Sobre Meus Lábios

This was one of the DVD's I recently bought in a set of six called "Frenchfilm" to brush up our French before our planned holiday in beautiful Provence this year. So far, as well as improving our French we have considerably enhanced our appreciation of French cinema.

What a breath of fresh air to the stale, predictable, unimaginative, crash bang wallop drivel being churned out by Hollywood. What a good example for screenplay writers, actors, directors and cinematographers to follow. It was so stimulating also to see two identifiable characters in the lead roles without them having to be glossy magazine cover figures.

The other thing I liked about this film was the slow character and plot build up which kept you guessing as to how it was all going to end. Is there any real good in this selfish thug who continually treats his seemingly naïve benefactor with the type of contempt that an ex-con would display? Will our sexually frustrated poor little half deaf heroine prove herself to the answer to her dreams and the situation that fate has bestowed upon her? The viewer is intrigued by these questions and the actors unravel the answers slowly and convincingly as they face events that challenge and shape their feeling towards each other.

Once you have seen this film, like me you may want to see it again. I still have to work out the director's psychological motive for the sub plot in the role of the parole officer and some of the subtle nuances of camera work are worth a second look. The plot does ask for a little imagination when our hero is given a chance to assist our misused and overworked heroine in the office. You must also be broad minded to believe in her brilliant lip reading and how some of the action falls into place. But if you go along for the thrilling ride with this example of French cinema at its best you will come out more than satisfied. Four stars out of five for me.

"Read My Lips" tells of a strange symbiosis which develops between a plain, socially maladroit female office worker (Devos) and her workplace trainee, a crude excon (Casel). As the film fleshes out this unlikely duo down to their ids they become embroiled in a chilling merging of the minds, each using the other for their own selfish reasons with an extraordinary outcome. Good stuff for anyone into character-driven films with strong psychodramatic undercurrents. In French with easy to read subtitles and good translation. (B+)

If you're a fan of film noir and think they don't make 'em like they used to, here is your answer - they just don't make 'em in Hollywood anymore. We must turn to the French to remember how satisfying a well-made film from that genre can be. Read My Lips is a wonderfully nasty little gift to the faithful from director Jacques Audiard, featuring sharp storytelling and fine performances from Emmanuelle Devos and Vincent Cassel.

The basic plot could have been written in the 40's: dumb but appealing ex-con and a smart but dowdy femme fatale (who turns out to be ruthlessly ambitious) discover each other while living lives of bleak desperation and longing, manipulate each other to meet their own ends, develop complex love/hate relationship, cook up criminal scheme involving heist, double crosses, close calls and lots of money. All action takes place in depressing, seedy and/or poorly lit locations.

Audiard has fashioned some modern twists, of course. The femme fatale is an under-appreciated office worker who happens to be nearly deaf and uses her lip reading ability to take revenge on those who marginalize her. And where you might expect steamy love scenes you discover that both characters are sexually awkward and immature. Add in a bit of modern technology and music and it seems like a contemporary film, but make no mistake - this is old school film noir. It's as good as any film from the genre and easily one of the best films I've seen all year.

I settled back to watch "Read My Lips," a plate of Freedom Fries before me. The food was quickly forgotten as I became engrossed by director and co-writer Jacques Audiard's original and superb thriller.

Carla (Emmanuelle Devos) is a secretary at a firm that develops major building projects. She actually has some significant responsibilities that don't often fall to secretaries and she's capable and ambitious. And thwarted by a male hierarchy that will exploit but not reward her.

Work piling up faster than she can handle it, Carla is told to hire a secretary. Enter ex-con and general layabout Paul (Vincent Cassel). He lies about his skills and in fact has none that any legitimate enterprise might require. After an initial serious misunderstanding by Paul as to Carla's interest in him, the two become allies. A quirky friendship starts. In a stunt that would have made a real Carla a major contender on "The Apprentice," she trumps her egotistic male adversary at work with Paul's connivance. Exit the rival.

Carla is virtually deaf without her hearing aid. With it she hears almost normally. She turns the hearing aid off to isolate herself from unpleasant sounds and annoying people. She's also very lonely. A heroic makeup effort was made to have her appear plain but she's truly beautiful. She hasn't a boyfriend. She babysits so a friend can have a liaison (it IS a French movie) Worse and humiliatingly, she accedes to a girlfriend's plea that she hang out somewhere while that married friend has it off with her paramour in Carla's bed. Not nice.

As Carla and Paul get to know each other better, the barely repressed larcenous side of the not so former felon emerges. There's a side story, by the way, of Paul's relationship with his parole officer which neatly complements the main plot and has its own big surprise ending.

"Read My Lips?" Ingenious Paul recognizes that Carla's ability to read lips, even from a considerable distance, is more than the amusing parlor trick it first seems to be.

From there a caper develops. Enough said.

Paul and Carla are a true criminal oddball couple. She wants love but will also accept money. He wants her, sort of, but business must come before possible erotic satiation. Together Cassel and Devos are strong actors carrying an unusual crime tale to its end very convincingly.

Rent it or buy it but if you enjoy a good crime story you'll go for "Read My Lips." And you may well want to watch it several times: I do.

9/10

I picked this one up on a whim from the library, and was very pleasantly surprised. Lots of tight, expressionistic camera work, an equally tight script, and two superb actors all meld together to make one very fine piece of film. Not for the reptilian multiplex brain, but rather the true aficionado of cinema. If Hollywood ever does get its grimy hands on it, I'm sure it will ruin it. A choice treat all the way around. Other posters here have more than amply sung its praises, so I needn't bother duplicating their paeans; just take their advice, and mine, and don't miss this gem. Call it what you like; I call it two hours of entertainment well-spent. Read my lips: don't miss it.