Ha-Hesder

TIME OF FAVOR starts out as a love triangle and then switches into a thriller. It is interested in stylishly presenting both stories, so it winds up being a little long, and yet even then it's missing some setup near the beginning. The rabbi wants his daughter to marry the most brilliant of his students, but we never see even a perfunctory demonstration of that student's brilliance. The daughter falls in love with a different disciple of the rabbi's instead, but the script doesn't give them any particular reason to fall in love. It almost looks less like the real thing on the girl's part than like simple rebellion against her father... but it's supposed to be the real thing, or the plot doesn't have sufficient fuel. The thriller section proceeds well; the situations are sold to us by some of Israel's best character actors. All in all, the film was crafted well enough to kick off a writing/directing career (not an easy thing to do in Israel) that has been going strong for Joseph Cedar over more than twenty years now.

In a West Bank settlement a Rabbi has risen up to get his own following. It is Rabbi Meltzer's plan to build the temple and he has formed his own military unit under the command of Menachem, on of his disciples. Meanwhile one of Menachem's men, Pini, is called to meet the Rabbi's daughter, Michal, so that their marriage can be arranged. However Michal rejects Pini as she has fallen for Menachem.

Other reviewers here have criticised this film for not giving them the understanding of the politics around the area, however I consider this a very unfair accusation. This film is not about the situation; it may have some subtexts that comment on it but generally the film struck me as a thriller based around several characters. As such (and I can only review it as such) I found it to be quite effective at points but also to be rather slow at others. As a thriller there were plenty of good moments – either tense, running with guns moments or good revelations or twists around the characters; however at other times it was too slow and seemed to drag to include at attempt at subtext or commentary that it didn't need (or certainly didn't do enough with).

Outside of this the story is pretty good even if you ignore some of the character's motivations. I must admit to being a bit lost as to why Michal took the path she did with such vigour while Pini was a mystery to me; but ignoring the weaker turns helped me focus on the dramatic flow, flawed though it was. The direction is good even though the budget clearly would not compare to your average Hollywood thriller. I had never seen any of the cast in anything before and they were pretty average on the whole. The only performances that stood out for me were Avni's Menachem and Volf's Mookie – both had good presence.

Overall this is not a great film but it more or less works as a watchable little thriller based around several characters. The story may have plenty of flaws but it moves along well enough save for a few dull patches. It won't teach you anything about the region and it's occasional attempts to pass comment only serve to take away from the main story which could have been a lot pacier and exciting without Meltzer's preaching.

Israeli settlement, yeshiva with a dangerous, charismatic rabbi, and a military unit of devout young orthodox Jews. Combination of fundamentalist approach to faith and proximity of weapons, always a very bad idea.Mix in two young men and the rebellious daughter of the above-mentioned rabbi Meltzer, and there we have a love triangle. I usually thoroughly enjoy Israeli cinematography known for its freshness and creativity, but " Time of Favor" falls short. Could be the lack of knowledge about the Orthodox branch of Judaism on my part ( i am not Jewish), or possibly the muddled vision of the director. I am not sure, but what's left is a tackle on this universal problem of religious fundamentalists who, of course believing that they are the only ones with the right answers, feel obliged to demolish everybody else. Sad state of affairs but not enough for a movie.

This film is another in a wave of films from Israel that show the gritty reality of life there. Kippur showed us just how bloody and fruitless the 1973 war with the Arabs was (the scene of three medics trying to move one wounded soldier over a muddy field sticks in my mind as a symbol of futility), Late Marriage showed how hard it is for the children of immigrants to find their way in a secular society--Zaza, the central character is falling apart under the pressure of compliance with traditional precepts governing courtship, marriage and divorce.

The character of Rabbi Meltzer seems to be based on Meir Kahane, the dangerously charismatic and violent leader. People are just pawns in a chess game for this man, and if his family doesn't comply with his wishes he'll find others who will. It's fascinating to see Michal, his daughter, start to assert her individuality after a lifetime of conformity with her father's wishes. The first indication of rebellion takes place on a mountainside overlooking the kibbutz where she grew up; she tells a bitter story of neglect and indifference to human needs that is very touching. Tinkerbell and Aki Avni are very good; Assi Dayan as the Rabbi is outstanding in his deviousness cloaked in moral fervor.

One of the many reasons I appreciated this movie was because it spoke of a certain truth behind the Israeli government; namely, their unique and authentic desire to protect and live side-by-side with their Arab neighbors. Although there may be army generals who could have allowed the explosion under the Dome of the Rock to take place, they no doubt would expect a massive retaliatory attack on Israel by surrounding countries resulting in instability in the region. Political and religious suicide, to be exact. However, I felt that the film depicted the soldiers acting collectively and selflessly to prevent such a tragedy to occur because their job is to protect and defend the Land of Israel, its landmarks, and citizens, including Arab-Israeli citizens.

The under ground activity is very symbolic of the underground politics of the Israel government in its efforts to deal with the political situation of the region. Like the US, there are many times civilian lives have been spared and the heroes are never known nor are the events made public.

It's hard to identify the protagonist, although Menachem is most likely the closest candidate. Depending on who is viewing the film, he may be seen as friend or foe.

The movie plot suffered slightly due to the intermediate love (lust) story involving Pini. Audiences have enough trouble keeping up with their own relationships, it's not necessary to drag them into a failure from the beginning.

Editing and lighting techniques were overlooked but forgiven because the film was shot mostly outdoors. Overall, a very well-done film and deserves 8 of 10 stars.