Austin Powers em o Homem do Membro de Ouro
Título original: Austin Powers in Goldmember
Ao saber que seu pai foi sequestrado, Austin Powers deve viajar para 1975 e derrotar o vilão "membro de ouro", que está trabalhando com o Dr. Evil.Ao saber que seu pai foi sequestrado, Austin Powers deve viajar para 1975 e derrotar o vilão "membro de ouro", que está trabalhando com o Dr. Evil.Ao saber que seu pai foi sequestrado, Austin Powers deve viajar para 1975 e derrotar o vilão "membro de ouro", que está trabalhando com o Dr. Evil.
- Prêmios
- 5 vitórias e 23 indicações no total
Beyoncé
- Foxxy Cleopatra
- (as Beyoncé Knowles)
Avaliações em destaque
That no one but Mike Meyers could pull off the role of Austin Powers is made amusingly clear in the opening scene, which must be seen to be appreciated. To those who have cringed through one or more of the James Bond films, finding them obnoxiously sexist, chauvinistic and crass, the Powers films are deliciously over-the-top burlesques of that genre, even if some of the gags are relentlessly sophomoric. Scatological humor is pervasive, especially of the soiled underwear, urinating and farting variety. In one of the latter the character adds the comment, "Even stink would say that stinks," and in another case, focusing on a bare behind, we get the tired old yawn, "I always thought you were crazy but now I can see your nuts." Note that is "your" and not "you're," and juvenile puns of that form do tend to blemish the script at times. Even so, most of the pranks are original, and it's a mindlessly fun film to watch. Meyers is a comedic wizard, and he is supported at every turn by an outstanding cast.
`Austin Powers in Goldmember' provides us with an hour and a half of inspired silliness. Not all of the film's elements work equally well, of course a seemingly common occurrence in even the best of comedies but this third in the series of popular spy spoofs generates more laughs than almost any other movie released in 2002.
Prime credit goes, of course, to Mike Myers, who both co-wrote the screenplay and inhabits no fewer than four of the movie's main characters. By this time, Myers has become so adept at his characterizations that watching him at work and at play here provides one of the prime pleasures of our viewing experience. Also in attendance are the usual suspects: Verne Troyer as Mini-Me, Michael York as Basil, Robert Wagner as Number 2, Seth Green as Scottie and Mindy Sterling as Frau Farbissinia. Folks added to the brew this time around include Fred Savage, Michael Caine and Beyonce Knowles as Foxxy Cleopatra, a bad-ass soul sister brought back from 1975 Afro hairdo and all - to help Austin rescue his kidnapped father and prevent Dr. Evil from yet again trying to destroy the world (this time by using a giant meteorite to melt the polar ice caps and flood the earth).
Co-written by Michael McCullers and directed by Jay Roach, the film has the good sense to throw caution to the wind and give Myers free rein to indulge himself in his own brand of inspired lunacy. The film starts off with a deliriously clever and funny opening credit scene in which many of Hollywood's biggest names make surprise, good-natured cameo appearances. That sense of unbridled fun carries through pretty much the entire film, although there are, as to be expected, ideas, bits and jokes that seem less effective than others. As with the two previous films, this `Austin Powers' suffers from the unfortunate tendency to both repeat and explain too many of its jokes. Sometimes you do find yourself wishing that the writers would put a bit more faith in the audience to get the humor the first time around. Still, there seems to be much less of that in this particular episode, and there are plenty of laugh-out-loud moments to more than compensate for the occasional though not all that frequent clunker or lull that manages to sneak its way in there from time to time.
`Austin Powers in Goldmember' wallows a bit overmuch in the sordid moments, the gross-out gags, the locker room and bathroom humor that have become, alas, the hallmarks of the modern comedy. In short, this is probably not the film to take the family to see if your family includes impressionable children and/or easily offended adults. The sexual and scatological meters run into the red zone rather often in this film.
Nevertheless, `Austin Powers in Goldmember' works well if you enjoy a comedy where the actors seem for once to have been actually having a fun time while making it. Their infectious joy spills off the screen in a way that it doesn't in movies like `Mr. Deeds,' `Men in Black II' or, perish the thought, `The Master of Disguise,' to name just a few of the comedic bombs that have been foisted upon the unsuspecting public this summer. In contrast to the makers of those films, Mike Myers knows how to deliver the goods and, in the process, give his fans their hard-earned money's worth. Reserve us a seat for the next installment.
Prime credit goes, of course, to Mike Myers, who both co-wrote the screenplay and inhabits no fewer than four of the movie's main characters. By this time, Myers has become so adept at his characterizations that watching him at work and at play here provides one of the prime pleasures of our viewing experience. Also in attendance are the usual suspects: Verne Troyer as Mini-Me, Michael York as Basil, Robert Wagner as Number 2, Seth Green as Scottie and Mindy Sterling as Frau Farbissinia. Folks added to the brew this time around include Fred Savage, Michael Caine and Beyonce Knowles as Foxxy Cleopatra, a bad-ass soul sister brought back from 1975 Afro hairdo and all - to help Austin rescue his kidnapped father and prevent Dr. Evil from yet again trying to destroy the world (this time by using a giant meteorite to melt the polar ice caps and flood the earth).
Co-written by Michael McCullers and directed by Jay Roach, the film has the good sense to throw caution to the wind and give Myers free rein to indulge himself in his own brand of inspired lunacy. The film starts off with a deliriously clever and funny opening credit scene in which many of Hollywood's biggest names make surprise, good-natured cameo appearances. That sense of unbridled fun carries through pretty much the entire film, although there are, as to be expected, ideas, bits and jokes that seem less effective than others. As with the two previous films, this `Austin Powers' suffers from the unfortunate tendency to both repeat and explain too many of its jokes. Sometimes you do find yourself wishing that the writers would put a bit more faith in the audience to get the humor the first time around. Still, there seems to be much less of that in this particular episode, and there are plenty of laugh-out-loud moments to more than compensate for the occasional though not all that frequent clunker or lull that manages to sneak its way in there from time to time.
`Austin Powers in Goldmember' wallows a bit overmuch in the sordid moments, the gross-out gags, the locker room and bathroom humor that have become, alas, the hallmarks of the modern comedy. In short, this is probably not the film to take the family to see if your family includes impressionable children and/or easily offended adults. The sexual and scatological meters run into the red zone rather often in this film.
Nevertheless, `Austin Powers in Goldmember' works well if you enjoy a comedy where the actors seem for once to have been actually having a fun time while making it. Their infectious joy spills off the screen in a way that it doesn't in movies like `Mr. Deeds,' `Men in Black II' or, perish the thought, `The Master of Disguise,' to name just a few of the comedic bombs that have been foisted upon the unsuspecting public this summer. In contrast to the makers of those films, Mike Myers knows how to deliver the goods and, in the process, give his fans their hard-earned money's worth. Reserve us a seat for the next installment.
Pros:
1. Mike Myers (Austin Powers/ Dr. Evil/ Fat Bastard/ Goldmember) and Michael Caine (Nigel Powers) deliver great comedic performances, and are utterly hilarious as a duo.
2. There are plenty of Austin Powers wacky funny moments, for example, the running mole gag.
3. The fun and iconic Austin Powers theme tune, which never fails to bring a smile to my face, even had its own dance sequence featuring surprise cameos by Steven Spielberg (Famous Director) and Britney Spears ('Boys' Music Video Performer).
Cons: 1. Mike Myers, whether intentional or not, puts on a distractingly bad Dutch accent for Goldmember.
2. The character of Fat Bastard is just as annoying and pointless as before. The whole gimmick is that he's really fat - that's it.
3. As in the previous film, there are so many jokes that they end up diluting what should be contentious and serious moments.
4. The special effects are really dated, as in the second film.
5. The complete character 180s undertaken by Dr. Evil and Mini-Me (Verne Troyer) don't feel earned or genuine. They decide to turn their backs on their criminality in one scene each after confronted with the truth, or with rejection.
6. The constant celebrity cameos break the immersion as they're just distracting and nothing else. For example, the scene with the Osbourne family lamenting about the recycling of a joke from the previous film.
2. There are plenty of Austin Powers wacky funny moments, for example, the running mole gag.
3. The fun and iconic Austin Powers theme tune, which never fails to bring a smile to my face, even had its own dance sequence featuring surprise cameos by Steven Spielberg (Famous Director) and Britney Spears ('Boys' Music Video Performer).
Cons: 1. Mike Myers, whether intentional or not, puts on a distractingly bad Dutch accent for Goldmember.
2. The character of Fat Bastard is just as annoying and pointless as before. The whole gimmick is that he's really fat - that's it.
3. As in the previous film, there are so many jokes that they end up diluting what should be contentious and serious moments.
4. The special effects are really dated, as in the second film.
5. The complete character 180s undertaken by Dr. Evil and Mini-Me (Verne Troyer) don't feel earned or genuine. They decide to turn their backs on their criminality in one scene each after confronted with the truth, or with rejection.
6. The constant celebrity cameos break the immersion as they're just distracting and nothing else. For example, the scene with the Osbourne family lamenting about the recycling of a joke from the previous film.
To be brutal, this movie is cynical. I mean, Mike Myers is a funny guy, but this constant rehash of old material (see the radar jokes, the shadow-on-the-wall, the father-son misunderstandings) is just a bit worrying and suggests Mr. Myers has run out of ideas.
There are some classic moments in the movie, like the beginning sequence, and the shadow-on-the-wall sequence involving Mini-me, but the whole thing stinks of self-indulgence and money-making rather than originality or passion.
I felt myself, straining to laugh throughout the 90 minutes or so I was in the cinema, and I SO wanted to love this movie as I loved the previous two installments. Mike Myers is funny, and Beyonce Knowles is surprisingly good too, but Michael Caine isn't given the right material to shine and the Osbournes cameo verges on the pointless.
Good, but not your best effort. Austin Powers 4? No thank you
There are some classic moments in the movie, like the beginning sequence, and the shadow-on-the-wall sequence involving Mini-me, but the whole thing stinks of self-indulgence and money-making rather than originality or passion.
I felt myself, straining to laugh throughout the 90 minutes or so I was in the cinema, and I SO wanted to love this movie as I loved the previous two installments. Mike Myers is funny, and Beyonce Knowles is surprisingly good too, but Michael Caine isn't given the right material to shine and the Osbournes cameo verges on the pointless.
Good, but not your best effort. Austin Powers 4? No thank you
While this is still not as funny as the first one, it's still worth watching. It has a load of recycled jokes from both of the earlier films, and a little too many references to the first, in my opinion. It's not entirely bad though, after a slow start it kicks off and gets very funny, very quickly. Most of the old characters return, with a few new ones too. The plot is pretty much the same old deal from the first two, still spoofing old Bond movies. The acting is still pretty good. The characters are more colorful in this one, I think. More developed, perhaps. The sexual crude humor is still there, and is better here than in the second movie, I think. The first is still the best, but if you only see one of the sequels, I recommend you see this one. I thought the twist-in-the-end was pretty lame, but it didn't entirely ruin the movie, as it didn't seem totally out of character or totally unbelievable. I'd recommend this to anyone who liked either or both of the first two movies. The humor is mostly the same, and people who enjoyed the first two will most likely also enjoy this one. 7/10
Você sabia?
- CuriosidadesGeorge Harrison was a big fan of the Austin Powers franchise. The very last letter he wrote was to Mike Myers, praising him for his work. The letter was never mailed but coincidentally ended up in Myers' hands the day the former Beatle died eight months before the release of Goldmember. It was on that day during the scene for the Hollywood movie version ("starring" Tom Cruise, Gwyneth Paltrow, Kevin Spacey and Danny DeVito, and "directed" by Steven Spielberg) of Austin Powers' "biopic" was shot. Prior to that moment, Myers had never met Harrison and "cried like a baby" when he received the letter, which is now in a frame in his home.
- Erros de gravaçãoGoldmember curses in German, rather than Netherlands Dutch.
- Citações
Nigel Powers: There are only two things I can't stand in this world: People who are intolerant of other people's cultures, and the Dutch.
- Cenas durante ou pós-créditosThe credit for the company that created the animatronic sharks reads: "Sharks with frickin laser beams"
- Versões alternativasIn Roboto's office, the subtitles read "Please eat some shit" when blocked by a white tea kettle on his desk. Apon moving it, the full subtitle reads "Please eat some shitake mushrooms." In the TV version, it's changed to "Please eat some dung" and when fully uncovered reads "Please eat some Dungeness crab."
- ConexõesEdited from O Incerto Amanhã (1967)
- Trilhas sonorasSoul Bossa Nova
Written by Quincy Jones
Arranged by George S. Clinton, Quincy Jones and Jerry Hey
Performed by George S. Clinton and The Hollywood Symphony Orchestra
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- How long is Austin Powers in Goldmember?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Austin Powers en Goldmember
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 63.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 213.307.889
- Fim de semana de estreia nos EUA e Canadá
- US$ 73.071.188
- 28 de jul. de 2002
- Faturamento bruto mundial
- US$ 296.939.148
- Tempo de duração1 hora 34 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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