Demolidor: O Homem sem Medo

This surprisingly dark and moody superhero yarn is a great and unexpected surprise – probably the most genuinely entertaining comic-book film to come out of Hollywood in the early surge of such movies. It certainly walks all over the likes of HULK and SPIDER-MAN. The fun aspect of the movie comes from a pleasingly witty script, which serves up crisp dialogue throughout; some surprising plot developments (coming from somebody who never reads any comics); memorable acting performances and a freshness which is more than worthwhile. The backstory of the main character is run through pleasingly fast, in about fifteen minutes (compared to HULK's forty-five). I don't want to spoil any of the plot, other than to say that this film takes a more adult, mature approach to the material – both in the depth of emotion of the characters, in the handling of death, and in the rather violent action sequences.

Said action – invariably incorporating martial arts, which is of course currently in vogue in Hollywood – is highly entertaining and the film as a whole is packed with special effects, which add to the impact rather than being really noticeable. The entire cast put in good performances, from Ben Affleck's subdued turn as the lead to the solid support of Jon Favreau, Joe Pantoliano and Leland Orser. Yet the most noticeable characters are Jennifer Garner as the truly electrifying Elektra, Michael Clarke Duncan as the impossibly imposing Kingpin, and best of all, Colin Farrell as mad henchman Bullseye. Farrell bags the best role in the film and really makes a meal of it, bringing humour to his psycho-schtick and enlivening the proceedings no end. The combination of the above factors serve to highlight DAREDEVIL as one of the triumphs of the Hollywood year!

Where Spiderman was colorful and almost cartoonish, Daredevil is gritty and merciless. Whatever you thought couldn't happen in Peter Parker's world will more than likely happen in Matt Murdock's neck of the woods. Because people die here. Sometimes they die slowly and painfully. The superheroes go home with scars on their backs, broken teeth, and more than a few gruesome images that need to be repressed. For all of these reasons I liked Daredevil, because it takes chances by offering a hero that is by no means invincible or conventional.

The origin story of the character Daredevil is pretty complicated, but, as the helpful gentleman in the theater so aptly put it, "He's blind, but he can see stuff blind." Let's just leave it at this: As a kid, Matt Murdock was blinded by radioactive material in a freak accident. This caused his other senses to become phenomenally acute, to the point where Matt can track criminals by their scent and use sound waves as a sort of radar. He uses his newfound abilities to protect those who will not be protected by the justice system, all the while hoping that one day he will find the person who killed his father.

If you're a fan of the first two Batman movies, you'll find a lot to love in Daredevil. There are still some comic book elements that require some suspension of disbelief, like the fact that Matt could construct an entire high-tech lair beneath a church while working as a pro-bono lawyer, but the movie is not fantasy-driven. The fight scenes will make you wince at their realism, the love story is not corny or forced (as opposed to a certain flick called Just Married), and the characters are complex, uncertain people who just happen to don masks and fight on rooftops.

Do you remember the parts in the old Christopher Reeve Superman movies where Clark would hear someone crying for help in the distance? He would always be having dinner with Lois Lane at the time, and had to make up some dumb excuse for ditching the scene like, "Oh! I just forgot. I have a book due at the library." Then he would dash off to save the day, leaving Lois high and dry. Well, in today's feature, Matt hears someone crying for help, but when his love interest, Elektra, asks him to stay, he actually does. With out-of-left-field scenes like this, I couldn't help but enjoy Daredevil.

Some might be surprised at how little screen time the villains get in this movie. Kingpin, a Don Giovini mobster type, and Bullseye, an Irish nut with a couple of loose screws, are important parts of our story, but they don't steal the show. Going back to the Batman comparison, many movie buffs think that Jack Nicholson's role as the joker actually become more interesting than the winged knight himself. Not so in this movie, as Daredevil is the guy whom the role shebang revolves around. By deciding to focus on the hero more than the villain, the audience can get into his head and root for him to the last battle. Matt is a cool guy because he's not a wealthy playboy or Kryptonian who can smash through walls. Other than his heightened senses and combat skills, he's just a regular guy who happens to like read leather.

After X-Men and Spiderman became huge hits, it was expected that Hollywood would start churning out more superhero flicks as fast as they could make them. Thankfully, Daredevil doesn't seem recycled or rushed and actually brings something new to the table.

Blinded by bio-hazardous waste as a child, Matt Murdock finds that his other senses have developed to the point where they afford him almost supernatural physical abilities. Years later, Murdock (Ben Affleck), now a pro-bono lawyer, takes on the guise of night-time vigilante Daredevil, using his powers to ensure that justice is always served. In doing so, he finds himself pitted against crime boss Kingpin (Michael Clarke Duncan), his hired hit-man Bullseye (Colin Farrell, who hams it up wonderfully in every scene), and kick-ass babe Elektra (Jennifer Garner), who mistakenly holds Daredevil responsible for the death of her father.

The recent casting of Ben Affleck as Batman has been the cause of much controversy amongst comic book fans, but judging by Daredevil, the star's previous foray into comicdom, I'm not all that concerned, this fun movie proving the actor to be more than capable in the role of superhero. Affleck acquits himself surprisingly well as both the laudable lawyer and his leather-clad alter-ego, providing the character with the necessary depth and the required physicality.

If this longer version still proves less than perfect, it is not down to Affleck, but once again due to the script and the directorial style (I guess some things just can't be fixed). With an extra thirty minutes, The Director's Cut fleshes out the characters and makes more sense of the narrative, but at the expense of the pacing; in addition, the poorly lit visuals makes some of the action hard to follow (I understand that the look and feel is intended to emulate the style of Frank Miller's comic book artwork, which makes great use of heavy shadow, but director Mark Steven Johnson takes things a step too far).

Over the last decade, Marvel have gradually honed their product to meet maximum audience approval, boosting their budgets and throwing the best special effects available onto the screen, but as one of the earliest postmillenial attempts to bring their characters to the big screen (yes… Daredevil is already well over a decade old) this is still a serviceable effort, with only the occasional iffy CGI shot belying its age.

That's why I think most critics hated this thing. It's not lighthearted fun like "Spider-Man" was, it's more adult-themed. I actually found it a bit more effective than Sam Raimi's superhero epic. Why? Because it wasn't campy and it didn't have cartoony special effects. The CGI in "Daredevil" is more photorealistic. I also loved the "Matrix"-like martial-arts incorporated throughout the film.

In fact, as far as darker-themed comic book movies go, I think "Daredevil" is a much better film than either of the first two "Batman" pictures were. I recently watched "Spider-Man" again on DVD and I've always had mixed reactions of it. I do think it works on the level of campy fun and for that I gave it a B Minus. But I think "Daredevil" is a more solid picture and I'd grade it with a B.

I like the look of the film, the washed-out colors make the movie look very 70's in certain scenes. Like "The Crow", the movie has an MTV mentality with rock and rap songs, but also has a love story as well. The sound design is awesome, if you have a good theatre sound system, "Daredevil" will take full advantage of it. I don't think Ben Affleck got credit when it was deserved. Along with Jennifer Garner, Colin Farrell and Michael Clarke Duncan, Affleck was perfect cast.

Anyhow, as much as I believe "Daredevil" is a much better film than "Spider-Man" was. I actually think "Spider-Man 2" is better than "Daredevil". The best comic book movie ever placed on film. It shows that a director can really improve on his work. I highly recommend that film to anyone. Well, the bottom line is: "Spider-Man" (B-), "Daredevil" (B) and "Spider-Man 2" (A). I hope you enjoyed my review.

When I heard about a directors cut to this movie I never imagined it would be so much better than the original release. Why must movie studios always feel they know better than the director. This film would have been much more successful had they left it alone, but by insisting on so many cuts and changes they shot themselves in the foot. All because they wanted a family friendly spider-man type film instead of the much more dark and violent world of daredevil. Every scene added to the film makes you wonder why they cut it in the first place. It isn't just about adding scenes though they have taken a couple out too. I can't imagine anyone who would miss the fireside love scene. I urge everyone who saw the theatrical cut to watch the directors cut. It isn't a perfect film but it's a more complete and enjoyable one. Also watch the documentary on the directors cut DVD and see one of the producers trying to defend the original release and then actually saying he thinks it is the better cut. I think he must be more blind than Matt Murdock!!!