Made-Up

Women over 40 treat "Made Up" like a religious event. They come away raving about how someone finally made a movie for and about them. Not being in that demographic, I don't have the same feelings, but I can see what they mean. Doesn't this group deserve a movie or two of their own?

Lynne and Brook Adams give solid performances as sisters whose relationship is strained when one makes a documentary of the other's life. Director Tony Shaloub makes a small role into one of the brightest parts of an otherwise dark comedy. The real standouts in the cast are Eva Amurri and Light Eternity. Both provide memorable performances.

Mockumentaries are beginning to feel played out, but Made Up finds some new ground by making the hapless filmmakers central characters. Hidden cameras--and the idea of hiding cameras--provide some of the movie's best laughs.

There are certainly missteps in this film. It feels a bit long at 90 minutes. The central character lacks a clear goal--something that's even mentioned within the film. And the movie feels more like it stops than ends. But it is more enjoyable than most studio product, and it provides a few great moments plus real standout performances by Amurri and Eternity. And, if you're a woman over 40, expect to find Enlightenment.

With the same sort of unabashed honesty that helped make "Something's Gotta Give" such a hit with the 40+ set is Emmy-winning "Monk" star Tony Shalhoub's directorial debut. This "middle age comedy" features his wife, the still-lovely Brooke Adams ("Days of Heaven"), as an actress in her 50's who laments both the fading of her looks and the social nether-strata she has been banished to by a youth-worshipping public. With a warm and deft emotional sense, writer Lynne Adams, who is Brooke's sister, provides Shalhoub's cast, which also includes Eva Amurri of "The Banger Sisters", Gary Sinise ("The Human Stain") and Shalhoub himself, with plenty of ripe material to explore. Without rising to the preachy "these kids today" levels to which Clint Eastwood often rises in celebrating age and wisdom, Shalhoub's love for not only his wife, but also telling a good story, shine through. Score: 3.5/5

The Los Angeles opening of `Made Up' on February 6th garnered a screening with director, star and writer in attendance for a Q & A. The Arclight does this kind of thing well. There was even rumor of a little party after. That made things irresistible, being that it was Tony Shalhoub, Brooke Adams and Lynne Adams who work out to be director-actor-husband, actress-producer-wife, writer-actress-sister-producer. Almost more hyphens than even we can stand. And this is Hollywood.

A festival darling (Santa Barbara, South by Southwest to name a few) is finally in theaters on an independent and limited run. Great reviews on both coasts, in both Times, are furthering the buzz.

Clever and cute, in the vein of `Best of Show,' this mock-umentary is a film about making a film. Turning the mirror on yourself to look inside and check your lipstick. How to age gracefully, get a make over from your rebel grrrrrl daughter, finish the project, get the deal, make the ex-husband jealous and spoil the trophy wife's homeless woman art exhibit, not drink and do cartwheels.

Playing roles that they live each day, Brooke Adams is the actress, Lynne Adams is a film maker and newcomer, kick-in-the-pants, Eva Amurri plays the actress' daughter. Little Eva made her film debut as a sick kid in the hospital in her step-dad's directorial debut, `Bob Roberts.' Let's hope this kid can keep her mojo working and Tony Shalhoub's first at-bat behind the camera will lead to more.

The post film forum revealed one of the director's greatest challenges was to light his leading lady with an un-flattering light. `I mean, just look at this,' meaning Brooke. It got a nice 'ahhhhhh' from the audience. This made up for the evening's intro by an Arclight staffer, who expressed admiration for Mr. Shalhoub's role on TV's `Wings.' `I grew up watching this man.' That got an 'oooohhh' out of the audience. (`What? That was '97?')

A way-cool website will give you step by step instructions on the Tivey Facelift Kit (as seen in the film). Your cost? Seventeen cents!

I had a bit of trouble catching on to the movie at first, then became very engrossed in it. The documentary within the movie was well done, and though there were only 10 people in the matinee audience, we all roared with laughter many times. All the actors were wonderful. It is a very understated, humourous look at our society and the worship of youth and beauty. I was taken by Brooke Adam's honesty in portraying a woman who is aging well, and thought the relationship between her character and her young daughter was very well drawn. The scenes with her ex-husband and his new, younger girlfriend were funny and touching. The ending was a bit abrupt, but I enjoyed the movie. I would see it again if there were not so many other movies I want to see.

Greetings again from the darkness. OK, I realize I am not the target market - being a middle aged white guy and all. But please tell me that women aren't so dense as to be confused at why they are not in a relationship when they make no attempt to be charming or likeable! Have been a fan of Brooke Adams since "Invasion of the Body Snatchers". In this movie, however, I am not sure who is less appealing, her or the aunt (played well by Lynne Adams). The shining star of the film is the very striking Eva Amurri playing Brooke's daughter. With wise choices, she can go places in the film world. The most intriguing role in the movie is played by the director, Tony Shaloub. Never can decide which he wants more, the thrill of acting or a relationship with a nice woman. Pretty interesting topic, not always handled the best. Shaloub shows a nice feel for camera angles and lighting. A little more warmth and charm and this could have been a real sleeper of a film.