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IMDbPro

Bang, Bang! Você morreu!

Título original: Bang Bang You're Dead
  • 2002
  • 16
  • 1 h 33 min
AVALIAÇÃO DA IMDb
7,7/10
13 mil
SUA AVALIAÇÃO
Ben Foster in Bang, Bang! Você morreu! (2002)
Trevor is a troubled high school student, thanks to the effects of bullying. This is the story of his fight to break free.
Reproduzir trailer2:33
1 vídeo
7 fotos
CrimeDramaSuspense

Trevor é um estudante problemático do ensino médio, graças aos efeitos do bullying. Esta é a história de sua luta para se libertar.Trevor é um estudante problemático do ensino médio, graças aos efeitos do bullying. Esta é a história de sua luta para se libertar.Trevor é um estudante problemático do ensino médio, graças aos efeitos do bullying. Esta é a história de sua luta para se libertar.

  • Direção
    • Guy Ferland
  • Roteirista
    • William Mastrosimone
  • Artistas
    • Tom Cavanagh
    • Ben Foster
    • Randy Harrison
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,7/10
    13 mil
    SUA AVALIAÇÃO
    • Direção
      • Guy Ferland
    • Roteirista
      • William Mastrosimone
    • Artistas
      • Tom Cavanagh
      • Ben Foster
      • Randy Harrison
    • 82Avaliações de usuários
    • 28Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 7 vitórias e 1 indicação no total

    Vídeos1

    Trailer
    Trailer 2:33
    Trailer

    Fotos6

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    Ver pôster
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    Elenco principal56

    Editar
    Tom Cavanagh
    Tom Cavanagh
    • Val Duncan
    Ben Foster
    Ben Foster
    • Trevor Adams
    Randy Harrison
    Randy Harrison
    • Sean
    Janel Moloney
    Janel Moloney
    • Ellie Milford
    Jane McGregor
    Jane McGregor
    • Jenny Dahlquist
    David Paetkau
    David Paetkau
    • Brad Lynch
    Eric Johnson
    Eric Johnson
    • Mark Kenworth
    Kristian Ayre
    • Kurt
    Brent Glenen
    • Zach
    Gillian Barber
    Gillian Barber
    • Principal Meyer
    Eric Keenleyside
    Eric Keenleyside
    • Bob Adams
    Glynis Davies
    Glynis Davies
    • Karen Adams
    Ryan McDonald
    Ryan McDonald
    • Vanderhoff
    Chad Faust
    Chad Faust
    • Alex Lumberman
    Andrew Sabiston
    Andrew Sabiston
    • Mr. Olson
    Mitchell Davies
    • Mr. Green
    • (as Mitch Davies)
    Merrilyn Gann
    Merrilyn Gann
    • Meyer's Assistant
    Garry Chalk
    Garry Chalk
    • Chief Bud McGee
    • Direção
      • Guy Ferland
    • Roteirista
      • William Mastrosimone
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários82

    7,713.3K
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    Avaliações em destaque

    10WynneL

    Immensely true to life.

    I went back and watched this movie again, and it struck me all over just how real it feels. The performances are so perfectly spot-on that you could swear you know these people--what could have been a string of cliches or platitudes was instead carefully detailed to look like real life. I've rarely seen anything in the theater or on television that struck so very close to home. What makes it all so effective is that absolutely no one comes across as unsympathetic--not the jocks, not the outcasts, not the parents, not the teachers, not anyone. The casting was that sublime. The mains among the young cast are the most impressive group of actors and actresses I've seen in my generation. The older members of the cast are so good I can't believe I hadn't seen them somewhere before. Even the minor characters make an impression and have a bit of flesh to them. You may not like some of these people, you may be angry at them, but you will see where they went astray and understand. No one seems entirely wrong or right, and that's what makes it so unrelentingly human.

    Despite having been a girl and not facing many of the physical tortures portrayed in the film, the sense of humiliation and utter isolation resonates very closely with my own grade school experience. If you weren't ever in that place, if you were popular or normal in school, you may watch this film and think the suffering within was exaggerated, that no one really goes through that... let me tell you, it's not an exaggeration. You may feel like it's normal for kids to get teased, and maybe it is... but there's a tremendous difference between getting teased by your friends and getting messed with because you're regarded by the general population as a thing. You can't make friends when everyone is afraid that hanging around you will cause them to be exposed to the kind of ridicule and torment that you're going through. You have no one to tell, your parents don't understand, you are completely alone in your world, and it feels like that will never change. Every moment of every day is spent waiting for the next gallon of gasoline to be thrown on the flames of your living hell. No, it doesn't look that bad when you're on the outside... it's just somebody getting shoved or laughed at or whispered about. But when it's you actually going through it, you end up either wanting to die or wanting to kill someone. That's exactly what this movie addresses--what leads a young person to that place. If everyone around refuses to empathize and understand, tragedy is the almost inevitable result.
    8bjudd

    Wonderfully compelling

    I just saw this movie at the Seattle International Film Festival. This wonderful film honestly explores the factors that lead teenagers to become violent. Seeing the experience of high school culture through Trevor's eyes really makes you understand what could bring a teenager to kill his/her classmates. This film vividly portrays how high school culture has gotten out of hand during the past 20 years, and also shows how complex the problem is. The blame is never placed entirely on one party (i.e. the parent, school administrators, fellow classmates). Instead, the film remains honest to subject matter, and does not provide any easy answers or solutions.

    Is this movie unsettling? Yes. Brilliantly executed? Yes. Exploitative and simplistic? No. This is a film that should be seen in every high school classroom, every faculty meeting, and every home.

    On a side note, the acting was fantastic by everyone involved. Most notable was Ben Foster, who portrays Trevor with both brutal honesty and heartfelt compassion. He is one to keep on eye on in the future.
    Lechuguilla

    Shining A Light Into A Dark Corner

    Most films seek to entertain. This one seeks to educate. The subject here is education itself, specifically American high schools, with their exclusionary social cliques, peer pressure, disgusting hierarchical caste systems, and the inevitable toll that these harsh realities take on students, in the form of depression, anger, and violence.

    The film is fictional, but it presents truths that exist most everywhere, to varying degrees. The message could hardly be clearer or more timely. And that message is that for kids, high school functions as an emotional and psychological ... trap.

    But if high school is a trap for kids, it's a source of income for teachers and administrators, some of whom thus have selfish motives for preserving the status quo. And for parents, their kid's high school is useful to gauge their parenting skills which they hope will lead to a sense of pride of accomplishment ... for themselves.

    In no part of high school life is this pressure more apparent than in school sports, and the film rightly zeros in on this culture. For boys, athletic accomplishment or non-accomplishment is the main, perhaps only, criterion by which they are judged and stamped, and sent on their way to fend for themselves in a society that demands competitive performance.

    "Bang, Bang, You're Dead" is a clear, compelling story that shines a needed light into a dark corner of American society. The film should be required viewing for teachers, administrators, and parents. But it won't be required viewing, because a lot of adults would just as soon keep that light turned off.
    ma_teng

    one last shot

    It's great to see a movie you think is going to be just awful ... and then is anything but.

    The film amazed me by taking the issues of high school kids seriously, even those of kids who are about to commit the worst carnage imaginable. One of the best ways of perpetuating a problem is turning those affected by it and those who do bad things into angels and devils. Bang, Bang, You're Dead rejects this out of hand and gives everything a shade of grey, yet moves back, forgivably, from the logical climax to make a point about the theatricality of school life, much like the play on which it is sort-of-based.

    It takes troubled kids out to kill seriously, gives them respect and tries to talk to them - and lets them talk, a lot. It is also a genuine drama, and takes no prisoners when it comes to depicting adult hypocrisy and aloofness. That's pretty subversive. Put it all together and you have a ready-made whipping boy for America's right wing. Yet it is this film that anybody who gives a damn about this kind of situation must see.

    This makes it sound like a 1950s advisory film where parents and kids would watch what horrible consequences befell reckless teenagers. But it's much more than that: it's a cunning advisory film for everyone. Nobody comes out clean, but everybody is given the chance to become clean again.

    The MPAA gave this an R rating, which is further proof that this pathetic star chamber of industry insiders ought to be disbanded.
    10Tiger_Mark

    A Very Important Film

    Speaking as a high school teacher, I must say that this is one of the most important films on school that I have ever seen. I can see why this play/movie raised such a controversy. The film examines the root causes that bring about events like Columbine. It is easy to hate those people that commit such atrocities against their fellow students. However, this film/play tries to show how these situations are born and can possibly be prevented. It does not try to make you sympathize with the killers, it tries to prevent such tragedies from taking place. I think all high school students should see it. Very powerful.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Veronika Sztopa's debut with scenes actions (not only her voice).
    • Citações

      Trevor: [Shown on the videotape] When I am gone, you will all have this to ponder and maybe realize why I did what I did. A little push in front of other kids is a very big deal, particularly when you know it's gonna happen to you every single day, every single day, every single day, you are almost relieved when it actually happens. You are always waiting, waiting for the next attack. They don't just hurt kids, they make you hurt yourself. I cant take two more years of this, and the more they call me the mad bomber, the more they are scaring themselves. They dont know what am capable of, they dont know what I can do, and then there's the sanctuary of home sweet home. So, the play, yes Mr. do-gooder, why does he even bother? Doesn't he know its already too late? Sometimes I see the way things could've been, I just wish I could be the person she thinks I am. Kids can be the most ruthless people in the world. They can just be supernaturally cruel. You've got to be a man! Be a man! BE A MAN! Sometimes you just wanna cry. Sometimes hate is the only real thing in the world. You can stop loving someone, but hate seems to go on forever. People respect hate. It speaks, it vibrates. Some people don't even need a gun to hurt you. They use words or laughter. They enjoy watching you bleed to death. They get off watching you fighting back the tears, getting a lump in your throat, blushing, wanting to cry, and they give you a name: Trashcan, pizzaface, loser, faggot, loser, weirdo, spaz, retard. You know the name does something to you. It changes who you are, it alters your molecules and one day you wake up and you look in the mirror and you don't recognize yourself anymore, because you believe them. They win you lose. You wanna cry, please leave me alone, but nobody listens, because nobody cares, because you don't have a name anymore because they took it away, and then one day they say that name and you hear something go snap. You realize what you gotta do, you gotta take back your name and you've gotta do it in front of the whole school because that's where they took your name away from you. You gotta do it so every kid will remember. This is about justice and after a while you can only think of one way: Jonesboro, Springfield, Paducah, Columbine, a gun, a bomb, instant justice, Ba-bang! But what a rush when they roll out that yellow tape, miles and miles of yellow tape. They won't have enough when I'm finished. So when these hallways are flooded with rivers of blood, when these hallways are choked with their corpses in body bags you all say oh what a tragedy, oh what a tragedy, but possibly after viewing my tapes, you wont be so quick to judge. Maybe that's why I was put in this earth. So consider this my last will and testament.

    • Conexões
      Featured in Beyond Clueless (2014)
    • Trilhas sonoras
      My Own Prison
      Performed by Creed

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    Perguntas frequentes17

    • How long is Bang Bang You're Dead?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 7 de junho de 2002 (Estados Unidos da América)
    • Países de origem
      • Estados Unidos da América
      • Canadá
    • Central de atendimento oficial
      • Icarus / William Mastrosimone
    • Idioma
      • Inglês
    • Também conhecido como
      • Bang Bang You're Dead
    • Locações de filme
      • Vancouver, Colúmbia Britânica, Canadá
    • Empresas de produção
      • Showtime Networks
      • Viacom Productions
      • Jersey Guys Productions
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 33 min(93 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby
    • Proporção
      • 1.33 : 1

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