AVALIAÇÃO DA IMDb
6,3/10
5,8 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaTwo angels, one from the heaven and one from the hell, come to earth to save the soul of a boxer.Two angels, one from the heaven and one from the hell, come to earth to save the soul of a boxer.Two angels, one from the heaven and one from the hell, come to earth to save the soul of a boxer.
- Prêmios
- 4 vitórias e 18 indicações no total
Penélope Cruz
- Carmen Ramos
- (as Penelope Cruz)
Montse García Romeu
- Cajera Embarazada
- (as Montse Garcia Romeu)
Paz Gómez
- Cajera Joven
- (as Paz Gomez)
Vicenta N'Dongo
- Cajera 2
- (as Vicenta NDongo)
Pablo Olewski
- Boy in Supermarket
- (as Pablo Olewsky)
Avaliações em destaque
Augustin Diaz Yates heaven-vs.-earth satire DON'T TEMPT ME is really NOTHING that hasn't been done before, and in better films. An angel from heaven (Victoria Abril) and an angel from hell (some Spanish chick named Penélope Cruz...lol!} fight over the soul of a brutish boxer (Demiån Bichir). The way the plot develops is predictable, as is the ending. But there are laughs around the way, most of them provided by Cruz. I can't begin to comprehend why she's such a dull, tedious, unconvincing actress in American films when she's proved to be such a vibrant, energetic and entertaining actress in Spanish films. And while she's made better films (BELLE EPOQUE, JAMON JAMON, LIVE FLESH, ABRE LOS OJOS and even the American ABRE remake VANILLA SKY), I think this is definitely her best performance yet. Her character is the most interesting and entertaining figure during the entire duration of the film, and one of the reasons she gets the biggest laughs is because the screenwriter gave her most of the best lines. The ridiculously talented and versatile Gael Garcia Bernal is a total hoot as a top CEO in hell who's a mix of Spike from BUFFY THE VAMPIRE SLAYER and Tony Shalhoub's eccentric shyster in THE MAN WHO WASN'T THERE. He's so much fun that the movie is hurt because he's a supporting character who only appears in a few scenes, and so many of the lead characters are so one-note and tiring we keep waiting for him to show up more to liven things up. Anyways, this isn't a very good film, certainly one you may not remember for a long, but the good aspects in it kept me entertained...most of the time. B-
I saw this movie today and I absolutely adored it!
Originally, I watched it for Gael Garcia Bernal, who was quite good as the operations manager of hell. Victoria Abril played a wonderful Lola and Penelope Cruz, who I'm not very partial to, almost made me like her as the little hellion, Carmen.
The only horrid part of the movie was Manny. I absolutely loathed that character. He was such a pig!
Anyway, even though the movie was a bit confusing and odd at parts, I still found it wonderful.
*** out of ****
Originally, I watched it for Gael Garcia Bernal, who was quite good as the operations manager of hell. Victoria Abril played a wonderful Lola and Penelope Cruz, who I'm not very partial to, almost made me like her as the little hellion, Carmen.
The only horrid part of the movie was Manny. I absolutely loathed that character. He was such a pig!
Anyway, even though the movie was a bit confusing and odd at parts, I still found it wonderful.
*** out of ****
Amusing film which is in four languages! Do your best to get an original copy, not a dubbed one. The language of hell is English, the language of heaven is French, the angels communicate to each other in Latin, and the language of Earth is Spanish. It's worth it just for that. Good acting, creative story and filming.
Needing a bit of comedy after the Danish film, Craig, I turn to the ever luscious Penelope Cruz who, along with Victoria Abril, are sure to delight.
To say that Cruz is hot is putting it mildly, as she plays an inhabitant of Hell who is sent to Earth to grab the soul of a losing, debt-ridden, boxer (Demián Bichir). Heaven sends their own representative and the battle is on.
Abril, who falls short of her most skintastic performance, nevertheless gives us a glimpse of her heavenly body as she plays the misogynistic boxer's wife. Cruz keeps it hot as she struts and dances, but does keep it on as the boxer's cousin. Why the bum doesn't stray is a big mystery.
Gael García Bernal (The Crime of Father Amaro, Bad Education, babel) plays the administrator of Hell, who becomes concerned about a corporate takeover by the rich, who are working to convince everyone that they are not really bad, but victims of society. Sides become blurred as the need to continue the existence of good and evil, and Heaven and Hell become more important that who gets the soul.
Fanny Ardant (8 Women, Paris, je t'aime), Elena Anaya (Van Helsing), and Gemma Jones (Bridget Jones Diary, Bridget Jones: The Edge of Reason), and Elsa Pataky (Snakes on a Plane, Romasanta) all add to the fun.
To say that Cruz is hot is putting it mildly, as she plays an inhabitant of Hell who is sent to Earth to grab the soul of a losing, debt-ridden, boxer (Demián Bichir). Heaven sends their own representative and the battle is on.
Abril, who falls short of her most skintastic performance, nevertheless gives us a glimpse of her heavenly body as she plays the misogynistic boxer's wife. Cruz keeps it hot as she struts and dances, but does keep it on as the boxer's cousin. Why the bum doesn't stray is a big mystery.
Gael García Bernal (The Crime of Father Amaro, Bad Education, babel) plays the administrator of Hell, who becomes concerned about a corporate takeover by the rich, who are working to convince everyone that they are not really bad, but victims of society. Sides become blurred as the need to continue the existence of good and evil, and Heaven and Hell become more important that who gets the soul.
Fanny Ardant (8 Women, Paris, je t'aime), Elena Anaya (Van Helsing), and Gemma Jones (Bridget Jones Diary, Bridget Jones: The Edge of Reason), and Elsa Pataky (Snakes on a Plane, Romasanta) all add to the fun.
Entertaining. Unique in style. It's a story about an angel from Heaven and a fallen angel from Hell who both compete over the soul of a boxer.
Penelope's role in this film is more of a far cry than in her previous roles. Normally, she is cast as a beautiful object of desire, as in Vanilla Sky, Captain Corelli's Mandolin, All the Pretty Horses and Woman on Top. She has even been cast as a slightly less-than-attractive, but still desired woman, as in Blow and Gothika. For the first time, Penelope Cruz is actually shot in an almost undesirable way in this film - even letting herself get beat up a couple of times. She does pull it off, and the film succeeds as an off-kilter dark comedy with that Hollywood "Heaven vs. Hell" factor added in.
It is worth it, if for nothing else, to see Penelope dance around her room "Travolta style" to the song "Kung-Fu Fighting".
Penelope's role in this film is more of a far cry than in her previous roles. Normally, she is cast as a beautiful object of desire, as in Vanilla Sky, Captain Corelli's Mandolin, All the Pretty Horses and Woman on Top. She has even been cast as a slightly less-than-attractive, but still desired woman, as in Blow and Gothika. For the first time, Penelope Cruz is actually shot in an almost undesirable way in this film - even letting herself get beat up a couple of times. She does pull it off, and the film succeeds as an off-kilter dark comedy with that Hollywood "Heaven vs. Hell" factor added in.
It is worth it, if for nothing else, to see Penelope dance around her room "Travolta style" to the song "Kung-Fu Fighting".
Você sabia?
- CuriosidadesThe photo Lola (Victoria Abril) puts into the album shows the mother of Manny. The woman in this photo is the actress Pilar Bardem.
- Citações
[first lines]
Carmen Ramos: History vindicates us, and you know it.
Lola Nevado: History vindicates no one. History's a deaf man answering questions he wasn't asked.
- ConexõesFeatures Os Bons Companheiros (1990)
- Trilhas sonorasSummertime
Written by George Gershwin, DuBose Heyward, Dorothy Heyward and Ira Gershwin
Principais escolhas
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Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Bendito Inferno
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- ESP 1.200.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 77.858
- Fim de semana de estreia nos EUA e Canadá
- US$ 15.271
- 24 de ago. de 2003
- Faturamento bruto mundial
- US$ 3.340.382
- Tempo de duração
- 1 h 35 min(95 min)
- Cor
- Proporção
- 2.35 : 1
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