Uma jovem que está apaixonada por um médico casada torna-se perigosa quando suas tentativas de persuadi-lo a deixar sua esposa fracassam. Porém, quando as coisas são vistas do ponto de vista... Ler tudoUma jovem que está apaixonada por um médico casada torna-se perigosa quando suas tentativas de persuadi-lo a deixar sua esposa fracassam. Porém, quando as coisas são vistas do ponto de vista dele, a situação real fica clara.Uma jovem que está apaixonada por um médico casada torna-se perigosa quando suas tentativas de persuadi-lo a deixar sua esposa fracassam. Porém, quando as coisas são vistas do ponto de vista dele, a situação real fica clara.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 indicações no total
- Rachel
- (as Isabelle Carre)
- Anita
- (as Elodie Navarre)
- Jean-Louis
- (as Michaël Mourot)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Without giving too much away (or more than already has by others), this is a twisted story where we, as viewers, have the opportunity to see the plot unfold from both of our main characters. Audrey Tautou takes a devilishly good turn from her innocent character in Amelie to play an artist who falls in love or so we think. As we watch her whirlwind romance with a married man hit their ups and downs like any normal relationship, we get comfortable and stable with the film then suddenly it changes. We rewind backwards and are shown the story through the eyes of her 'boyfriend'. Our image of this film enhances as we are handed the unexpected.
This was a beautiful film. From not only the cinematography, but also the characters and the story. This was a rarity. It is not often that you find a film of this caliber in today's modern cinema. Normally, films have a very structured story with its theme defined early within the film. Not this masterpiece. If you assume that you know this film prior to finishing it, then you will be the laughing stock of the town. I have seen several films in my lifetime, and I can honestly say that I never saw this story unfolding. I was one of those that expected the beginning to be the entire story boy, was I surprised.
Tautou carries this film on her bare shoulders. She gives a stunning performance as a woman with a heart full of love for a man that she encounters. Her turn from Amelie proves that she is a very versatile actor.
She emotionally pulls you from your seat and glues you to the screen. Add to this the sheer brilliance of the story; with all of its twists and turns, and powerful cast that only accentuates Tautou's absurdity only helps propel this story from average to amazing.
This is one of those films that I can watch time and time again without it loosing its appeal. I would suggest it for anyone that has ever had a secret admirer. For anyone that has obsessed over anyone from afar, this is the film for you. A-la Sliding Doors, this film was impressive.
Grade: ***** out of *****
That said, it is not really a romance, although people who like romances will find enough roses and hand-drawn artwork here to please. If you are one of those who generally refuses to see movies with "love" in the title, consider that "love" isn't in the original French title, so rest assured you can watch this without reservation.
This starts as a family comedy about the innocent girl sending her loved one flowers and other presents. But it gets worse and in the end you're watching a thriller that doesn't make you feel at ease. It becomes a story of life and death and not just in the physical way.
The story is told from two view points. It remains exciting anyway.
I found it to be quite enjoyable.
The director brilliantly pieces together the two halves of this movie and by the end, it is believable. We almost wanted to watch it again so we can catch the tricks but we didn't have time.
Anyway this is a great French treat and for those of you who liked Tautou in "Amelie" and "A Very Long Engagement" you're going to like her in this one too.
Você sabia?
- CuriosidadesTodas as entradas contêm spoilers
- Erros de gravação(at around 1h 11 mins) When Loïc gives CPR Angélique she is lying motionless with her eyes open. When he leans in to plug his nose and breath into her mouth, you can see that she closes her eyes as he leans in.
- Citações
[last lines]
Title Card: "Though my love is insane, my reason calms the pain in my heart, it tells me to be patient and keep hoping..." An erotomaniac confined for over 50 years.
- Versões alternativasAccording to the Technical Specifications link for this film, there are at least 3 different versions: (what is presumably) the one shown in theaters and available online, with a Runtime of1 hr 32 min (92 min); a longer version available in Britain, coming in at 1 hr 35 min (95 min) (UK), and a third one (with unknown) differences), 1 hr 35 min (95 min) (Argentina).
- ConexõesReferences Duas ou Três Coisas Que eu Sei Dela (1967)
- Trilhas sonorasJe Voulais te Dire que je t'Attends
Music by Michel Jonasz
Lyrics by Michel Jonasz and Pierre Grosz
Performed by Maurane
(P) 2001 Polydor France
©1976 Warner Chappell Music France S.A. (ex Les Editions Marouani)
With the kind authorization of Universal Music Projets Spéciaux and Warner Chappell Music France S.A.
Principais escolhas
- How long is He Loves Me, He Loves Me Not?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 1.011.102
- Fim de semana de estreia nos EUA e Canadá
- US$ 76.000
- 16 de fev. de 2003
- Faturamento bruto mundial
- US$ 5.324.097
- Tempo de duração1 hora 32 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1