Irreversível

When his girlfriend Alex is brutally raped in an underpass, boyfriend Marcus and Alex's ex-boyfriend Pierre are approached by a couple of criminal types who claim to know who did it and lead Marcus on the path to revenge via hookers and a man in a brutal gay club known as the Rectum.

I shan't waste my time or yours by writing more of a plot to this film than that because this is all quite thin stuff. Normally I find myself gradually engaged by a film as it develops characters and stories however with Irréversible I was gripped immediately but the effect worked in reverse, just like the film. Others have asked why this film is told backwards, with some waxing lyrical about the film demonstrating the nature of actions and consequences. I don't buy this and I almost believe that the film is structured this way because Noé knows that his film is not good enough to engage the audience with the development of the story and characters to the point where they would still care by the end. Whereas, by starting with his biggest and most impacting sequences he has preventing the audience thinking "this is going nowhere" by putting us right where it is going to.

Of course what this means is that the film genuinely has nowhere to go to because the developmental issue is still there – albeit the need to see roots rather than branches. With this there is nothing and I felt myself becoming more and more disappointed with the film as it went on as it seemed to offer nothing but missed potential. Unlike Memento (which was a thriller with the reason being to find out what caused the end), Irréversible's ending is an act of violence and revenge that, in essence occurs out of bad fortune rather than a series of events that are worth holding out for. With this in mind the focus comes more on the characters and their relationships to find a reason to make the impacting opening to the film feel that much more impacting. Sadly it does fall down and despite some interesting stuff that might have gone somewhere (if not to the actual crime), themes of sexual intimacy, differences in men and women and so on are just suggested but never delivered upon and my interest and respect for the film waned frighteningly quickly.

It is a terrible shame because the film had initially won me over quickly. With the first shots of spinning camera, "irrelevant" men and disorientating delivery I prepared myself to hate this film and slate it for being pretentious. This feeling didn't subside much as we were thrown into a gay club ending with an intensely brutal scene of violence that quite sickened me. The reason for this is almost the following scene where we see the beautiful and classy Alex brutally and meaninglessly sodomised on the floor of a dirty underpass for no other reason than being in the wrong place at the wrong time and the wrong sex. With my eyes at the time I found these scenes to be quite brilliant but finding out later there was nothing beyond them I take a dimmer view. In his defence, Noé's sequences should not be mentioned in the same breath as the recent Holly wood trend for torture porn because there is nothing erotic here. The rape scene in particular is disturbing, sickening and based on violence, certainly not sex, attraction or arousal. Some comments on IMDb have disturbed me and shown that some people will still "enjoy" these scenes – one particular comment saying "fans of rape movie will appreciate" the sequence I felt was in particular poor taste. However for me it is as effective as it is unpleasant, Noé does not adopt the angles, style or nudity of pornography and indeed leaves the camera on the floor and lets the actors deliver an experience that is undeniably cruel and wrong. Viewers who chose to get off on that will do so however for those of us not stimulated by the violent degradation of another the effect will be harrowing.

The cast are good where they are caught up in things. Cassel is convincing in his revenge scenes but has less to work with in the later (earlier) scenes. Likewise Bellucci is amazing in her key scene; utterly convincing and heart-wrenching in her agony and I can only imagine how difficult it was for her to shoot. Dupontel is interesting but his performance would have benefited from going from innocence to violence and not the other way round. Prestia is a convincing human version of Satan, who is sickeningly real. Noé's direction is impressive even if his ability as writer is not. His camera earlier on matches the frantic violent mood of his characters but gradually calms down. Quite what he is saying with where the film goes or how it ends is beyond me but by then he had done sufficiently little to convince that I shouldn't worry myself too much.

Overall an impacting "experience" film that starts out with the potential to be a challenging and difficult art film. However with nothing past these scenes of significant value, the backward telling just seems like a way of having the "big" scenes before losing the audience, rather than afterwards and for all my appreciation and admiration for his intense and creative technique as director, I found Noé the writer to be lacking. In summary I'm not sure if I liked this or not or if it is worth seeing but it is certainly an experience that should be seen by those looking for a diverse taste of cinema whether it is "enjoyable" or not.

This film won't be for everyone. There are two scenes that require a strong stomach, the camera work, initially at least, is near nausea inducing and the narrative structure, playing chronologically backwards to some may feel gimmicky.

I thought this was terrific though.

The plot is essentially a revenge thriller, where a sexual assault is avenged through a brutal act of violence.

The narrative structure works for me - starting with a brutal act of violence, then gradually plays out the events that led up to that point. It is frenetic, urgent and compelling. Vincent Cassel is brilliant as ever here too.

The trigger for the revenge is shown as a protracted sexual assault, and I'm sure many will consider it gratuitous. To describe it as such is kinda missing the point - its duration and violence makes the viewer complicit in the crime and is, in part intended to justify the act of violence that follows (though we the audience have already seen).

It would be easy to reduce the film to the narrative device and these two scenes. Those scenes do live long in the memory, but the film is more than that. Don't get me wrong, I have no intention of watching the film again, but that's because once is enough, doesn't make it any more compelling. I thought this was mint.

I have seen this film only once. It needs multiple viewings, I feel, to fully appreciate it's merit. This is something that will come in time but I felt it was only right to comment after my first impression. I instantly gave the film 10 out of 10, not because I overly enjoyed it (nigh on impossible) but because it shook me, at times, to my very core and affected me in a way that I cannot easily or fully describe. I can honestly say Irreversible is the most devastating piece of cinema I've ever witnessed. This isn't solely due to it's shocking content but more so the production as a whole and how it has been constructed and packaged. It truly is a work of art. Camera-work, lighting, colour (primarily gaudy, striking tones of red and orange) all combine in an unforgettable amalgam of brilliance. Featuring towering performances from Cassel, Belluci and Dupontel the film lurches backward in time depicting the events of a truly tragic night in the lives of three friends. Alex (Belluci) is brutally raped on her way home from a party and Marcus (Cassel) and Pierre (Dupontel) set off determined to wreak vengeance on the perpetrator. However, that is merely the plot. Admittedly quite a simple premise but the way it is played out is unforgettable. This is a film that everyone should and arguably needs to see as it is, for me, a milestone of modern cinema. Raw and unflinching, can you stomach it?

Holy Macaroni! Believe the hype, folks...this really IS one of the most shocking, confronting and raw movies ever made! It actually is one of those rare purchases that makes you wonder what the role of cinema is in modern society. Irréversible certainly can't be classified as 'entertainment', that's for sure. It merely looks like a brutal eye-opener, highly unpleasant to watch at times and it sometimes makes you even feel ashamed to be human! Some of the stuff here goes beyond your most feared nightmares and could easily provoke depression, anti-social behavior and anxiety among influential viewers. It's real-life drama and that makes it so powerful and shocking. Irréversible is told backwards, 'Memento'-style if you wish...only it's a lot more effective here as it was in Memento, which actually was a pretty boring and extremely overrated movie. This very simple backwards-structure aspect gives Irréversible the opportunity to implement a couple of unique and rarely seen style elements. The first half hour (which actually is the end of the story) smacks you in the face right away sets the tone for a non-stop, raw experience. Also, you don't really get to know the characters until the last chapter (which is actually the beginning of the film) The characters are a riddle to you constantly and you can't symphatise with any of them, since you just know too little. Through wild camera movements and simplistic techno-music, a claustrophobic and horrifying atmosphere gets created and the violence is really hard to digest. The infamous scene in which Monica Belluci brutally gets raped is one of the most perverted things I've ever seen. It seems to go on forever and you can really visiualise the painful hell the poor girl is going through. I'd call Irréversible a successful combination of ancient, rough exploitation and modern art-house film-making. The brutality portrayed here is typical for the euro-shock cinema but the stylish shooting lifts it up to Cannes Festival material. Cult as pure as it comes!

For me, the importance of this film, is that it shows the sickening reality of violence. So many movies, especially American ones, have people being killed left and right, but the violence is very unrealistic, with little consequence to the characters. The violence here is gritty, brutal and sickening just like my experience of real, close-up and personal violence. There is no concern for the feelings or well-being of others just a savage, out of control bloodlust and desire for destruction. The seedy sexual situations, make the brutality all the more repulsive.