Embriagado de Amor

One of the reasons I would recommend 'Punch-Drunk Love' is Adam Sandler. For the first time he is the best thing in a movie and I must admit he does a tremendous job with his character, named Barry Egan. He has the same aggressive outbursts he has in his comedies but here they fit his character and the story. He seems like a pretty normal guy although you see something in his face, something ready to come out, and when it comes you can almost understand it.

The story is a love story, in a way. The love interest is Lena (Emily Watson). They are both different and therefore there is a chance it could work. Another part of the story involves a sex line that Barry called. They have his credit card number and everything and force him from time to time to donate money. How this story goes from there is not for me to reveal but it gives us some very unexpected moments.

That is one of the other good things in this movie. Most of the time you don't know and can't even guess what will happen next. It is another reason to see this movie, although I do think it has some boring moments as well. The story develops slow and that makes it a movie not all people will like. If you like Adam Sandler-movies like 'Mr. Deeds' or 'Big Daddy' I think you should skip 'Punch-Drunk Love'. If you like other movies from director Paul Thomas Anderson I am not sure. I liked 'Boogie Nights' and 'Magnolia' a lot better, but you might want to give it a chance.

This is a great movie (my opinion) and here's why...it shows two characters falling in love and acting stupid. They don't have all the right things to say to each other; they get scared; they walk away and wish they had said something, anything other than what they did/didn't say; they get embarrassed, they giggle and snort...and the list goes on.

If you don't like this movie, it's OK. I think this is the kind of movie that is sorta just sitting there, waiting for the "right" people to see it and nod their heads and smile and say, yes, this is how it is. It's quiet and doesn't scream for people to pay attention to it; it's just there. It doesn't make any promises and it doesn't need to.

The storyline may veer from "real" life, but these two characters pretty much get it--what people do when they are very much "in love" with someone.

Paul Thomas Anderson's Punch-Drunk Love is a fascinating film. Perhaps 2002's best movie - and one of the best drama/romantic-comedies to ever hit the silver screen.

PT Anderson is an absolute genius. A talented and master film-maker. Boogie Nights and Magnolia, two of Anderson's previous films, were absolutely stunning. Boogie Nights, in particular, was a complete masterpiece. And Punch-Drunk Love is no exception, another great piece of film-making by what is quickly becoming one of the world's top Directors. I can't wait for whatever he does next.

Also, it's difficult to overstate the performance of Adam Sandler. I'm confident this will go down in history as his best work. Ironically, I thought I'd never see this movie because of Sandler starring in it. (I ONLY watched it because of my respect for PT Anderson - and I still waited 3 years to see it!). I enjoy most of Sandler's non-romantic comedies, but I couldn't even imagine him in a romantic movie, I thought he would be horrible. I couldn't have been more wrong. I wasn't prepared for such a great performance, as he stole the show from the opening scene. I can't remember ever being more surprised with the lead actor in a movie. He was simply great, a truly terrific performance.

On the flip side, Emily Watson, as the caring Lena, was wonderful as well. I've got the feeling we will be seeing much more of her, as she had a breakout performance here in PDL. I thought at first that she almost looked too beautiful to put up with the antics of someone like Sandler's character (as she would be in high demand with the males), but then we see the quirky side of her as well, and it all comes together. Great touch.

I recommend this movie to anyone over the age of 25. If you're a teenager who's hoping for a few laughs from Sandler, you're going to be gravely disappointed. Buy the movie, store it in your closet, and pull it out when you reach 30 - and you'll love it! And please, don't let "romantic comedy" scare you (as it does me). I almost REFUSE to watch romantic comedies, but this one is much different. Romance and comedy surely aren't the first things that come to mind when I think of this film. It's a drama full of tension and embarrassment. It's an uplifting, yet shocking movie. To the intellectual mind, I can't recommend it enough.

Thank you for reading!...

JD

I caught this at the New York film festival and my expectations were about as low as they could be. I was never a huge Adam Sandler fan, and I hadn't ever taken a liking to PT Anderson's other films. I thought that Magnolia was pretty flimsy writing-wise, and I also thought that it got way too much undue attention when it came out.

I couldn't believe how great Punch Drunk Love was. It seems to be the polar opposite of Magnolia. Where Magnolia was sprawling, messy and often generic, Punch Drunk Love is short, tight and completely fresh. It reminded me of Fargo, in a way. It centers on a very small cadre of characters, it's incredibly focused, and it creates its own world for those characters to live and move around in.

It's been mentioned here before, but the art direction is stunning. I haven't seen such memorable visuals since The Royal Tenenbaums. In a grocery store scene, the items are stacked vertically by color (echoing the color bars that appear periodically between scenes), making the scene appear otherworldly. Other sets are bare of color or distinction. Sandler's love interest in the film (played by Emily Watson) lives in a maze of white corridors. Somehow, every "place" in the film has its own character and association. Even the characters become associated with particular colors.

The movie ends up being genuinely romantic while deviating completely from the very stale paradigm for romantic comedies of the last decade: Watson's character pursues Barry Egan; their inability to hit it off from the start is more character-driven and psychological than situational. Through the use of bizarre props and surreal scenes, the anxiety and frustration of Barry Egan becomes totally absorbing and affecting.

This is a wonderfully directed film. There isn't an extraneous moment. The visual style and pacing are particularly great. There's an interesting subtext in the film about communication - enormous background noise while characters are on the phone, Barry Egan's sisters' voices create this wall of noise (all voices making fun of him), telephones figure predominantly, the opening scene is completely bereft of background noise or music. There are a lot of interesting things to consider when it comes to the theme of communication and how sound is handled in the film.

That said, I'm already cringing at how most people are going to react to this. The Adam Sandler fans might find it too weird. People who liked PT Anderson's other movies might find it too pretensious. I was thrilled to have my low expectations completely overturned. This movie is great.

No business looking this good with beautiful/subtle lighting. Strange & random but a warm tone that is just lovely. The screenplay is ridiculous but masterfully crafted. Simple yet uniquely profound with a great score & cast.

. .

. No business looking this good with beautiful/subtle lighting. Strange & random but a warm tone that is just lovely. The screenplay is ridiculous but masterfully crafted. Simple yet uniquely profound with a great score & cast.

. .

. No business looking this good with beautiful/subtle lighting. Strange & random but a warm tone that is just lovely. The screenplay is ridiculous but masterfully crafted. Simple yet uniquely profound with a great score & cast.