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IMDbPro

Quo vadis

  • 2001
  • 2 h 45 min
AVALIAÇÃO DA IMDb
5,7/10
2,4 mil
SUA AVALIAÇÃO
Pawel Delag and Magdalena Mielcarz in Quo vadis (2001)
Quo Vadis  ( 2001 )
Reproduzir trailer1:44
3 vídeos
99+ fotos
DramaHistoryRomance

Adicionar um enredo no seu idiomaMarcus Vinicius falls in love with Lygia, but she's Christian. Marcus kidnaps her, but Ursus captures him. After meeting Nero, he returns to Rome to find Lygia.Marcus Vinicius falls in love with Lygia, but she's Christian. Marcus kidnaps her, but Ursus captures him. After meeting Nero, he returns to Rome to find Lygia.Marcus Vinicius falls in love with Lygia, but she's Christian. Marcus kidnaps her, but Ursus captures him. After meeting Nero, he returns to Rome to find Lygia.

  • Direção
    • Jerzy Kawalerowicz
  • Roteiristas
    • Jerzy Kawalerowicz
    • Henryk Sienkiewicz
  • Artistas
    • Pawel Delag
    • Magdalena Mielcarz
    • Boguslaw Linda
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,7/10
    2,4 mil
    SUA AVALIAÇÃO
    • Direção
      • Jerzy Kawalerowicz
    • Roteiristas
      • Jerzy Kawalerowicz
      • Henryk Sienkiewicz
    • Artistas
      • Pawel Delag
      • Magdalena Mielcarz
      • Boguslaw Linda
    • 30Avaliações de usuários
    • 7Avaliações da crítica
    • 67Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 4 vitórias e 2 indicações no total

    Vídeos3

    Quo Vadis  ( 2001 )
    Trailer 1:44
    Quo Vadis ( 2001 )
    Quo Vadis  ( 2001 )
    Trailer 1:16
    Quo Vadis ( 2001 )
    Quo Vadis  ( 2001 )
    Trailer 1:16
    Quo Vadis ( 2001 )
    Quo Vadis  ( 2001 )
    Trailer 1:20
    Quo Vadis ( 2001 )

    Fotos443

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    Ver pôster
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    + 439
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    Elenco principal77

    Editar
    Pawel Delag
    Pawel Delag
    • Marcus Vinicius
    Magdalena Mielcarz
    Magdalena Mielcarz
    • Lygia
    Boguslaw Linda
    Boguslaw Linda
    • Petronius
    Michal Bajor
    Michal Bajor
    • Nero
    Jerzy Trela
    Jerzy Trela
    • Chilo Chilonides
    Franciszek Pieczka
    Franciszek Pieczka
    • Apostle Peter
    Krzysztof Majchrzak
    Krzysztof Majchrzak
    • Tigellinus
    Rafal Kubacki
    Rafal Kubacki
    • Ursus
    Andrzej Tomecki
    Andrzej Tomecki
    • Glaucus
    Jerzy Nowak
    Jerzy Nowak
    • Krispus
    Zbigniew Walerys
    Zbigniew Walerys
    • Paul of Tarsus
    Agnieszka Wagner
    Agnieszka Wagner
    • Poppaea
    Malgorzata Pieczynska
    Malgorzata Pieczynska
    • Akte
    Marta Piechowiak
    Marta Piechowiak
    • Eunice
    Danuta Stenka
    Danuta Stenka
    • Pomponia
    Malgorzata Foremniak
    Malgorzata Foremniak
    • Chrisotemis
    Teresa Marczewska
    Teresa Marczewska
    • Miriam
    Marta Bizon
    Marta Bizon
    • Sira
    • Direção
      • Jerzy Kawalerowicz
    • Roteiristas
      • Jerzy Kawalerowicz
      • Henryk Sienkiewicz
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários30

    5,72.3K
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    Avaliações em destaque

    marek-14

    Feels like a rushed production, not doing any justice to the novel

    I recently saw this film during my vacation in Poland, there was a lot of anticipation for this film due to the fact that it was the first Polish production of the famous book, and because it was the most expensive Polish film production in history. However the film failed to live up to its expectations on may levels. The beginning seems rushed, I remember there being more development in the novel than was shown in the movie. I could understand if the filmmakers wanted to speed up the tempo but, in this case they missed the correct pace and as a result it distanced me from the characters and plot. The movie slows down as it progresses but by that time I was already too far away to really care about what was happening. Another place where it fails is in the casting of the characters. Ligia is played by a model, who has not done any acting prior to this role, and it shows. She is never able to convincingly portray any emotions, which is another reason why I did not care much for her. Considering Ligia is one of the key roles in the film, it should have been cast with an actress with more experience, the film makers seemed to value looks over experience, and in my opinion it was a bad choice. The casting of Boguslaw Linda as Petronius raised some doubts too, as this is an actor who is frequently type cast into action roles. However his performance was one of the few enjoyable parts of the movie, was he was able to break away from his mold, and provide a solid and enjoyable portrayal of Petronius. Lastly the movie fails on its production value. It is hard to believe that so much money was in fact spent on the film. Many of the scenes look like they were set in a studio and not Rome. Which again distanced me from where I was supposed to be. The special effects leave something to be desired also. They look like TV quality effects rather than effects created for a film. I hope a large part of the budget was not spent on them. The movie had a lot of potential, and it should have been given a better treatment. Polish cinema can do much, much, better, and hopefully someday it will. A lot of money was spent on this movie, it's too bad that more thought did not go into it as well.
    7ma-cortes

    Awesome version of classic novel as spectacular as the original

    During 63 a.d. Roman , a prefect official named Marco Vinicio returns from war and he get home his uncle Petronio , friend of emperor Nero . Vinicio confesses him he is enamored Ligia , a mysterious and virginal young whom has known in the Aulus Paucius's home . Marcus Vinicius meets Lygia in Rome and falls in love . But she is Christian and doesn't want anything to do with him . In a party Vinicio tries to utilize to Lygia but she is helped by Ursus who carries her at a place of Christ's supporters . Later on , Christians are accused of burning ancient Rome . Vinicio risks his life to save his lover .

    The motion picture is a larger than life production upon Nero and the Christians persecutions with lots of crowd scenes . It's realized on a giant scale with moving fighting scenes , dramatic scenes , spectacular sequences and bloody gladiator combats in the arena and lions attacks and Christian martyr . Depraved emperor want to get rid and he orders use like meat for lions and burn them on stakes . The Polish cinema's first great financial success but with unknown actors for general public although allegedly are famous in Poland . The picture is profitable by public tendency for ¨sword and sandals¨ genre re-initiated by ¨Gladiator¨ . The film is a definitive version of the classic novel by the Polish Henryk Sienkiewicz (Nobel prize winner) . Special mention to enjoyable music score by Jan Kaczmarek (Oscar winner for ¨Finding Neverland¨). The movie obtained three ¨Eagle Award¨, the greatest prize of Polish cinema , to the best gowns , production design and support cast. The motion picture was well directed by Jerzy Kawalerowicz (Pharaoh) . Rating : Good and entertaining.
    bayankaran

    Kick ass!

    This movie impressed me greatly. Seeing the grand coliseum scenes, movies like Gladiator feels like cheap imitations.

    Excellent acting, pacy, and sensitive, I consider Quo Vadis on par with UNDERGROUND, the Emir Kusturica classic.

    Hope a wider audience can catch this in theaters, even a DVD wont pay justice to the wonderful sets, costumes etc. I saw this in the Polish film festival in Chicago.
    Catca

    A great book, a great movie.

    Jerzy Kawalerowicz's Quo Vadis is a great adaptation, based on the novel by the Nobel Prize winner, Henryk Sienkiewicz. This is one of those films which make you wonder: What are our priorities in life? You cannot just leave the cinema and go back to reality and forget what you've seen. Wonderful acting is an unquestionable virtue of this Quo Vadis. Saint Peter played by Franciszek Pieczka, is not the esteemed, serious Saint Peter we can see on paintings or sculptures in churches, he's not this stern guardian at heaven's gate, the one who keeps the key to heaven. Ke is an eye witness of Christ's life and death, and he is a sage you may ask for advice in difficult moments of your life. He is one of us - the man who understands the love of young people - Marek and Ligia, and doesn't find anything wrong in it.

    Jerzy Trela, in my opinion, in the role of his lifetime as Chilon, starts off as a comic character, as a cheater, plotter, unscrupulous liar, who isn't afraid to bertray people causing their death. For such a role, so comic and tragic, a great actor is needed. Jerzy Trela is undoubtedly a wonderful artist, the right actor for this role. I was crying with laughter at the beginning, and of emotion at the end of the film, watching his Chilon Chilonides.

    A good idea, I think, was giving the role of Neron to a singing actor, Micha³ Bajor. This red-haired artist created a wonderful character, despite the role being so difficult. His musical and singing talents were spot on this film.

    The best female performance was Ma³gorzata Pieczyñska's role of Acte, the only woman who really loved Neron - a love expressed so convincingly.

    A breathtaking scene is the fight between Ursus (Rafa³ Kubacki) and the bull, especially, considering there were no computer or other special effects. Although Rafa³ Kubacki clearly isn't a professional actor, his fighting skills and sheer on screen power are worthy of respect.

    Quo Vadis isn't a Hollywood style film. This film is not like Cleopatra or Gladiator. Comparing Quo Vadis to these films is a pointless exercise. The only thing these films have in common is the place of action: ancient Rome. The rest is quite different. The last scene of the film (I hope you will watch this film, and see this scene) begs the question: "Quo Vadis XXIst century world?"
    zdormike

    I don't understand Polish

    Like summary states Polish is out of my leauge....but this quite wonderful movie isn't for me or any epic movie fan. VERY well done..with great sets,costumes and visuals. (I think the cinematography is beautifully done) The main characters look right and knowing the 1951 version of "Quo" as I do, I can follow their actions easily. In fact their appearance seems to make them more believable than previous versions of the movie.Sequences set in the "Circus" are realistic and in final scene closer to the novel. The entire movie is pretty wonderful and I think it's $18 million dollar budget shows. It's lavishly done. A worthy successor to MGM's version. Best, Mike M.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Never given a wide release in the U.S., its only engagement (so far) in the U.S. was in Los Angeles, California, in 2002. The film has also never been shown on U.S. cable television.
    • Erros de gravação
      In the final episode the Emperor Nero is fleeing Rome, afraid of being killed by the mob or the new Emperor Galba. He attempts to hide in a thicket of prickly pear cactus and agave plants, both of which are native to the Americas and unknown in Europe until the 1500s, approximately 1450 years after Nero's death.
    • Versões alternativas
      On December 25, 2003 the first channel of Polish public television aired first episode of the television version of the movie. It contains of six episodes and is more than 100 minutes than the theatrical edition. Many scenes, previously deleted, were included in the mini-series.
    • Conexões
      Version of Quo Vadis? (1901)

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    Perguntas frequentes17

    • How long is Quo vadis?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 14 de setembro de 2001 (Polônia)
    • Países de origem
      • Polônia
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • Chronos Film (english, polish) (Poland)
      • TVP VOD
    • Idioma
      • Polonês
    • Também conhecido como
      • Quo Vadis Domine
    • Locações de filme
      • Kortina, Tunísia
    • Empresas de produção
      • Chronos-Film
      • Home Box Office (HBO)
      • Kredyt Bank PBI S.A. (I)
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 18.000.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 45 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.85 : 1

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