Adicionar um enredo no seu idiomaMob boss Don Antonio Paradiso is both a churchgoing family man and the top dog in town. His son is the heir to the family business, but when an assassination attempt is made on Antonio's lif... Ler tudoMob boss Don Antonio Paradiso is both a churchgoing family man and the top dog in town. His son is the heir to the family business, but when an assassination attempt is made on Antonio's life, the organization is thrown into disarray.Mob boss Don Antonio Paradiso is both a churchgoing family man and the top dog in town. His son is the heir to the family business, but when an assassination attempt is made on Antonio's life, the organization is thrown into disarray.
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This far from particularly anything mafia movie is not worth bothering with. Its the story of two generations of gangsters in Philadelphia doing what gangsters do.
Its loaded with low level character actors, most of whom have made their careers playing these sort of roles. While they may be fine in support, here, as leads, they look more than a bit uncertain.
The real problem with this is the direction and the script which are on the bad TV movie level. I was laughing at it as the opening court room scene began. As the scene went on the film made me squirm more and more. This wasn't real, it was someones confused TV recollection of reality
Don't watch this. It has moments of okayness, but mostly its just bad gangster dress up.
2 out of 10
Its loaded with low level character actors, most of whom have made their careers playing these sort of roles. While they may be fine in support, here, as leads, they look more than a bit uncertain.
The real problem with this is the direction and the script which are on the bad TV movie level. I was laughing at it as the opening court room scene began. As the scene went on the film made me squirm more and more. This wasn't real, it was someones confused TV recollection of reality
Don't watch this. It has moments of okayness, but mostly its just bad gangster dress up.
2 out of 10
Geez, where to start? The casting, perhaps. Well, marginal actors with bad material can a real mess make, and this flick stonk so badly I'm longing for a shower. Rossi, with a writing credit (somehow I see him brainstorming with some no-talent hack real writer), crafts himself a plum role that proves the rule about how that's not a good idea. The actor cast in the lead as Vito, has got to be the ugliest, silly looking wop in Hollywood whose lips hang like a raw wound on a mug that could shatter a mirror. Vito's dad, however, deserves the most thumbs-down for believability. He's about as credible for being a mob boss as Andy Dick.
Next, the direction, the script, and the rest. Bad, and worse. I can only assume that this project launched due to Sopranos' success, and they supposed they could snag a low-budget masterpiece by casting their own buddies and their family with an inkling they could act. Sophia Coppola should have shown SOMEBODY in charge how that can work out.
Keep hunting if you want to watch a mafia movie with something to offer. This is a waste of time.
Next, the direction, the script, and the rest. Bad, and worse. I can only assume that this project launched due to Sopranos' success, and they supposed they could snag a low-budget masterpiece by casting their own buddies and their family with an inkling they could act. Sophia Coppola should have shown SOMEBODY in charge how that can work out.
Keep hunting if you want to watch a mafia movie with something to offer. This is a waste of time.
I saw this movie at a screening and was thoroughly impressed. I was able to get comfortable with the characters very easily; the story grabbed and held my attention throughout. This is a very well put-together film. The cast was easy to warm up to, plenty of familiar faces from other films and their roles played out smoothly. The character of "Frank" (who I was not very familiar with) was played excellently and I can see him in future films for sure.
Being from the Philadelphia area, I found it easy to get into the movie and being familiar with the locations made it all the more enjoyable.
If you are into "mafia" type movies (or even if you're not), this is one movie that is worth seeing.
Being from the Philadelphia area, I found it easy to get into the movie and being familiar with the locations made it all the more enjoyable.
If you are into "mafia" type movies (or even if you're not), this is one movie that is worth seeing.
Sure, they've been a lot of bad movies that are perfect examples on how not to make one that's so damn bad, but "Mafioso: The Father, The Son", a dog's mess on the sidewalk that pathetically fails at being on par with the Godfather films and "The Sopranos", does a more than obvious job. Here are nine "don't" rules:
1) Don't give your film a bad title. 2) Don't have one of your film's co-writers act as the main character if he can't look awake and traditionally handsome, let alone act. Put a REAL gun in his mouth, and he'll get the message. 3) Don't create a mute supporting character and make him so damn uninteresting, except being fat and able to handle kung-fu combatants. 4) Don't hire good supporting actors to act in a crap film. 5) Don't have your actors, if you're working on a Mafia drama, emote every Italian stereotype in the bigot book and dehumanize your characters into caricatures. 6) Don't advertise your film being scored by an Oscar-winning music composer, when you don't. 7) Don't have a voice-over at the film's start and end when the story's happening in the present. 8) Don't have a bad film editor. 9) Don't "wide-screen" something that looks like a third-rate daytime soap opera.
If you're interested in the story of a mobster's son taking over the "family business", when "the Goddaddy" is killed, you're better off making the film yourself, if you follow the aforementioned rules. Avoid "Mafioso" like every STDs in existence, capeech?
1) Don't give your film a bad title. 2) Don't have one of your film's co-writers act as the main character if he can't look awake and traditionally handsome, let alone act. Put a REAL gun in his mouth, and he'll get the message. 3) Don't create a mute supporting character and make him so damn uninteresting, except being fat and able to handle kung-fu combatants. 4) Don't hire good supporting actors to act in a crap film. 5) Don't have your actors, if you're working on a Mafia drama, emote every Italian stereotype in the bigot book and dehumanize your characters into caricatures. 6) Don't advertise your film being scored by an Oscar-winning music composer, when you don't. 7) Don't have a voice-over at the film's start and end when the story's happening in the present. 8) Don't have a bad film editor. 9) Don't "wide-screen" something that looks like a third-rate daytime soap opera.
If you're interested in the story of a mobster's son taking over the "family business", when "the Goddaddy" is killed, you're better off making the film yourself, if you follow the aforementioned rules. Avoid "Mafioso" like every STDs in existence, capeech?
This movie was great, very well produced and all the actors were really good. I seen the the movie on ABC network, but the DVD was a lot better. If you like mob movies, i strongly recommend this film. The relationship between the father and the son was very believable and very moving. Sal Mazzotta, great work and i cant wait to see your next movie, as an actor you are really good. My mom and dad really liked the movie, they loved the actor who played your father, he was very good. This film reminds me of the Sopranos, very real to life. Hopefully you will consider Canada for your next project. I lived here my whole life and it is a great city to possibly shoot your next project.
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- Trilhas sonorasYou're killing Me
Composed by Michael Z. Gordon
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- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- The Father, the Son
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
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- Orçamento
- US$ 900.000 (estimativa)
- Tempo de duração
- 1 h 44 min(104 min)
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