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IMDbPro

Regras da Atração

Título original: The Rules of Attraction
  • 2002
  • 18
  • 1 h 50 min
AVALIAÇÃO DA IMDb
6,6/10
55 mil
SUA AVALIAÇÃO
James Van Der Beek, Jessica Biel, Kate Bosworth, Kip Pardue, Ian Somerhalder, and Shannyn Sossamon in Regras da Atração (2002)
Theatrical Trailer from Lionsgate
Reproduzir trailer2:01
1 vídeo
99+ fotos
Dark ComedyComedyDramaRomance

Os alunos incrivelmente mimados e privilegiados do Camden College são o pano de fundo de um triângulo amoroso incomum entre um traficante de drogas, uma virgem e um colega de classe bissexua... Ler tudoOs alunos incrivelmente mimados e privilegiados do Camden College são o pano de fundo de um triângulo amoroso incomum entre um traficante de drogas, uma virgem e um colega de classe bissexual.Os alunos incrivelmente mimados e privilegiados do Camden College são o pano de fundo de um triângulo amoroso incomum entre um traficante de drogas, uma virgem e um colega de classe bissexual.

  • Direção
    • Roger Avary
  • Roteiristas
    • Bret Easton Ellis
    • Roger Avary
  • Artistas
    • James Van Der Beek
    • Ian Somerhalder
    • Shannyn Sossamon
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,6/10
    55 mil
    SUA AVALIAÇÃO
    • Direção
      • Roger Avary
    • Roteiristas
      • Bret Easton Ellis
      • Roger Avary
    • Artistas
      • James Van Der Beek
      • Ian Somerhalder
      • Shannyn Sossamon
    • 437Avaliações de usuários
    • 113Avaliações da crítica
    • 50Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 vitórias e 3 indicações no total

    Vídeos1

    The Rules of Attraction
    Trailer 2:01
    The Rules of Attraction

    Fotos164

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    Elenco principal93

    Editar
    James Van Der Beek
    James Van Der Beek
    • Sean Bateman
    Ian Somerhalder
    Ian Somerhalder
    • Paul Denton
    Shannyn Sossamon
    Shannyn Sossamon
    • Lauren Hynde
    Jessica Biel
    Jessica Biel
    • Lara
    Kip Pardue
    Kip Pardue
    • Victor
    Kate Bosworth
    Kate Bosworth
    • Kelly
    Joel Michaely
    Joel Michaely
    • Raymond
    Jay Baruchel
    Jay Baruchel
    • Harry
    Thomas Ian Nicholas
    Thomas Ian Nicholas
    • Mitchell
    Clifton Collins Jr.
    Clifton Collins Jr.
    • Rupert
    Clare Kramer
    Clare Kramer
    • Candice
    Faye Dunaway
    Faye Dunaway
    • Mrs. Denton
    Swoosie Kurtz
    Swoosie Kurtz
    • Mrs. Jared
    Russell Sams
    Russell Sams
    • Richard
    Colin Bain
    Colin Bain
    • Donald
    Eric Stoltz
    Eric Stoltz
    • Mr. Lawson
    Fred Savage
    Fred Savage
    • A Junkie Named Marc
    Eric Szmanda
    Eric Szmanda
    • NYU Film Student
    • Direção
      • Roger Avary
    • Roteiristas
      • Bret Easton Ellis
      • Roger Avary
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários437

    6,654.5K
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    Avaliações em destaque

    9fmarchione

    Brilliant adaptation of Ellis novel

    Roger Avery succedes brilliantly in this impressive and horrifying adaptation of Bret Easton Ellis' first novel. I read the novel 4 years ago as a Freshman in college after being blown away by 'American Psycho' and wanted to make 'Rules' into a film myself thinking no one would ever try. So much for that. Anyway, Avery impressed me alot. The series of Patrick Bateman references are also quite amusing for readers/viewers familiar with 'American Psycho'

    Some reviewers have tended to comment on Avery's use of visual gimmicks, but he puts them to use well. The split screen where Sean meets Lauren is perfect, showing the seperation between them. The backwards film also works, showing how relatively meaningless many of the actions are, while drawing attention to them at the same time.

    One last thing. People, including here on the IMDB have been criticizing the characters for being one-dimensional. THAT IS THE POINT. Ellis' characters ARE one-dimensional. What you get is a boat-load of information about all of these people and what you are left with is an empty being, soulless, if you will. It works. YOU aren't SUPPOSED to be attached to these characters because THEY are not attached to themselves or anyone else.

    Brilliant film. Very well acted. Very well done.

    Frank
    im00sev

    Get over yourself.

    Avary's whole point of this movie is simple: the society is numb. And he does it so perfectly that movie-goers looking for intense action or tears or giggles feel just as numb as the players. The director has done an excellent job here. The characters are without feeling. A rape, a suicide, homosexuality and philandering are all homogenous because this particular society (thank God my college years were not like that)is rapt with the self. That's the whole point. Nobody notices anything because the director wants you to feel the apathy. You may feel bored, but so are all the characters. However, they're bored enough to do really, really unbelievable things without a flinch or the bat of a lash. Like it or not, the duty of a director is to make you feel what he wants you to feel. Avary is fleet, decisive and deadly with his arrow (a Cupid for me). I don't see movies because I have nothing else to do. I want to experience a vision that is not mine. A new one. This movie is fast, it's hot and, like Pulp Fiction in its time, a totally new way to tell a story. I saw it four times and each time, I released the $8.00 freely. Transparently, it's not everybody's movie. But, people should see a movie because it's a movie and not because it's something comfortable or familiar or a blockbuster Hollywood coup. Life's a tough lot, often unforgiving and unfair. There are jerks out there, thank God, who make stuff interesting. I applaud the director always who can put that in my face. Avary simply explains how fortuitous most of us are. It'll be on my DVD shelf, trust.
    poetellect

    sad. very sad. so very, very, very sad. a downer of a film.

    As a college student, I can't quite put into words how depressing watching this movie was for me. Because even though a part of me wants to believe that this isn't how good-looking rich kids treat each other, another part of me has to acknowledge that this is, that there are people out there who truly don't care about themselves enough to respect other people in relationships, sexual or otherwise, that we as a society still find it acceptable to portray gay men as ONLY sex-obsessed, self-deluded persons swooning over strait counterparts and that it's one of the only representations we have in popular or cult films/culture, especially in this one, and that the death of romance has not only been portrayed, but that it's been slaughtered in full-force. Watching this film leaves you with a frozen kind of emptiness inside of you. The reverse-sequences interspersed throughout the film, as annoying and tiring as they are, remind you how backwards and unhealthy these kind of lifestyles are- lifestyles that base relationships (seemingly) on lust only, that don't seem to appreciate friendships formed along the road, that continually define life as one big shopping list of bedmates. I don't know...I hope the film is seen as a warning as to the disconnection and ultimately dissatisfying result being this way leads to. It's kind of rare for me to become so negatively opinionated about a movie, but this movie just struck me in a very cold, unfeeling place. It should be called "the rules of desolation."
    8DeviousMrBlonde

    Pointless but then, that's the point!

    This movie will leave you feeling so empty. There are no likeable characters and no standard storyline construction (there is no beginning, middle or end as such). But, you see, that's the point. This certainly will not be everybody's "cup of coffee" so to speak. Too many people like their movies to wrap everything up at the end and have everything explained to them and for Lassie to save the day. If you are one of these people then don't bother. On the other hand if you like a movie to challenge you then I am sure you will find ROA superb.

    Based on the book of the same name by Bret Easton Ellis it is probably THE best book to film adaptation I have ever seen. It captures Ellis' tone perfectly. Take some morally corrupt but beautiful people and show how much of a waste they are. Nobody ever listens to one another and everybody is out for number one. They are all selfish, greedy, and self centred. You are given not one character to like. It is a dark dark comedy about the corruption of excess and moral vacuum left behind. It is in my humble opinion brilliant. You will physically feel that vacuum in your stomach after watching the movie. These people and their actions are the perfect allegory for our ME culture. One significant difference from the book is the timeline which is updated to more current times from the books 80's context.

    Roger Ebert went to see this twice because he was unsure how he felt about it. In the end he felt it was too unrealistic with regard to the nudity and attitude to it and he couldn't reconcile with the fact that there was no one to like in it. In response he received many letters from students saying that this is exactly how it is on campuses in the US, that this is what they do every weekend. That might give you an indication of the level of reality achieved here… and also an idea of the culture gap. This is another movie where older people may just not get it. When I read Ebert's review his main criticism's centred on the characters but personally I found myself throughout the movie saying for almost all characters `I know someone like that'.

    Go see it, but be prepared to feel nothing. It's decadent. It's great!

    P.S. I haven't read the other reviews but if you are silly enough to compare this to American Pie or such nonsense then you are WAAAAAY off the mark.
    7bellino-angelo2014

    A different college movie, that's for sure!

    I heard for years about THE RULES OF ATTRACTION because of the cast and the subject but somehow I always kinda avoided it. Well, last January I left my fears behind and finally saw it and, while I didn't loved it, I still liked it for what it was.

    The movie is set in the Camden College in New Hampshire where the students are celebrating the 2001 End of Year party where Lauren Hynde (Shannyn Sossamon) loses her virginity with an unknown and is filmed by a colleague for a hard movie. Sean Bateman gets close to a blonde and she falls for him only because of some songs played with the guitar.

    Then we go backwards (a few months earlier). Sean has all the fantasies you can imagine for Lauren, and ends in bed with Lara Holleran (Jessica Biel) only to regret it because his heart prefers Lauren, and as a result Lauren tries to lose her virginity with counselor Lance Lawson (Eric Stoltz) with disastrous results since he is married and ends up having only a BJ. After some suicide attempts Sean fakes his death managing to upset Lauren but after a while he'll try to talk to her again pretending to simply know her but she dumps him (and Lauren will meet Victor only to see him doing dirty stuff with Lara). After Sean finally realizes that he can't stay with Lauren he will do a trip across Europe and try to close all his deals of the past.

    My summary refers to the fact that when you think of a college movie the first thing that pops in your mind are AMERICAN PIE or ROAD TRIP. But this is different, because it focuses on the personal lives of some students and some of their struggles as they continue their floundering life-style. The performances by all the cast members were decent, nothing exceptional. The direction by Roger Avary was focused but also special because the movie begins during the End of the World party, the stories are set after that but in the second half it returns back at the beginning. Although it's original I personally found it a bit confusing because I prefer my movies with a plot that starts and goes straight until the end.

    Overall, despite it's a very divisive movie I would recommend it to people that from time to time wants to see always something different because of the different plot-style and situations.

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    Você sabia?

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    • Curiosidades
      Sean Bateman, the character played by James Van Der Beek, is the younger brother of the infamous Patrick Bateman, the main character of Psicopata Americano (2000), a film also based on a novel by Bret Easton Ellis.
    • Erros de gravação
      When Paul gets kicked out of the guy's room for hitting on him, he lights a cigarette with an ordinary disposable lighter, but we hear the distinctive sound of a Zippo.
    • Citações

      Victor: [summarizing his vacation, nonstop, in just under four minutes] Took a charter flight on a DC-10 to London. Landed at Heathrow. Took a cab to the city center. Don't let people lie to you: hostels are for the ugly. I'm staying in Home House, the most beautiful hotel in the world. Called a friend from school who was selling hash, but she wasn't in. Met a couple of Brits who take me to, of all places, Camden Street. I flirt a bit at the Virgin Megastore, buy some CDs, then follow some girls with pink hair. I wandered around trying to get laid, until it started to rain, then went back to Home House. Ministry of Sound is dead, so I go to Remform - but it's Gay Night. I find the one hetero girl in the place and we dry hump on the dance floor. We cab it back to Home House. I strip her clothes off, suck her toes, and we fuck. I hung out for four or five days. Met the world's biggest DJ, Paul Oakenfold. Kept missing the Changing of the Guards. Wrote my mom a postcard I never sent. Bought some speed from an Italian junkie who was trying to sell me a stolen bike. Smoked a lot of hash that had too much tobacco in it. Saw the Tate. Saw Big Ben. Ate a lot of weird English food. It rained a lot, it was expensive, and I'm jonesing... So, I split for Amsterdam. The Dutch all know English, so I didn't have to speak any Dutch - which was a relief. I cruise the Red Light District. Visit a sex show. Visit a sex museum. Smoke a lot of hash. I meet a Dutch TV actress and we drink absinthe at a bar called Absinthe. The museums were cool, I guess. Lots of Van Goghs and the Vermeers were intense. Wandered around. Bought a lot of pastries. Ate some intense waffles. We bought some coke and I cruised the Red Light District, until I found some blonde with big tits that reminds me of Lara. I gave her a hundred guilders. In the end, she pulls me out, and I cum between her tits, even though I'm wearing a rubber. Afterward we made small-talk about AIDS, her Moroccan pimp, and herself. I wake to the sound of a wino singing. It's 8 AM and hot as blazes. I pretend to ice-skate around Central Station, while someone plays the sax. Trade songs with a Kiwi girl... Then split for Paris by train. Wander the Champs-Elysees. Climb the Eiffel Tower for only seven francs, because the ticket machine was broken. Got the hang of the Metro, took it everywhere. Went to a Ford model party and hooked up with a Romanian model named Karina. She chugs my cock at the Mariott Champs-Elysees, which is good. We played billiards, went shopping. I think she gave me mono. Drove a Ferrari that belonged to a member of the Saudi royal family. Made out with a Dutch model in front of the Louvre. Saw the Arc de Triomphe and almost became road-kill crossing the street... "Oakie" invites me to Dublin, so I catch an Aer Lingus flight and stay at the Morrison. Dublin rocks like you can't imagine. Oakenfold lets me spin some discs with him. Irish girls are as small as leprechauns. I swap hickeys with a drunk woman. After groping my abs and calling me "Mr. L.A.", she strips for me in the bath room of the club. Sneak into the Guinness factory and steal some stout so good my dick goes hard... I fly to Barcelona, which was a low-rent bust. Too many fat American students. Too many lame meat markets. I dropped acid at the Sagrada Familia, which was a trip to say the least. Cruise up the coast to the Museo Gala Dali, but had no more acid, which sucked. Some girl from Camden calls me on my cell, so I let her listen to the church bells in Cadaques. Canta Cruz is beautiful, but there are no girls here, just old hippies... So, I went to Switzerland where I, ironically, couldn't find anyone who had the time. Took the Glacier Express up the Schilthorn, which is beautiful in a way I can't describe... Euro Pass into Italy and ended up in Venice, where I met a hot girl who looks like Rachael Leigh Cook and speaks better English than I do. She's living for a year on only five dollars a day. We gondola around, buy some masks. She think's I'm a capitalist, because my hotel room costs more for one night than she's spending her entire trip. But she doesn't mind it so much when I pay the bills... I ditch her and hook up with a couple who obviously want a 3-some. Too much tension there, but the doofus offers to drive me to Rome, an offer I jump at. Traffic is bad and we're stopped for hours without moving. The wife turns out to be a freak. The guy starts to wig out on me. It's like a Polanski film... We stop for a while in Florence, where I see some big dome. A bomb goes off and I lose the weird couple, which is probably for the best... Ended up in Rome, which is big and hot and dirty. It was just like L.A., but with ruins. I went to the Vatican, which was ridiculously opulent. Stood for two hours to get into the Sistine Chapel, which - now that it's been cleaned - looks fake. I meet two under-age Italian girls who I try to talk into fucking each other while I jack off onto them. Bored, I buy them some ice cream instead. My hotel has a gym, so I work out. I bump into some guy from Camden who says he knows me, but I'm sure that he's a fag, so I lose him. I try to fart and instead shit my pants. Back in my hotel room, I masturbate and have a pain in my groin. That night, I dream about a beautiful girl, half in water, stretching her lean body. She asks me if I like it and I tell her she can clean fish with it. I don't know what it means, but I wake well-rested, masturbate in the shower, and check out... I make my way back to London and hang out in Piccadilly Circus. Hmm. Palakon. I swap shirts with some upper-crusty Cambridge chick. Hers was an Agnes B., mine a Costume Nationale. She acts stuffy and prudish, but is really wild underneath it all. She barely looks at my abs, though she wants to. The next day, I drop some acid and get lost in the subway for a full day and can't find my way out. I meet a cute girl who lets me jack off onto her as long as no cum gets onto her Paul Smith coat. We get stoned while listening to Michael Jackson records and the next morning I wake up talking to myself. I have a big bump on my head from flailing in my sleep. I get my stuff and barely make my plane back to the United States... I no longer know who I am and I feel like the ghost of a total stranger.

    • Cenas durante ou pós-créditos
      The credits run backwards, starting with the disclaimer ("Any similarity to persons living or dead...") and rolling upwards to end with the cast.
    • Versões alternativas
      The French 2-Disc Special Edition entitled 'Les Lois De L'Attraction' is the longest possible version available. It has a couple of scenes not in the UK & US DVDs and also includes more of the suicide scene (including the girl actually cutting into her wrists, instead of just seeing her reaction) It also includes more relevant commentary tracks than the other DVD's available.
    • Conexões
      Edited into Glitterati (2004)
    • Trilhas sonoras
      Anna Begins
      Performed by James Van Der Beek

      Words by Adam Duritz

      Music by David Bryson, Marty Jones, Toby Hawkins, Lydia Holly and Adam Duritz

      Published by 1993 EMI Blackwood Music Inc./Jones Falls Music/Knucklevision Music/Puppet Head Songs/Siren Says Music (BMI)

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    Perguntas frequentes26

    • How long is The Rules of Attraction?Fornecido pela Alexa
    • Is 'The Rules of Attraction' based on a book?
    • Was "The End of the World" party scene really filmed on September 11th, 2001?
    • What is meant to be said before and after the opening and closing dialogues?

    Detalhes

    Editar
    • Data de lançamento
      • 11 de outubro de 2002 (Estados Unidos da América)
    • Países de origem
      • Estados Unidos da América
      • Alemanha
    • Central de atendimento oficial
      • Official Director's site for the film. (United States)
    • Idiomas
      • Inglês
      • Alemão
    • Também conhecido como
      • Atracción
    • Locações de filme
      • University of Redlands, Redlands, Califórnia, EUA
    • Empresas de produção
      • Kingsgate Films
      • Roger Avary Filmproduktion GmbH
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 4.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 6.532.619
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 2.532.410
      • 13 de out. de 2002
    • Faturamento bruto mundial
      • US$ 11.832.822
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 50 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.85 : 1

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    James Van Der Beek, Jessica Biel, Kate Bosworth, Kip Pardue, Ian Somerhalder, and Shannyn Sossamon in Regras da Atração (2002)
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