Bubba Ho-Tep

BUBBA HO-TEP is the result of a "perfect storm" of sorts. First, the source material was put in the hands of a proven master of macabre weirdness, Director Don Coscarelli (PHANTASM 1-4, JOHN DIES AT THE END). Then, the perfect casting of Bruce "The Chin" Campbell (THE EVIL DEAD 1-3) as decrepit, rest home prisoner, Elvis Presley, and living legend Ossie Davis as fellow inmate, John F. Kennedy clinched the deal.

The resulting movie is a beautiful experiment in sheer lunacy... that works brilliantly! Campbell shows what made him all-3-Stooges-in-one in EVIL DEAD 2, as his hilarious inner and outer dialogue make up the bittersweet, comedic heart and soul of the film. Obviously, a murderous mummy's rest home rampage is primo stuff for Campbell.

However, what sets this movie apart from other horror comedies is it's setting, and the way it handles the bleakness of old age. In spite of all of the side-splitting humor and oddness, the true terror lies in growing old and being forgotten, making a cowboy hat-wearing mummy a welcome distraction. Coscarelli captured lightning in a bedpan here. Watching it is like whistling, giggling, and defiantly marching past the graveyard.

EXTRA CREDIT FOR: Ella Joyce as Elvis' no-nonsense nurse...

An elderly Elvis impersonator (or maybe the King himself) and a demented Black man (or maybe J. F. K.) discover that their cut-rate nursing home is being haunted by a soul-sucking pseudo-Texan mummy. Despite some pointless 'gross-out' humour, this off-beat comedy-horror is fun and oddly affecting. Cult-fav Bruce Campbell is pretty good as the maybe-Elvis and his impressions of the King's classic mannerisms (and karate moves) is hilarious. Ossie Davis as a possibly dyed 35th POTUS is just strange and the rest of the cast are mostly props to hang sight-gags on, mostly. Not for everyone but if you like this sort of thing, 'Bubba Ho-Tep' is almost as good as its title.

Who would have thought it? Don Coscarelli, the man who wrote and directed Phantasm a long, long time ago comes back out of nowhere, after spending his entire career in the dregs, with something like this. A film that is more an exploration of regret, fading dignity and growing old than it is about a soul-sucking mummy.

Very old Elvis is brilliantly played by Bruce Campbell. The voice, the hair, the mannerisms are all perfect. He's stuck in Mud Creek rest home where the cynical staff believe he's really called Sebastian Haff, the man Elvis traded places with back in the 70s. And when Haff died, so did the Elvis the public loved. This only left the REAL Elvis free to live his life in peace and eventually indignity.

He pals up with a man who believes he's JFK, only problem is he's black. Though it's more likely he's senile rather than a truth-teller like the so-called Sebastian Haff. Both men have one concern, to stop some kind of Bubba Ho-Tep mummy from taking the souls of all the rest home residents.

Yes, it's insane. But also wildly imaginative and more than balances out the endless, heartless, conveyor belt Hollywood productions. Elements of the story will stay with you and the character development is graceful and important.

The finishing touch is Brian Tyler's awesome score. The main theme is one of the best ever and will flood you will feeling and emotion. Not only is Bubba Ho-Tep blessed with a cast and crew who care about the film their making, it also has wonderful music too. I am lucky enough to have the rare score CD (autographed by Coscarelli and Tyler). Hunt it down, it's seriously worth it.

Keep a lookout for Reggie Bannister as the rest home manager. And watch all the way to the end of the credits for a weird message...

ELVIS RETURNS IN 'BUBBA NOSFERATU: CURSE OF THE SHE VAMPIRES'

I must confess I had reservations prior to seeing this film. I thought it would be some God-awfully childish film laden with sophomoric jokes, cheesy effects, and inane dialogue. Some of those elements do surface, but this film was a genuine pleasure to sit through. Imagine if you can that Elvis, the King of Rock and Roll, switched places with an Elvis impersonator and now lives a sad, lost life in a small, run-down nursing home in East Texas. Add to the mix Ozzie Davis as a man convinced he is John F. Kennedy and a mummy that sucks the souls of geriatric residents and you have the basic premise behind Bubba Ho-tep. But beyond all that and the jokes about Elvis's genitalia and other low brow references is a film with a tremendous amount of heart and a message about the elderly in our society and how we have, as a society, betrayed them and cast them aside. The script and effective direction of Phantasm's Don Coscarelli make this film work on several levels. It is a comedy. It is a drama. It is a horror film. It has all those elements. You care about the characters and are drawn into this seedy little world. The biggest asset the film has is its performances. Davis gives a fine turn and adds credibility to the film, but Bruce Campbell as the king just bowled me over. I had seen him before, but I had never seen him act like this before. You soon forget Campbell is acting and think Elvis is really there - now 68 and destitute. Campbell's inflection, mannerisms, and poise melt and fuse wonderfully into Elvis. This was one of the very pleasant surprises that come along every so often.

"Bubba Ho-tep" is a low budget movie that went for the B-movie feel on purpose, accomplishing its goal of being a "fine" piece of pop culture weirdness. The story is set in a current-day East Texas rest home and focuses on two residents who believe they are Elvis and JFK--the JFK character just happens to be black, and the rest home also houses a few other crazies, including the Lone Ranger. Elvis and JFK soon learn that an Egyptian mummy--who was stolen from his traveling museum exhibition--has come to life in their neighborhood and is killing the rest home residents by sucking their life force out their backsides (you can harvest a soul through "any major orifice," you know). Eventually, our decrepit heroes realize that only they can meet the mummy in a showdown.

The film is really a clever piece of pop culture mythology, working up hilarious back stories for JFK (Ossie Davis who is recognizable from, at the very least, several Spike Lee films) and Elvis (Bruce Campbell of the "Evil Dead" movies). Campbell's performance is particularly excellent, Don Coscarelli's as director did a perfect job finding the right mood and balance of humor for the film, and the leisurely plot--from Joe Lansdale's original novella--is totally engaging and a cinephile's dream.