. I for one though thought that *spoiler alert* there could've been one last send-off line, either about the detective's wife, or his possible hanging up the towel, as he leaves the club, but this is a very minor quibble, and on the other hand, I think that *spoiler alert* Columbo's final walk out of the club, immediately after proving the villain's guilt, accompanied to the appropriately reflective but quietly groovy beat that compliments it, is a terrifically subtle send-off in itself, and the presence of The Sopranos' Steve Schirripa, to which Columbo humbly expresses his appreciation for his offering any help in the future if he needs any, doesn't hurt it.

Nor does the *spoiler alert* poignant appearance of John Finnegan, a recurring actor in Columbo since 1972, who adds some warm nostalgia and wit with his knowing and touchingly handled cameo; no doubt a treat for die-hard Columbo fans.

Other supporting turns to watch out for here is *spoiler alert* Lost's Jorge Garcia as the doorman to the club, Julius Carry, and Patrick Cupo, as the cops helping out the lieutenant, and Douglas Roberts as the ill-fated tabloid photographer.

The villains here, *spoiler alert* Rhys, and Jennifer Sky, are brilliant. Rhys the reservedly calculating and charming murderer who becomes increasingly unhinged as the plot develops, and Sky the nervous girlfriend who tries to remain calm and dignified in the face of impending doom.

The end revelation *spoiler alert* about the fish tanks is a knock- out, and is up there with the very best deductions the Holmesian detective has proved right. It may be a little far-fetched granted, but it's a joy to watch.

Peter Falk was an amazing actor who made Columbo his own, and here he looks as if he's relishing the chance to be on top-form again. He doesn't disgrace himself here; his world weary demeanour contrasting beautifully against the rave techno culture of that time.

You find by the end, you'll actually be wanting more, but sadly, that wasn't to be. Indeed, the end scene I found struck an emotionally significant cord in me as I came to realise this was the final time we'd see the great detective and his iconic shabby raincoat, and THAT car, ever again. You miss him, but that's how you're meant to be feeling after all, and in some way you're glad you miss him, as opposed to wishing it's all over in some of the later instalments ('A Trace Of Murder' again).

Be thankful then, that 'Columbo Likes The Nightlife' was made, to give Falk, and the greatest role he ever played, the graceful and memorable ending they deserved. In style.

I have been a huge fan of the Columbo episodes. I liked this episode, it was pretty solid if somewhat ending to a great series, that has had some treasures(especially in the early seasons) as well as the odd disappointment. The story is pretty gripping mostly, but a little too formulaic and offers little new really. I liked the disco music, but felt the background score could at times have been more atmospheric and less obvious. Also Matthew Rhys tries his best but I found Justin one of the blander Columbo murderers for some reason and I can't quite put my finger on why at the moment. However, Jennifer Sky manages to be sexy as well as fun and touching, and while he is a little too old and perhaps too mellow Peter Falk delivers still as Columbo. Columbo Likes the Nightlife is filmed beautifully, looking modern but the darker scenes give it some suspense and foreboding, it is well directed and the script is engaging, not as clever or as intelligent as most of the other Columbo scripts, but above average still. All in all, decent episode but part of me was wanting of a stronger finish. 7/10 Bethany Cox

A very young Matthew Rhys ("The Americans") is one of the stars of the final "Columbo," "Columbo Likes the Nightlife" from 2003. Also starring is Jennifer Sky, who has since become a journalist, and The Sopranos actor Steve Schirripa.

Rhys plays Justin Price, the owner of a soon-to-be-open rave club, but he's waiting for money to be transferred from his business partner Tony Galper (Carmine Giovinazzo). Before the money can be confirmed to be in his bank account, Galper's ex-wife and Justin's girlfriend (Sky) accidentally kills him. It's imperative that Tony not be discovered as missing or dead before the money lands. Unfortunately, a tabloid reporter puts the screws to Justin for blackmail money. When the reporter is found dead from an apparent suicide, Columbo doubts that's what it is.

Very good episode and a fitting farewell to Columbo, who in the last years has been hit or miss thanks to the producers using scripts that fiddled with the formula, including one that was a script by 87th precinct author Ed McBain.

Here, Columbo doesn't depend on the killer making a mistake but figures this out anyway, and it's very clever.

At 75 years old, Columbo would have been retired, not to mention that, were he still working, he would be a Police Deputy Chief, a Captain, a Commander - something! So I tell myself in these last years he was called in as a consultant.

I didn't like Peter Falk - I adored him. I interviewed him in the late '90s. The day he died I sat in an airport and cried. An amazing actor who left a great legacy and will always be fondly remembered as Columbo.

In recent years the character of Lt. Columbo had become a caricature of itself. He had a comical theme accompanying his every move and to everyone involved, until he solved the crime, he appeared to be an idiot. Many of the culprits were caught because of their own stupidity and inherent lack of respect for Columbo. That's not the case here, as the detective goes back to deploying real sleuthing skills. You can see from the first interaction with the opposition that Columbo is regarded as a very serious threat, even though one of the killers maintains he "has nothing". Early on, Columbo shows he means business when he asks his suspect "do you find something funny about this?". There is less interaction with the protagonists in this one, which some may find distressing, but it's only because Columbo spends most of the episode doing realistic detective work, rather than relying on the killers' stupid mistakes(there aren't any). He really pieces this one together, and the climax where he determines the location of the missing man is very good. All in all, I enjoyed a return to the more realistic Columbo of the seventies.